The Messy Studio with Rebecca Crowell - Episodes Tagged with “Exhibits”

Episode 263: After The Exhibit

Rebecca Crowell — Mon, 28 Aug 2023 20:00:00 -0500

It’s what so many artists work toward—a solo exhibit or small group show-- when a large body of work is shown at its best, to an appreciative audience. Preparation for an exhibit like that can take months, even years. Slowly you produce the work, experiencing everything from panic to satisfaction as the finished pieces for your exhibit accumulate. It can be both a draining and exhilarating experience as you head toward the finish line. Finally, your show opens, and then what? You have a few weeks or a month of receiving congratulations and feedback, hoping for sales, celebrating when they happen, and then rather suddenly, it’s all over. Today we’ll talk about the aftermath of an exhibit, a time to process what you’ve accomplished and consider what’s next.

Exhibits are milestones in your art career, and it's important to take some time to process your accomplishment, by observing how you feel about the work that was exhibited. Take some time to appreciate seeing the work as a body, hanging together, and to consider what might be next. What has changed in your vision and intentions?

Many artists also experience a lull or creative block following the big push of having an exhibit. Although this can be frustrating, this downtime can also be beneficial as a time to rest and find your way back into your work. You may need to step back to gather new ideas and energy. Keep your long-term goals in mind but allow yourself some time off.

The issues of sales also tends to occupy you in the post-exhibit period. Friends will inquire, and your own finances may cause you to feel anxious about having some income from the show. But try to remember that sales are not the measure of a good exhibit. There are too many factors influencing whether sales happen to use them as a gauge of success.

Nobody but the artist really understands everything that goes into producing an exhibit. Your own perspective is the most important and that needs to be focused on the big picture of your work, what you've learned and where your work may be heading. There can be a lot of distractions around a show—sales, publicity, contacts, exposure. A lot of that is exciting and can lead to new opportunities, but in the end, you go back to your studio and work. You are not the same artist you were before you went through this process, and it's time to move on.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
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When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick

What's new at Cold Wax Academy? As Rebecca and Jerry enter the fourth year of live programming, they are bringing a special emphasis to reviewing and consolidating prior learning, as well as to increased member involvement on a variety of topics like professional development, mentoring issues, and other questions posed to the group. As always, Members are also encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, And don't forget that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions covering a broad range of topics. You don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information there, from the effective use of the visual elements and composition, to personal voice and intentions, to personal issues like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
•
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
•
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
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The Messy Studio Podcast is a Tick Digital Media Production.

Episode 262: Self Promotion For The Reticent

Rebecca Crowell — Tue, 15 Aug 2023 21:00:00 -0500

If you’re an artist who wants to get your work out into the world to be seen, appreciated, and even purchased, you will face the need for self-promotion. If that idea makes you squirm, you are not alone --and this podcast is for you. Why do so many artists hate the idea of promoting themselves? Probably because many of us were taught from an early age to be modest, to avoid mentioning our achievements, and to be grateful for whatever life handed us without seeking more. But dealing with the art world requires a different approach. You need to let people know who you are and what you do if you want to advance your career. Today we’ll talk about ways of self-promotion that may be comfortable even if you have a reserved, humble, or quiet personality.

If self-promotion is stressful to you, you may be struggling with overcoming these early lessons. Or you may have a truly humble or quiet personality that you're happy with, but it holds you back from things you need to do to get your work into the world. However, self-promotion does not mean you have to change who you are. In fact, the best way to handle it is to be yourself, and not present yourself in a way you believe will impress others. If your true personality is low-key or reserved, that is the tone to use in your self-promotion. That doesn't mean being self-deprecating, which is never helpful, or on the other hand exaggerating your achievements. Being honest and direct is the key.

Although avoiding self-promotion may be an ingrained habit, you need to acknowledge that it is necessary to operate in the art world. Your potential collectors and others in the position to help you want to know about you and what you do. A confident attitude is important in these situations, whether you are crafting a written statement or speaking in person. If you have trouble with this, remember that sticking to facts about yourself and your achievements is a safe and comfortable entry point. Simply stating these in a straightforward manner is never objectionable to other people.

Different types of self-promotion require different approaches, so it helps to know what is expected in each situation. This can range from a formal communication like a press release to something that is less formal, like a blog or newsletter. Lots of times you have some leeway in how to phrase things or how personal to make them, and you can find a tone that suits your true self. With practice, all types of self-promotion become easier to tackle.

Episode 259: Surviving Your Opening

Rebecca Crowell — Mon, 17 Jul 2023 21:00:00 -0500

Art openings are fun, right? Your friends and family are there to celebrate, your work is beautifully displayed, you meet new people who are interested in what you do, and you may see some red dots appear. So why do so many artists approach their opening receptions with mixed feelings or even dread? Even if you feel excited about the show and grateful for the opportunity to exhibit, you may feel nervous about being in the spotlight, confused about what’s expected of you, or disappointed by a small turnout. Even openings that live up to your highest expectations can feel overwhelming. Today we’ll take an inside look at how to survive and even enjoy your next art opening.

Although there are challenges, openings can also encompass many positive moments. It's exciting to see your work in its best light when it has been in your studio for weeks or months, largely unseen. There is often an elevated quality to the work to see it in this setting, and it is affirming of all your efforts to have your work appreciated by a wide audience.

Openings can be disconcerting though. It is easy to misread various aspects of what is happening around you, because there is often a party atmosphere rather than serious consideration of your work, and it may seem that no one cares to really look. There are also many unknown factors, for example, you often try to gauge what people think of your work or whether there will be any sales. And a commercial gallery has certain expectations that may be outside your comfort zone, like mingling and engaging with the people there.

To make things easier for yourself, there are various ways to make yourself more comfortable, like choosing the right outfit and having a camera handy to have something to do as you move around the gallery space. But of all the many tasks and business responsibilities artists need to handle, for many of us, our own openings are the among most challenging times. it depends a lot on personality whether you dread openings or take them in stride, but experience is also helpful. Openings do become routine over time, and you find your own ways to make them bearable and even fun.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.

When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick

What's new at Cold Wax Academy? As Rebecca and Jerry reach the end of their third year of Live sessions they are launching a new phase of programming aimed at reviewing and reinforcing foundation topics--beginning with Color in their Summer quarter that starts on July 5th. This summer's sessions will also mentoring and professional development topics, as well as a painting clinic and a member critique. As always, Members of Cold Wax Academy have unlimited streaming access to over 100 previously recorded sessions. And a table of contents to easily find specific topics in the recordings will soon be available. For more info and to join CWA please visit www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.

For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast

For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com

The Messy Studio Podcast is a Tick Digital Media Production.

Episode 257: More Than One Direction

Rebecca Crowell — Sat, 01 Jul 2023 21:00:00 -0500

In the interest of having a consistent style, artists are generally advised to stick to one type of work --both in the studio and when exhibiting. But many artists are experimental, curious, and explore more than one direction—so this advice can seem too restrictive. In our last episode, we touched briefly on the idea that a range of the same artist’s work can be promoted effectively if done with consideration. If you have more than one direction you may have questions about how you can best present your work when exhibiting or in other situations, and today we will address those concerns.

While it is advisable to have one primary focus that you fully develop and go deeply into, there are many good reasons that artists explore multiple directions as sidelines. Working in various media and approaches tends to inspire new ideas, energy, and insights, and helps keep your work fresh. Different approaches may also appeal to different audiences and thus expand your marketing possibilities. But it's important to think about how to present your work when you have more than one direction. Different situations involve different concerns, and you need to consider the audience for each.

For example, when approaching a gallery or applying for a grant or commission, you will make the strongest impression if you present only your main body of work. In these cases, the person deciding about your work wants to see consistency and an immediate visual impression. Other situations, such as when you post on social media, hold an open studio, or do a slide talk about your work, it's fine to show the breadth of what you do. In these situations, your audience has more time to absorb your various directions. If you want to show a range of work on your website, it's best to clearly separate your various directions and provide some written insight into your reasons for pursuing them.

In the best scenario, your work in various media or approaches will have an interesting relationship. Viewers seeing a range of your work will then be able to deepen their understanding of who you are as an artist. If your ideas come from a strong inner source rather than being very scattered, -they will be more worthwhile for you to pursue,and be more likely to enhance how others view your work.

www.messystudiopodcast.com/blick

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Episode 224: The Challenges of Exhibiting

Rebecca Crowell — Sat, 08 Oct 2022 21:00:00 -0500

Whether it’s your first exhibit or you are a veteran of many, an upcoming show of your work can take you on a wild ride of emotions and expectations. In anticipating the planning, production, and stress involved, you may even wonder, why bother? Yet for most artists, being able to show their work in a public space is important to their identity as artists. In today’s episode, we’ll look at the benefits and rewards of exhibiting and the role it plays in an art career, as well as some of the emotional and logistical challenges.

Showing their work is vital to most artists because it completes the circle of communication, allowing others to receive and respond. Creating and exhibiting a body of your work is a significant event that allows your audience to have a complete and immersive experience of what you do.

There are lots of logistical challenges that we covered in our previous episode (#223). But there are other, more inner issues to confront. For example, expectations for an immediate response and sales can fall flat. The opening reception often does not yield even a single sale since many people who attend regard it as mainly a social event. Especially if you are showing for the first time, it is important to understand that it may take a while for results. And even experienced artists may have exhibits that for one reason or another, fail to produce sales or leads.

Exhibits typically last three weeks or more and the period while it is up can be stressful as you wait for news and wonder how things will evolve. And sometimes sales happen well after the show ends. So as with many aspects of an art career, patience is important, and if things do not go well, know that your art life will go on, and other opportunities will come along.

www.messystudiopodcast.com/blick

What's new at Cold Wax Academy?
Rebecca and Jerry have just announced their topics for Fall Quarter which begins October 12. With a special focus on member participation, they are planning a couple of new features--one will be online mentoring to help with issues in creative practices, and one session this quarter will be devoted to members tracking their painting progress over the past year. The quarterly member critique and a painting clinic for works in progress will also be featured, along with further information on professional development. You can sign up for one of two membership levels at any time, and catch up on the past two years of recorded weekly sessions at your own pace.

Please visit http://www.coldwaxacademy.com for more information.

Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon!

Episode 223: Your Upcoming Exhibit

Rebecca Crowell — Sat, 01 Oct 2022 17:00:00 -0500

Nothing energizes and motivates an artist like being offered an exhibit, especially one that involves showing a lot of pieces together. Even experienced artists with a history of exhibits feel excited by the opportunity, but also a little daunted by all the work and planning involved. For artists preparing for their first big exhibit, there is a lot to learn and figure out. Today we’ll go through some of the practical aspects of preparing for a show, based on Rebecca’s almost 40 years of experience with exhibiting her work--and in a future episode we’ll consider some of the other challenges involved with showing your work.

There is much to consider in the complex process of mounting an exhibit, starting with deciding if you're ready to exhibit and whether it will be beneficial to you at this time, and how to approach a venue about providing you with the time and space to show your work. You may decide to apply to a non-commercial space like a community art center, or you may already be represented by a commercial gallery and request a slot on the roster of upcoming shows. In either case, preparing a body of work and checking off all the steps needed to make that happen takes considerable time and effort. Yet exhibiting your work is an important step in completing the cycle of creating art and providing the opportunity for an audience to see it.

Beyond simply providing the work for a show, your responsibilities in mounting an exhibit also include framing, packing, and shipping or delivering the work, providing your own publicity, and providing such things as your artist statement, price list, photos of the work, and other information to support the show according to the venue's timeline. Consider whether you have the time and willingness to comply with all expectations, and ideally, give yourself at least six months to a year to prepare. A good tip is to prepare more work than you think you will need for the exhibit so that you can curate the best possible grouping.

The amount of commitment needed for this process may seem daunting if you are just beginning this phase of your art career, but with experience it becomes more routine. But it is an important step. Maintaining an exhibition schedule is a mark of someone who is truly dedicated to their work, whether that is for the purpose of selling it or not. Exhibiting is a mark of your desire to share the work that you are proud of.

Please visit http://www.coldwaxacademy.com for more information.

Episode 57: Preparing For An Exhibit

Rebecca Crowell — Sat, 02 Feb 2019 11:00:00 -0600

Rebecca is preparing for an upcoming exhibit in Atlanta, Georgia. She talks with Ross about her process and shares tips for artists preparing for a first show.

www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Podcast notes—exhibit prep

Focus for the podcast on a show where you have 8+ pieces; a small group,
two person, or solo show

Getting a show:
Are you ready??
Request from your gallery if not asked
Proposal to non-commercial space = find out requirements, write
proposal/statement
Consider how much time you need to produce the work

Exhibit categories:
Group show with colleagues at non-commercial space
Group/2 person at a gallery --they will probably choose who you show with
More and more common to NOT have solo shows
Be open minded about who they pair you with

STEPS to a show:
How much lead up time are you given, varies from over a year to a few months
Maybe a theme or just a selection of your work

Early on:
Find out the expectations for the size and number of pieces; this is usually
flexible; if you want to include something you are already working on
Ask for a timetable of when the gallery will want certain things: these include list
of pieces, prices, artist statement, publicity photos (work and you) put these into
your own calendar
Ask if you have any $ obligations for the reception/costs/announcements
Will there be an artist talk
Date of opening reception--Think about whether/if you can attend. Lay some
groundwork for travel, clear the dates, etc.
Publicity: Usually they will want some advance publicity materials even if you are
still working on the paintings—send image you think will be included (anecdote)
Always good to have some bio pics on hand/you in studio etc.
Send Updated resume and bio—check to see if they are using something out of
date; sometimes they don’t ask just take from the web

Closer to the show, or according to the timeline:
Self-promotion on social media; don’t rely on the venue to do it all
Artist statement specific to the work; is there a theme, something that ties it
together? Listen to our podcast on the topic,
Choose the work or the venue to do that—if you do it, you want cohesive but
with some variety; try not to include anything you don’t consider as good as the
rest just for the numbers.
Price list—consistent with prices elsewhere and within the list itself
Double check for accuracy
Mention to gallery if you are raising prices from what is in their current
inventory
Most galleries can adjust numbers/sizes to what you want to send, don’t be afraid
to ask

Prep the work:
Framing works on paper/unless frame is part of the overall aesthetic, keep it
simple/neutral
Preparing panels and stretched canvas—framing not usually necessary for
anything but small work; small work maybe/maybe not, consult with gallery
Wood panels—sand and clean up, wood treatment up to you
Canvas—touch up stains and splatters, somewhat optional depending on
the aesthetic of the work, clean vs. expressionistic, opinions of gallery
Wire the back, use good wire and d-rings, no clip type hangers or cup hooks
Sign work somewhere, back/front options
Title
Copyright symbol and date/optional
Wrap for transport of shipping/nonstick paper or foam over the front; encase in
bubble wrap ---allow plenty of time
Can just use blankets if transporting in car but best to wrap in plastic at least.
Consider how you would deal with the work if your car broke down or was in an
accident. Will you need to bring it into a hotel overnight if travelling in extreme
heat or cold?
Decide what to wear to the opening!

At the reception: do your best to be friendly, chatty
Be on time
Look nice
Don’t be discouraged by lack of sales at opening
Ask gallery person to introduce you to people/ they don’t always think of this
It’s tempting due to social anxiety, but do not just ang out with your friends or
drink too much
Do not pass out your own business card

After the show is underway:
Check in with the gallery once in a while but don’t bug them; sales take time
Continue some self-promotion