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    <fireside:genDate>Mon, 27 Apr 2026 21:15:47 -0500</fireside:genDate>
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    <title>The Messy Studio with Rebecca Crowell - Episodes Tagged with “Exploration”</title>
    <link>https://messystudio.fireside.fm/tags/exploration</link>
    <pubDate>Mon, 05 Jun 2023 20:00:00 -0500</pubDate>
    <description>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>The podcast at the intersection of art, travel, business, philosophy, and life in general.</itunes:subtitle>
    <itunes:author>Rebecca Crowell</itunes:author>
    <itunes:summary>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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      <itunes:name>Rebecca Crowell</itunes:name>
      <itunes:email>rticknor.core@gmail.com</itunes:email>
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<item>
  <title>Episode 254: Intuitive, Spontaneous, or Random? </title>
  <link>https://messystudio.fireside.fm/254</link>
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  <pubDate>Mon, 05 Jun 2023 20:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
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  <itunes:episode>254</itunes:episode>
  <itunes:title>Intuitive, Spontaneous, or Random? </itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Intuition and spontaneity are important to many artists. But what about randomness? While these words are related in superficial ways, they have very different meanings in the context of art practice. Intuition and spontaneity play positive roles. Intuition can be a powerful guide and a source of new ideas --and spontaneity leads to energy and excitement. Randomness, on the other hand, tends to lead you off track and reduce the meaning and impact of your work. Today we will talk about the differences between what is intuitive, spontaneous, and random and how to recognize them in your work. </itunes:subtitle>
  <itunes:duration>32:15</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>Intuition and spontaneity are important to many artists. But what about randomness? While these words are related in superficial ways, they have very different meanings in the context of art practice. Intuition and spontaneity play positive roles. Intuition can be a powerful guide and a source of new ideas, and spontaneity leads to energy and excitement. Randomness, on the other hand, tends to lead you off track and reduce the meaning and impact of your work. 
Intuition and spontaneity have somewhat different meanings although they are very closely related. Intuition means inner knowing or understanding, a sense of rightness. It may evolve slowly and grow over time based on practice and experience and can stand up to analysis and questioning. Spontaneity means being in the present moment, playing, and acting with freedom and energy. It is reactive to the situation and not something to question or analyze. 
How do these approaches differ from randomness? Although all three are alike in not being planned, random responses are characterized as being without purpose and based in chance. They have no specific source, while intuition and spontaneity both arise from your core creative self and push you forward in inspiring ways.
It can be very helpful to recognize your own use of these three approaches. Learning to recognize randomness and avoiding it can help keep you on track with developing meaning in your work, while cultivating intuition and spontaneity can provide valuable insight and energy. These distinctions can be hard to identify in the moment but in observing your work over time you can more easily see their impact.
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
What's new At Cold Wax Academy? 
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work. 
To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts &amp;amp; Conversations, please visit http://www.coldwaxacademy.com 
Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. 
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Intuition, Spontaneity, Randomness, Ideas, Source, Exploration</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Intuition and spontaneity are important to many artists. But what about randomness? While these words are related in superficial ways, they have very different meanings in the context of art practice. Intuition and spontaneity play positive roles. Intuition can be a powerful guide and a source of new ideas, and spontaneity leads to energy and excitement. Randomness, on the other hand, tends to lead you off track and reduce the meaning and impact of your work. </p>

<p>Intuition and spontaneity have somewhat different meanings although they are very closely related. Intuition means inner knowing or understanding, a sense of rightness. It may evolve slowly and grow over time based on practice and experience and can stand up to analysis and questioning. Spontaneity means being in the present moment, playing, and acting with freedom and energy. It is reactive to the situation and not something to question or analyze. </p>

<p>How do these approaches differ from randomness? Although all three are alike in not being planned, random responses are characterized as being without purpose and based in chance. They have no specific source, while intuition and spontaneity both arise from your core creative self and push you forward in inspiring ways.</p>

<p>It can be very helpful to recognize your own use of these three approaches. Learning to recognize randomness and avoiding it can help keep you on track with developing meaning in your work, while cultivating intuition and spontaneity can provide valuable insight and energy. These distinctions can be hard to identify in the moment but in observing your work over time you can more easily see their impact.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>What&#39;s new At Cold Wax Academy? <br>
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work. </p>

<p>To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry&#39;s book, Cold Wax Medium: Techniques, Concepts &amp; Conversations, please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information as well as basic information about using cold wax medium. </p>

<p>Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Also-- please visit <a href="https://www.espacioart.org" rel="nofollow">https://www.espacioart.org</a> to learn about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Intuition and spontaneity are important to many artists. But what about randomness? While these words are related in superficial ways, they have very different meanings in the context of art practice. Intuition and spontaneity play positive roles. Intuition can be a powerful guide and a source of new ideas, and spontaneity leads to energy and excitement. Randomness, on the other hand, tends to lead you off track and reduce the meaning and impact of your work. </p>

<p>Intuition and spontaneity have somewhat different meanings although they are very closely related. Intuition means inner knowing or understanding, a sense of rightness. It may evolve slowly and grow over time based on practice and experience and can stand up to analysis and questioning. Spontaneity means being in the present moment, playing, and acting with freedom and energy. It is reactive to the situation and not something to question or analyze. </p>

<p>How do these approaches differ from randomness? Although all three are alike in not being planned, random responses are characterized as being without purpose and based in chance. They have no specific source, while intuition and spontaneity both arise from your core creative self and push you forward in inspiring ways.</p>

<p>It can be very helpful to recognize your own use of these three approaches. Learning to recognize randomness and avoiding it can help keep you on track with developing meaning in your work, while cultivating intuition and spontaneity can provide valuable insight and energy. These distinctions can be hard to identify in the moment but in observing your work over time you can more easily see their impact.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>What&#39;s new At Cold Wax Academy? <br>
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work. </p>

<p>To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry&#39;s book, Cold Wax Medium: Techniques, Concepts &amp; Conversations, please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information as well as basic information about using cold wax medium. </p>

<p>Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Also-- please visit <a href="https://www.espacioart.org" rel="nofollow">https://www.espacioart.org</a> to learn about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
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<item>
  <title>Episode 99: Branching Out</title>
  <link>https://messystudio.fireside.fm/99</link>
  <guid isPermaLink="false">32f7c71d-9308-4046-92bc-cccd71a7d2c6</guid>
  <pubDate>Sun, 24 Nov 2019 15:00:00 -0600</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/32f7c71d-9308-4046-92bc-cccd71a7d2c6.mp3" length="40340244" type="audio/mp3"/>
  <itunes:episode>99</itunes:episode>
  <itunes:title>Branching Out</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>While most artists have a way of working that is their main focus, many of us also explore other media or approaches on occasion. In general it is good to have something that you stick with. This helps to develop ideas and master techniques. However, these side trips can be very intriguing, and even helpful feeding new ideas back into your main art practice.    
</itunes:subtitle>
  <itunes:duration>36:26</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>While most artists have a way of working that is their main focus, many of us also explore other media or approaches on occasion. While in general it is good to have something that you stick with to develop ideas and master techniques, side trips can be intriguing, and even helpful in feeding new ideas back into your main art practice.    
In episode 79 of The Messy Studio Podcast we talked about the benefits of going deeply into a chosen way of working, rather than engaging in a lot of different approaches. We acknowledged that this isn’t right for everyone, especially for more conceptually driven artists whose work is united through ideas rather than media. But just about anyone can benefit from the occasional foray into different ways of working.
Branching out isn’t about abandoning your primary focus, but enjoying the pleasure and excitement of trying new things. This can be an expression of the same ideas that you gravitate toward in your main work, or something completely different. It is a good way to explore concepts and techniques that have appealed to you in the past, but you have never pursued.
Artists tend to be open and curious individuals, and it is natural to have multiple facets and approaches to an art practice.  Listen to that small inner voice that occasionally says “would it be interesting to try another medium, if only as a playful, experimental interlude?” 
Although a sideline may eventually develop into a true skill, your attitude is often different from the beginning. You are free from any need to prove yourself so there can be pure joy in pursuing these other paths. And along the way, you are learning skills that can impact the way you work most often. In this episode we take a look at specific examples of what branching out can bring to your art practice as a whole. 
www.messystudiopodcast.com
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast 
</description>
  <itunes:keywords>Rebecca Crowell, Art, Medium, Creative Process, Exploration</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>While most artists have a way of working that is their main focus, many of us also explore other media or approaches on occasion. While in general it is good to have something that you stick with to develop ideas and master techniques, side trips can be intriguing, and even helpful in feeding new ideas back into your main art practice.    </p>

<p>In episode 79 of The Messy Studio Podcast we talked about the benefits of going deeply into a chosen way of working, rather than engaging in a lot of different approaches. We acknowledged that this isn’t right for everyone, especially for more conceptually driven artists whose work is united through ideas rather than media. But just about anyone can benefit from the occasional foray into different ways of working.</p>

<p>Branching out isn’t about abandoning your primary focus, but enjoying the pleasure and excitement of trying new things. This can be an expression of the same ideas that you gravitate toward in your main work, or something completely different. It is a good way to explore concepts and techniques that have appealed to you in the past, but you have never pursued.</p>

<p>Artists tend to be open and curious individuals, and it is natural to have multiple facets and approaches to an art practice.  Listen to that small inner voice that occasionally says “would it be interesting to try another medium, if only as a playful, experimental interlude?” </p>

<p>Although a sideline may eventually develop into a true skill, your attitude is often different from the beginning. You are free from any need to prove yourself so there can be pure joy in pursuing these other paths. And along the way, you are learning skills that can impact the way you work most often. In this episode we take a look at specific examples of what branching out can bring to your art practice as a whole. </p>

<p><a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>While most artists have a way of working that is their main focus, many of us also explore other media or approaches on occasion. While in general it is good to have something that you stick with to develop ideas and master techniques, side trips can be intriguing, and even helpful in feeding new ideas back into your main art practice.    </p>

<p>In episode 79 of The Messy Studio Podcast we talked about the benefits of going deeply into a chosen way of working, rather than engaging in a lot of different approaches. We acknowledged that this isn’t right for everyone, especially for more conceptually driven artists whose work is united through ideas rather than media. But just about anyone can benefit from the occasional foray into different ways of working.</p>

<p>Branching out isn’t about abandoning your primary focus, but enjoying the pleasure and excitement of trying new things. This can be an expression of the same ideas that you gravitate toward in your main work, or something completely different. It is a good way to explore concepts and techniques that have appealed to you in the past, but you have never pursued.</p>

<p>Artists tend to be open and curious individuals, and it is natural to have multiple facets and approaches to an art practice.  Listen to that small inner voice that occasionally says “would it be interesting to try another medium, if only as a playful, experimental interlude?” </p>

<p>Although a sideline may eventually develop into a true skill, your attitude is often different from the beginning. You are free from any need to prove yourself so there can be pure joy in pursuing these other paths. And along the way, you are learning skills that can impact the way you work most often. In this episode we take a look at specific examples of what branching out can bring to your art practice as a whole. </p>

<p><a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>]]>
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