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    <title>The Messy Studio with Rebecca Crowell - Episodes Tagged with “Composition”</title>
    <link>https://messystudio.fireside.fm/tags/composition</link>
    <pubDate>Sat, 28 Nov 2020 15:00:00 -0600</pubDate>
    <description>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>The podcast at the intersection of art, travel, business, philosophy, and life in general.</itunes:subtitle>
    <itunes:author>Rebecca Crowell</itunes:author>
    <itunes:summary>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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    <itunes:explicit>no</itunes:explicit>
    <itunes:owner>
      <itunes:name>Rebecca Crowell</itunes:name>
      <itunes:email>rticknor.core@gmail.com</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
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  <title>Episode 154: The WOW Factor</title>
  <link>https://messystudio.fireside.fm/154</link>
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  <pubDate>Sat, 28 Nov 2020 15:00:00 -0600</pubDate>
  <author>Rebecca Crowell</author>
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  <itunes:episode>154</itunes:episode>
  <itunes:title>The WOW Factor</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists.  We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer? What can we learn from them and what questions do they raise? 
</itunes:subtitle>
  <itunes:duration>32:09</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists.  We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer? What can we learn from them and what questions do they raise? 
If art is communication, our work that really engage people is telling us something.  We are connecting, speaking to other people in ways that they can receive and respond to. 
When a piece both pleases us and feels true, and engages the viewer in a strong way, what characteristics does it tend to have? First, the work shows a strong sense of purpose or intention. That may come through in in subject matter, color or other visual elements, scale, or any aspect of the work that has a certain boldness to it.  The work also arises from personal meaning—it is sincere, authentic, not derivative--what we call personal voice.  
Very impactful work also typically shows a mastery of technique and high levels of craftsmanship, although that alone may not carry the piece, if expression is not also part of the work. Finally, we respond to beauty, in the sense of work that has depth, power, and meaning, 
Finding ways in our work to stay true to our own ideas and communicate with others in a strong and engaging way is one of those life-long challenges that we take on as artists. We will have pieces that hit that mark and many others that do not. Paying attention to our work that does fit both criteria is worthwhile—not to repeat it in a formulaic way-- but to try and understand what it has to teach us. 
Right now is THE BEST time of the year to buy art supplies at Blick.com! Cyber sales are active all weekend while supplies last! Get your art supplies for your art practice (as well as gifts and stocking stuffers) at a massive discount, and support the podcast at the same time by using our affiliate link. 
www.messystudiopodcast.com/blick
​
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions  as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button. 
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a CORE Publication MGMT production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Fundamentals, Composition, Practice, The WOW Factor, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists.  We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer? What can we learn from them and what questions do they raise? </p>

<p>If art is communication, our work that really engage people is telling us something.  We are connecting, speaking to other people in ways that they can receive and respond to. </p>

<p>When a piece both pleases us and feels true, and engages the viewer in a strong way, what characteristics does it tend to have? First, the work shows a strong sense of purpose or intention. That may come through in in subject matter, color or other visual elements, scale, or any aspect of the work that has a certain boldness to it.  The work also arises from personal meaning—it is sincere, authentic, not derivative--what we call personal voice.  </p>

<p>Very impactful work also typically shows a mastery of technique and high levels of craftsmanship, although that alone may not carry the piece, if expression is not also part of the work. Finally, we respond to beauty, in the sense of work that has depth, power, and meaning, </p>

<p>Finding ways in our work to stay true to our own ideas and communicate with others in a strong and engaging way is one of those life-long challenges that we take on as artists. We will have pieces that hit that mark and many others that do not. Paying attention to our work that does fit both criteria is worthwhile—not to repeat it in a formulaic way-- but to try and understand what it has to teach us. </p>

<hr>

<p>Right now is THE BEST time of the year to buy art supplies at Blick.com! Cyber sales are active all weekend while supplies last! Get your art supplies for your art practice (as well as gifts and stocking stuffers) at a massive discount, and support the podcast at the same time by using our affiliate link. <br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions  as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> and click on the Membership button. <br>
​<br>
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists.  We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer? What can we learn from them and what questions do they raise? </p>

<p>If art is communication, our work that really engage people is telling us something.  We are connecting, speaking to other people in ways that they can receive and respond to. </p>

<p>When a piece both pleases us and feels true, and engages the viewer in a strong way, what characteristics does it tend to have? First, the work shows a strong sense of purpose or intention. That may come through in in subject matter, color or other visual elements, scale, or any aspect of the work that has a certain boldness to it.  The work also arises from personal meaning—it is sincere, authentic, not derivative--what we call personal voice.  </p>

<p>Very impactful work also typically shows a mastery of technique and high levels of craftsmanship, although that alone may not carry the piece, if expression is not also part of the work. Finally, we respond to beauty, in the sense of work that has depth, power, and meaning, </p>

<p>Finding ways in our work to stay true to our own ideas and communicate with others in a strong and engaging way is one of those life-long challenges that we take on as artists. We will have pieces that hit that mark and many others that do not. Paying attention to our work that does fit both criteria is worthwhile—not to repeat it in a formulaic way-- but to try and understand what it has to teach us. </p>

<hr>

<p>Right now is THE BEST time of the year to buy art supplies at Blick.com! Cyber sales are active all weekend while supplies last! Get your art supplies for your art practice (as well as gifts and stocking stuffers) at a massive discount, and support the podcast at the same time by using our affiliate link. <br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions  as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> and click on the Membership button. <br>
​<br>
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 128: Composition: It's Complicated</title>
  <link>https://messystudio.fireside.fm/128</link>
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  <pubDate>Sat, 06 Jun 2020 14:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/a8db8f2a-a957-4886-bb3c-7c395596348d.mp3" length="42601046" type="audio/mpeg"/>
  <itunes:episode>128</itunes:episode>
  <itunes:title>Composition: It's Complicated</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>We touched on today’s topic in our last episode when we went briefly over through some important design elements. Basically, we were talking about composition—how to arrange the visual elements on a 2-d surface so that they “work.” This is complex because each aspect of a composition affects others in subtle or not so subtle ways. Intuition plays a role in composition—something just “looks right”—but to make really strong work we need to balance that with understanding. Today we are going to look more closely at composition and its role in your art practice. </itunes:subtitle>
  <itunes:duration>36:30</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>We touched on today’s topic in our last episode when we went briefly over through some important design elements. Basically we were talking about composition—how to arrange the visual elements on a 2-d surface so that they “work.” This is complex because each aspect of a composition affects others in subtle or not so subtle ways.  Even a small change often necessitates revision in other parts of the work. In this way, composition can be thought of a problem-solving, whether it is figured out in advance or during the process. 
It is important to not settle too quickly on your composition. Poor composition is perceived by viewers right away, causing a feeling of confusion, imbalance, and a sense that the artist has lacked intention. As the entry point for your viewer's attention,  a good sense of organization and structure is essential.  Although it is often a only minor addition or change that brings the work together, finding that last decisive move may require a lot of patience.  
While intuition plays a role in finding good composition—an arrangement simply “looks right”—for strong and consistent work we also need a more intellectual understanding. Having a flexible and developed visual vocabulary and an awareness of design principles are important for creating and evaluating your compositions.  Being willing to edit, or remove unnecessary aspects of your work, is vital. Feedback from another person is often helpful too, since we can lose sight of the big picture while immersed in the details. 
Composition is so challenging that many artists settle into one approach that works and stay there for years. It can be hard to step away from something you have developed. But remember that compositions convey meaning, and if you don’t allow them to change over time, your meaning becomes overstated.  
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com 
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Composition, Fundamentals, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>We touched on today’s topic in our last episode when we went briefly over through some important design elements. Basically we were talking about composition—how to arrange the visual elements on a 2-d surface so that they “work.” This is complex because each aspect of a composition affects others in subtle or not so subtle ways.  Even a small change often necessitates revision in other parts of the work. In this way, composition can be thought of a problem-solving, whether it is figured out in advance or during the process. </p>

<p>It is important to not settle too quickly on your composition. Poor composition is perceived by viewers right away, causing a feeling of confusion, imbalance, and a sense that the artist has lacked intention. As the entry point for your viewer&#39;s attention,  a good sense of organization and structure is essential.  Although it is often a only minor addition or change that brings the work together, finding that last decisive move may require a lot of patience.  </p>

<p>While intuition plays a role in finding good composition—an arrangement simply “looks right”—for strong and consistent work we also need a more intellectual understanding. Having a flexible and developed visual vocabulary and an awareness of design principles are important for creating and evaluating your compositions.  Being willing to edit, or remove unnecessary aspects of your work, is vital. Feedback from another person is often helpful too, since we can lose sight of the big picture while immersed in the details. </p>

<p>Composition is so challenging that many artists settle into one approach that works and stay there for years. It can be hard to step away from something you have developed. But remember that compositions convey meaning, and if you don’t allow them to change over time, your meaning becomes overstated.  </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>We touched on today’s topic in our last episode when we went briefly over through some important design elements. Basically we were talking about composition—how to arrange the visual elements on a 2-d surface so that they “work.” This is complex because each aspect of a composition affects others in subtle or not so subtle ways.  Even a small change often necessitates revision in other parts of the work. In this way, composition can be thought of a problem-solving, whether it is figured out in advance or during the process. </p>

<p>It is important to not settle too quickly on your composition. Poor composition is perceived by viewers right away, causing a feeling of confusion, imbalance, and a sense that the artist has lacked intention. As the entry point for your viewer&#39;s attention,  a good sense of organization and structure is essential.  Although it is often a only minor addition or change that brings the work together, finding that last decisive move may require a lot of patience.  </p>

<p>While intuition plays a role in finding good composition—an arrangement simply “looks right”—for strong and consistent work we also need a more intellectual understanding. Having a flexible and developed visual vocabulary and an awareness of design principles are important for creating and evaluating your compositions.  Being willing to edit, or remove unnecessary aspects of your work, is vital. Feedback from another person is often helpful too, since we can lose sight of the big picture while immersed in the details. </p>

<p>Composition is so challenging that many artists settle into one approach that works and stay there for years. It can be hard to step away from something you have developed. But remember that compositions convey meaning, and if you don’t allow them to change over time, your meaning becomes overstated.  </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>]]>
  </itunes:summary>
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