February 27th, 2021 | 37 mins 19 secs
art, creativity, focus, fundamentals, intentions, rebecca crowell
A work of art created with intention is compelling--we intuitively recognize when something is done with purpose and inner direction. Yet as artists we are also seekers and explorers in our work. Our creative path is often wandering rather than straight, and it may seem false or against our nature to state a clear intention or meaning behind our work. How can we work with intention yet remain open and flexible? What are the advantages of clarifying intentions?
January 31st, 2021 | 33 mins 12 secs
abstraction, art, creativity, fundamentals, rebecca crowell, symbolism, symbols
Abstract artists find many ways to bring meaning to their work. For some, this may be purely an investigation of color, line, or other elements. For others—it is the expression of emotion or evoking aspects of the visual world. Today we’re going to look at another powerful way that artists can bring meaning to abstraction—through the use of symbols, whether personal in origin or more universally recognized.
December 26th, 2020 | 39 mins 25 secs
abstraction, art, color, creativity, emotion, fundamentals, line, rebecca crowell
Abstract artists are sometimes stereotyped as uninhibited people who slap paint down in direct response to strong emotion. But this idea is far from true and accurate. While many abstract painters do aim to express emotion and mood, their approaches vary widely --from spontaneous to highly controlled. And even the most intuitive artists need to thoughtfully consider their use of the visual elements and design principles. Today we will look at painting abstractly as an expression of emotion, mood, remembrance, or other states of mind.
December 12th, 2020 | 33 mins 8 secs
art, creativity, drawing, elements, fundamentals, line, mark making, rebecca crowell
Lines and marks in a work of art connect the viewer very directly with the hand of the artist. They can express individuality, add structure, and show evidence of the artist’s process. Perhaps because these visual elements can reveal so much, many artists are self-conscious about using them and when they do, the results can appear contrived, awkward, or random. How can we use lines and marks in purposeful ways that feel right to us? What might more intentional use of lines and marks bring to our work?
November 28th, 2020 | 32 mins 9 secs
art, composition, creativity, fundamentals, practice, rebecca crowell, the wow factor
Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists. We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer? What can we learn from them and what questions do they raise?
October 31st, 2020 | 32 mins 9 secs
art, creativity, fundamentals, materials, nature, rebecca crowell
A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work. Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be done with sticks, dirt, rocks, feathers, bones, and other bits of nature? Today we’ll toss around some ideas for using natural objects as art materials and tools, and forces of nature as part of the art process.
October 24th, 2020 | 31 mins 56 secs
art, creative stages, creativity, fundamentals, process, rebecca crowell
With all of the ups and downs that we go through in the studio, it may be helpful to know that the creative process involves stages that are fairly predictable and universal--some of which are challenging. Although these stages or steps are usually described as taking place as a linear progression --from initial idea to finished work--most of us find our own process to be more complex. Today we’ll discuss these creative stages as a reminder of what we all go through as artists, while at the same time acknowledging that few things can be described neatly and simply when it comes to creativity.
September 19th, 2020 | 37 mins 44 secs
art, creativity, fundamentals, materials, mixed media, rebecca crowell
Working in mixed media, also called combined media, expands creative possibilities, and intrigues many artists. What materials can be used together in interesting and non-traditional ways? How can you approach the overwhelming number of potential combinations? Mixed media involves the joy of experimentation, the satisfaction of discovering new approaches, and new ways of creating meaning and personal voice in your work. In today’s episode, we will sum up some of the comments made on a recent Facebook post about the topic, and talk about the reasons many artists love to work in mixed media.
September 12th, 2020 | 34 mins 10 secs
art, creativity, fundamentals, materials, rebecca crowell
The materials an artist uses are one of the first things we notice when looking at art—we may see paint, clay, wood, paper, pencil, or intriguing combinations of many materials and processes. Beyond their visual impact alone, materials can also evoke feelings and ideas that add to the meaning of the work. Today we’re going to talk about materiality in art—its impact and the decisions involved in choosing art materials.
August 8th, 2020 | 29 mins 48 secs
art, creativity, fundamentals, rebecca crowell, style, texture
Along with color, texture is one of the most evocative visual elements, engaging not only our eyes but our sense of touch—as well as our memories and associations. Many artists seek out ways of creating texture and consider it one of the most important aspects of their work. Yet because it is such a powerful element it needs to be used thoughtfully, and often with restraint. How can we use texture most effectively in our work, allowing it to take its place with other visual elements without overpowering them? What are the special qualities of texture that can be used to enhance our work?