web02.fireside.fm Wed, 08 Apr 2026 02:51:28 -0500 Fireside (https://fireside.fm) The Messy Studio with Rebecca Crowell - Episodes Tagged with “Growth” https://messystudio.fireside.fm/tags/growth Sat, 27 May 2023 16:00:00 -0500 Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! en-us episodic The podcast at the intersection of art, travel, business, philosophy, and life in general. Rebecca Crowell Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! no Rebecca Crowell rticknor.core@gmail.com Episode 253: Dealing with Rejection https://messystudio.fireside.fm/253 2a0b58e0-753e-4b33-b00f-630068d451b1 Sat, 27 May 2023 16:00:00 -0500 Rebecca Crowell 253 Dealing with Rejection full Rebecca Crowell It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability 36:03 no It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability Accepting rejection as part of the process of your development is important. We all try many things as artists that don't work out for us, whether that is a new medium, a project, or a technique. Yet we learn to carry on with the next idea with a positive attitude. Rather than taking rejection as a personal affront, it's helpful to look at it in a similar objective way, as just another attempt that didn't turn out as you hoped. But although it is basically good advice to shrug off rejection this is also a simplistic approach, because most people have emotional or personality characteristics that get in the way. These include perfectionism, insecurity, inflexibility, a sense of entitlement or being prone to having unrealistic expectations. It helps to try and separate your own personal issues from the reality of how the art world operates. Although there are certainly times when an artist's work is rejected based on a lack of quality or originality, many times this decision has more to do with the goals of the gallery, juried show, venue, or residency program which may or may not be apparent. How you experience rejection tends to change over a long art career. In the beginning, you probably apply for more opportunities, and hence receive more rejections. When you are more established you are probably more selective about where you submit. After all, your needs change, and every application requires focus, time, and sometimes cost. In deciding where to place your resources, consider your true goals and how an acceptance would contribute to your growth as an artist. It is never wise to apply out of a sense of competition or regard an acceptance as a "win" or to prove yourself. With this attitude, it is easy to see rejection as invalidating your work and can undermine your confidence. There is a danger in letting rejection affect you too much, in becoming discouraged, or allowing it to affect your self-image as an artist. Knowing how common it is for artists at every stage to be rejected may help, as does insight into the way art venues operate and to understand that your work may simply not align with whoever is deciding the outcome wants. In the end, it's up to you to push forward according to your own goals, despite rejections. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick What's new At Cold Wax Academy? Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work. To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production. Rebecca Crowell, Art, Creativity, Business, Growth, Shows, Exhibitions, Rejection, Mind Set It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability

Accepting rejection as part of the process of your development is important. We all try many things as artists that don't work out for us, whether that is a new medium, a project, or a technique. Yet we learn to carry on with the next idea with a positive attitude. Rather than taking rejection as a personal affront, it's helpful to look at it in a similar objective way, as just another attempt that didn't turn out as you hoped.

But although it is basically good advice to shrug off rejection this is also a simplistic approach, because most people have emotional or personality characteristics that get in the way. These include perfectionism, insecurity, inflexibility, a sense of entitlement or being prone to having unrealistic expectations. It helps to try and separate your own personal issues from the reality of how the art world operates. Although there are certainly times when an artist's work is rejected based on a lack of quality or originality, many times this decision has more to do with the goals of the gallery, juried show, venue, or residency program which may or may not be apparent.

How you experience rejection tends to change over a long art career. In the beginning, you probably apply for more opportunities, and hence receive more rejections. When you are more established you are probably more selective about where you submit. After all, your needs change, and every application requires focus, time, and sometimes cost. In deciding where to place your resources, consider your true goals and how an acceptance would contribute to your growth as an artist. It is never wise to apply out of a sense of competition or regard an acceptance as a "win" or to prove yourself. With this attitude, it is easy to see rejection as invalidating your work and can undermine your confidence.

There is a danger in letting rejection affect you too much, in becoming discouraged, or allowing it to affect your self-image as an artist. Knowing how common it is for artists at every stage to be rejected may help, as does insight into the way art venues operate and to understand that your work may simply not align with whoever is deciding the outcome wants. In the end, it's up to you to push forward according to your own goals, despite rejections.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability

Accepting rejection as part of the process of your development is important. We all try many things as artists that don't work out for us, whether that is a new medium, a project, or a technique. Yet we learn to carry on with the next idea with a positive attitude. Rather than taking rejection as a personal affront, it's helpful to look at it in a similar objective way, as just another attempt that didn't turn out as you hoped.

But although it is basically good advice to shrug off rejection this is also a simplistic approach, because most people have emotional or personality characteristics that get in the way. These include perfectionism, insecurity, inflexibility, a sense of entitlement or being prone to having unrealistic expectations. It helps to try and separate your own personal issues from the reality of how the art world operates. Although there are certainly times when an artist's work is rejected based on a lack of quality or originality, many times this decision has more to do with the goals of the gallery, juried show, venue, or residency program which may or may not be apparent.

How you experience rejection tends to change over a long art career. In the beginning, you probably apply for more opportunities, and hence receive more rejections. When you are more established you are probably more selective about where you submit. After all, your needs change, and every application requires focus, time, and sometimes cost. In deciding where to place your resources, consider your true goals and how an acceptance would contribute to your growth as an artist. It is never wise to apply out of a sense of competition or regard an acceptance as a "win" or to prove yourself. With this attitude, it is easy to see rejection as invalidating your work and can undermine your confidence.

There is a danger in letting rejection affect you too much, in becoming discouraged, or allowing it to affect your self-image as an artist. Knowing how common it is for artists at every stage to be rejected may help, as does insight into the way art venues operate and to understand that your work may simply not align with whoever is deciding the outcome wants. In the end, it's up to you to push forward according to your own goals, despite rejections.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Episode 234: A Deeper Look, Step by Step https://messystudio.fireside.fm/234 b93c1c4b-8214-4338-bbcd-bcee2bcf0176 Sun, 18 Dec 2022 00:00:00 -0600 Rebecca Crowell 234 A Deeper Look, Step by Step full Rebecca Crowell In the process of making a work of art, the artist deals with many questions and decisions. There is a constant evaluation of asking if the piece is on the right track, and considering what is needed for the next move. What will best convey the artist’s ideas and intentions? Many of these decisions are quick and intuitive, but sometimes a more reflective and conscious process is called for. 33:58 no In the process of making a work of art, the artist deals with many questions and decisions. There is a constant evaluation of asking if the piece is on the right track and considering what is needed for the next move. What will best convey the artist’s ideas and intentions? Many of these decisions are quick and intuitive, but sometimes a more reflective and conscious process is called for. You need a balance between intuition and more conscious analysis to produce consistently good work. Both are important—you don’t want to be constantly stopping and picking apart every move, that is paralyzing and over thinking. But without applying some objective evaluation of your work every so often, your work will be all over the place. Sometimes you hit on a good result, but it is harder to do that consistently without a deeper look. A lot this is analysis is thoughtfully but quickly, with just a short amount of consideration. This process borders on intuition because it feels that you just know what to do, although that knowledge may need a moment of looking to see what to do. But there’s another level that takes more time. This is an actual step by step process you can go through to analyze your work either when you are close to being done, or deciding if it’s done, or at any time along the way that you feel stuck. It involves close observation of your work in several ways. The first is an objective, descriptive look at the form of the work, observations about what you see in the use of the visual elements and composition. Next is subjective interpretation based on your ideas and intentions, and finally, how do the form and content work together? It is helpful to do this in written form to help your focus. This basic exercise is taught in art school as a way of observing the alignment of form and content. After a while the practice gets ingrained and a basis for making choices about how you use the visual elements and composition to express what you want to say. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? Rebecca and Jerry have just wrapped up their Fall Quarter of instruction, which featured an exciting session on using Procreate, and demos of creating depth and working with color. Winter Quarter begins on January 4th, and Rebecca and Jerry are launching the new year by featuring informative guest artists, help with improving your studio practice and habits, painting clinics, and mentoring topics. You can join Cold Wax Academy at any time and take advantage of over 80 previously recorded sessions already in the member library, and you can also join in on the live, online sessions produced each month. Please consider treating yourself or a loved one to the comprehensive and wide-ranging art education available at Cold Wax Academy in 2023, by visiting http://www.coldwaxacademy.com. The website also offers plenty of free information about cold wax medium including a series of informative videos. Please visit http://www.coldwaxacademy.com for more information. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production. Rebecca Crowell, Art, Creativity, Meaning, Communication, Growth, Style, Personal Voice, Analysis, Going Deeper In the process of making a work of art, the artist deals with many questions and decisions. There is a constant evaluation of asking if the piece is on the right track and considering what is needed for the next move. What will best convey the artist’s ideas and intentions? Many of these decisions are quick and intuitive, but sometimes a more reflective and conscious process is called for.

You need a balance between intuition and more conscious analysis to produce consistently good work. Both are important—you don’t want to be constantly stopping and picking apart every move, that is paralyzing and over thinking. But without applying some objective evaluation of your work every so often, your work will be all over the place. Sometimes you hit on a good result, but it is harder to do that consistently without a deeper look.

A lot this is analysis is thoughtfully but quickly, with just a short amount of consideration. This process borders on intuition because it feels that you just know what to do, although that knowledge may need a moment of looking to see what to do. But there’s another level that takes more time. This is an actual step by step process you can go through to analyze your work either when you are close to being done, or deciding if it’s done, or at any time along the way that you feel stuck. It involves close observation of your work in several ways. The first is an objective, descriptive look at the form of the work, observations about what you see in the use of the visual elements and composition. Next is subjective interpretation based on your ideas and intentions, and finally, how do the form and content work together? It is helpful to do this in written form to help your focus.

This basic exercise is taught in art school as a way of observing the alignment of form and content. After a while the practice gets ingrained and a basis for making choices about how you use the visual elements and composition to express what you want to say.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Rebecca and Jerry have just wrapped up their Fall Quarter of instruction, which featured an exciting session on using Procreate, and demos of creating depth and working with color. Winter Quarter begins on January 4th, and Rebecca and Jerry are launching the new year by featuring informative guest artists, help with improving your studio practice and habits, painting clinics, and mentoring topics. You can join Cold Wax Academy at any time and take advantage of over 80 previously recorded sessions already in the member library, and you can also join in on the live, online sessions produced each month. Please consider treating yourself or a loved one to the comprehensive and wide-ranging art education available at Cold Wax Academy in 2023, by visiting http://www.coldwaxacademy.com. The website also offers plenty of free information about cold wax medium including a series of informative videos.

Please visit http://www.coldwaxacademy.com for more information.
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> In the process of making a work of art, the artist deals with many questions and decisions. There is a constant evaluation of asking if the piece is on the right track and considering what is needed for the next move. What will best convey the artist’s ideas and intentions? Many of these decisions are quick and intuitive, but sometimes a more reflective and conscious process is called for.

You need a balance between intuition and more conscious analysis to produce consistently good work. Both are important—you don’t want to be constantly stopping and picking apart every move, that is paralyzing and over thinking. But without applying some objective evaluation of your work every so often, your work will be all over the place. Sometimes you hit on a good result, but it is harder to do that consistently without a deeper look.

A lot this is analysis is thoughtfully but quickly, with just a short amount of consideration. This process borders on intuition because it feels that you just know what to do, although that knowledge may need a moment of looking to see what to do. But there’s another level that takes more time. This is an actual step by step process you can go through to analyze your work either when you are close to being done, or deciding if it’s done, or at any time along the way that you feel stuck. It involves close observation of your work in several ways. The first is an objective, descriptive look at the form of the work, observations about what you see in the use of the visual elements and composition. Next is subjective interpretation based on your ideas and intentions, and finally, how do the form and content work together? It is helpful to do this in written form to help your focus.

This basic exercise is taught in art school as a way of observing the alignment of form and content. After a while the practice gets ingrained and a basis for making choices about how you use the visual elements and composition to express what you want to say.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Rebecca and Jerry have just wrapped up their Fall Quarter of instruction, which featured an exciting session on using Procreate, and demos of creating depth and working with color. Winter Quarter begins on January 4th, and Rebecca and Jerry are launching the new year by featuring informative guest artists, help with improving your studio practice and habits, painting clinics, and mentoring topics. You can join Cold Wax Academy at any time and take advantage of over 80 previously recorded sessions already in the member library, and you can also join in on the live, online sessions produced each month. Please consider treating yourself or a loved one to the comprehensive and wide-ranging art education available at Cold Wax Academy in 2023, by visiting http://www.coldwaxacademy.com. The website also offers plenty of free information about cold wax medium including a series of informative videos.

Please visit http://www.coldwaxacademy.com for more information.
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Episode 159: Lessons From 2020 https://messystudio.fireside.fm/159 6e30e860-7f38-471f-80a8-e37c51f5891f Sun, 03 Jan 2021 17:00:00 -0600 Rebecca Crowell 159 Lessons From 2020 full Rebecca Crowell At the end of 2020, we’re overloaded with reflections in the media about how society has navigated this strange and difficult pandemic year. On a personal level, we all have stories of struggles, loss, insights, and changes. Today we are especially interested in what this time has meant for us as artists. Last week, Rebecca posed the question to our listeners “How did 2020 impact your work?” and today on our first podcast of 2021, we’ll share some of the responses we received as well as our own thoughts. 38:53 no At the end of 2020, we’re overloaded with reflections in the media about how society has navigated this strange and difficult pandemic year. On a personal level, we all have stories of struggles, loss, insights, and changes. Today we are especially interested in what this time has meant for us as artists. Last week, Rebecca posed the question to our listeners “How did 2020 impact your work?” and today on our first podcast of 2021, we’ll share some of the responses we received as well as our own thoughts. The responses we received aligned with the same pattern we saw earlier in the year, when we noticed three main responses as the pandemic unfolded. The first group have experienced much difficulty with finding focus and motivation for their work. One described the situation this year as “paralyzing.” While some experienced this mainly at the beginning of the pandemic, for others it has persisted. It’s likely that very few artists have avoided these times completely, with the constant influx of bad news. A smaller group of artists who responded have kept on in much the same ways and with similar work as before COVID arrived. In our earlier podcast, we speculated that continuing with what is familiar is helpful in making the studio a refuge from all the other changes, a steady and productive place removed from the outer chaos. The largest number of people who responded to our question, though, experienced positive changes in their work and attitudes. They appreciated the extra studio time due to lockdowns, and looked for inventive ways to use materials on hand and to connect with other artists. Some found new directions in their work—a focus on drawing, launching into plein aire painting, discovering photography as a creative outlet. Several found meaningful connections to their immediate environment when travel was cut off. And several expressed insight into the meaning of their work for them and their gratitude for being able to pursue it. Many of us are feeling hope that the anxiety, lockdowns, isolation and other difficult aspects of the 2020 pandemic situation will be easing up in the coming months. How will we look back at this time and what has it brought to our work that was not there before? Thankfully, for many artists there have been gains along with all the hardships and losses. If you are interested in buying a 3D Printer this is the best deal Ross could find on an Ender 3. This is not a paid endorsement, just a personal recommendation! https://www.talkable.com/x/UqZPCK When you buy art supplies at Blick remember to use our affiliate link to support the podcast! www.messystudiopodcast.com/blick ​ Thanks to everyone who has been sharing the show and to Albi Ulat for donating via PayPal. If you would like your own shoutout on the podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button. ​ Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a CORE Publication MGMT production. Rebecca Crowell, Art, Creativity, Retrospective, Learning, Growth, Change, Personal Development, 2020 At the end of 2020, we’re overloaded with reflections in the media about how society has navigated this strange and difficult pandemic year. On a personal level, we all have stories of struggles, loss, insights, and changes. Today we are especially interested in what this time has meant for us as artists. Last week, Rebecca posed the question to our listeners “How did 2020 impact your work?” and today on our first podcast of 2021, we’ll share some of the responses we received as well as our own thoughts.

The responses we received aligned with the same pattern we saw earlier in the year, when we noticed three main responses as the pandemic unfolded. The first group have experienced much difficulty with finding focus and motivation for their work. One described the situation this year as “paralyzing.” While some experienced this mainly at the beginning of the pandemic, for others it has persisted. It’s likely that very few artists have avoided these times completely, with the constant influx of bad news.

A smaller group of artists who responded have kept on in much the same ways and with similar work as before COVID arrived. In our earlier podcast, we speculated that continuing with what is familiar is helpful in making the studio a refuge from all the other changes, a steady and productive place removed from the outer chaos.

The largest number of people who responded to our question, though, experienced positive changes in their work and attitudes. They appreciated the extra studio time due to lockdowns, and looked for inventive ways to use materials on hand and to connect with other artists. Some found new directions in their work—a focus on drawing, launching into plein aire painting, discovering photography as a creative outlet. Several found meaningful connections to their immediate environment when travel was cut off. And several expressed insight into the meaning of their work for them and their gratitude for being able to pursue it.

Many of us are feeling hope that the anxiety, lockdowns, isolation and other difficult aspects of the 2020 pandemic situation will be easing up in the coming months. How will we look back at this time and what has it brought to our work that was not there before? Thankfully, for many artists there have been gains along with all the hardships and losses.

If you are interested in buying a 3D Printer this is the best deal Ross could find on an Ender 3. This is not a paid endorsement, just a personal recommendation!
https://www.talkable.com/x/UqZPCK

When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
www.messystudiopodcast.com/blick
​
Thanks to everyone who has been sharing the show and to Albi Ulat for donating via PayPal. If you would like your own shoutout on the podcast donate here.
​
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a CORE Publication MGMT production.

]]> At the end of 2020, we’re overloaded with reflections in the media about how society has navigated this strange and difficult pandemic year. On a personal level, we all have stories of struggles, loss, insights, and changes. Today we are especially interested in what this time has meant for us as artists. Last week, Rebecca posed the question to our listeners “How did 2020 impact your work?” and today on our first podcast of 2021, we’ll share some of the responses we received as well as our own thoughts.

The responses we received aligned with the same pattern we saw earlier in the year, when we noticed three main responses as the pandemic unfolded. The first group have experienced much difficulty with finding focus and motivation for their work. One described the situation this year as “paralyzing.” While some experienced this mainly at the beginning of the pandemic, for others it has persisted. It’s likely that very few artists have avoided these times completely, with the constant influx of bad news.

A smaller group of artists who responded have kept on in much the same ways and with similar work as before COVID arrived. In our earlier podcast, we speculated that continuing with what is familiar is helpful in making the studio a refuge from all the other changes, a steady and productive place removed from the outer chaos.

The largest number of people who responded to our question, though, experienced positive changes in their work and attitudes. They appreciated the extra studio time due to lockdowns, and looked for inventive ways to use materials on hand and to connect with other artists. Some found new directions in their work—a focus on drawing, launching into plein aire painting, discovering photography as a creative outlet. Several found meaningful connections to their immediate environment when travel was cut off. And several expressed insight into the meaning of their work for them and their gratitude for being able to pursue it.

Many of us are feeling hope that the anxiety, lockdowns, isolation and other difficult aspects of the 2020 pandemic situation will be easing up in the coming months. How will we look back at this time and what has it brought to our work that was not there before? Thankfully, for many artists there have been gains along with all the hardships and losses.

If you are interested in buying a 3D Printer this is the best deal Ross could find on an Ender 3. This is not a paid endorsement, just a personal recommendation!
https://www.talkable.com/x/UqZPCK

When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
www.messystudiopodcast.com/blick
​
Thanks to everyone who has been sharing the show and to Albi Ulat for donating via PayPal. If you would like your own shoutout on the podcast donate here.
​
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a CORE Publication MGMT production.

]]> Episode 135: Are You Curious? https://messystudio.fireside.fm/135 d002e017-464b-438e-8a02-e6dc96cec9d9 Sat, 25 Jul 2020 15:00:00 -0500 Rebecca Crowell 135 Are You Curious? full Rebecca Crowell We were all curious as children and many artists retain that trait as vital to dynamic art practice. Yet curiosity can be fragile, disappearing in the face of information overload or the desire to seem knowledgeable and in control. To be curious, to wonder, to explore –all are aspects of ourselves that keep us young, with room to grow. Today we will look at how to nurture curiosity in your art practice and the importance of exploring and wondering, in art and in life. 35:20 no We were all curious as children and many artists retain that trait as vital to dynamic art practice. Yet curiosity can be fragile, disappearing in the face of information overload or the desire to seem knowledgeable and in control. To be curious, to wonder, to explore –all are aspects of ourselves that keep us young, with room to grow. Today we will look at how to nurture curiosity in your art practice and the importance of exploring and wondering, in art and in life. During our current COVID-related shut-down, many artists are feeling free of gallery pressures and deadlines and are experiencing exciting growth in their work. But others feel stagnant, or reluctant to move on from an approach that has served them well in the past. By not exercising curiosity, they may be blocking ways to overcome these obstacles. Some of the most successful artists are life-long learners, always curious, investigating new ideas, and reaching out to other artists for reciprocal conversations. They ask "what-if" questions of their work and are willing to take risks in the studio trying out new media and following their impulses. They are open to change and input. They track their ideas over time, sometimes returning to paths that were abandoned earlier with fresh perspective. And they think of ways to integrate new information, techniques, and materials into their current and developing work. Unfortunately, other people tend to shut down curious impulses, or immediately look to others for answers rather than figuring out what they want to know. Or they may fear looking ignorant or incompetent. As a result they close off some of the true joys of creating--discovery, honoring impulses, and the pride of independent accomplishment. If you sense a lack of curiosity in your own attitudes, consider what is holding you back. It is easy to fall into habits that cut off new information. We may fail to apprecaite what others have to offer, or resist doing our own investigating when we have a question. Curiosity is a muscle that needs to be exercised. Curious artists have a big advantage in their art practices, remaining energized and growing in their work. Knowing how to obtain new information and recognizing what may impede your own curiosity can be important steps in opening new pathways in the studio. Our ad break in this episode is from artist Elizabeth Schowachert, who offers beautiful handmade brushes and specialized art tools on her website. Please visit: https://elizabethschowachertart.com Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast For more from Rebecca Crowell: www.rebeccacrowell.com www.squeegeepress.com Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link: www.messystudiopodcast.com/blick The Messy Studio Podcast is a CORE Publication MGMT production. Rebecca Crowell, Art, Creativity, Curiosity, Style, Technique, Growth, Art Researching We were all curious as children and many artists retain that trait as vital to dynamic art practice. Yet curiosity can be fragile, disappearing in the face of information overload or the desire to seem knowledgeable and in control. To be curious, to wonder, to explore –all are aspects of ourselves that keep us young, with room to grow. Today we will look at how to nurture curiosity in your art practice and the importance of exploring and wondering, in art and in life.

During our current COVID-related shut-down, many artists are feeling free of gallery pressures and deadlines and are experiencing exciting growth in their work. But others feel stagnant, or reluctant to move on from an approach that has served them well in the past. By not exercising curiosity, they may be blocking ways to overcome these obstacles.

Some of the most successful artists are life-long learners, always curious, investigating new ideas, and reaching out to other artists for reciprocal conversations. They ask "what-if" questions of their work and are willing to take risks in the studio trying out new media and following their impulses. They are open to change and input. They track their ideas over time, sometimes returning to paths that were abandoned earlier with fresh perspective. And they think of ways to integrate new information, techniques, and materials into their current and developing work.

Unfortunately, other people tend to shut down curious impulses, or immediately look to others for answers rather than figuring out what they want to know. Or they may fear looking ignorant or incompetent. As a result they close off some of the true joys of creating--discovery, honoring impulses, and the pride of independent accomplishment. If you sense a lack of curiosity in your own attitudes, consider what is holding you back. It is easy to fall into habits that cut off new information. We may fail to apprecaite what others have to offer, or resist doing our own investigating when we have a question. Curiosity is a muscle that needs to be exercised.

Curious artists have a big advantage in their art practices, remaining energized and growing in their work. Knowing how to obtain new information and recognizing what may impede your own curiosity can be important steps in opening new pathways in the studio.

Our ad break in this episode is from artist Elizabeth Schowachert, who offers beautiful handmade brushes and specialized art tools on her website. Please visit:
https://elizabethschowachertart.com

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.

For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast

For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com

Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:
www.messystudiopodcast.com/blick

The Messy Studio Podcast is a CORE Publication MGMT production.

]]> We were all curious as children and many artists retain that trait as vital to dynamic art practice. Yet curiosity can be fragile, disappearing in the face of information overload or the desire to seem knowledgeable and in control. To be curious, to wonder, to explore –all are aspects of ourselves that keep us young, with room to grow. Today we will look at how to nurture curiosity in your art practice and the importance of exploring and wondering, in art and in life.

During our current COVID-related shut-down, many artists are feeling free of gallery pressures and deadlines and are experiencing exciting growth in their work. But others feel stagnant, or reluctant to move on from an approach that has served them well in the past. By not exercising curiosity, they may be blocking ways to overcome these obstacles.

Some of the most successful artists are life-long learners, always curious, investigating new ideas, and reaching out to other artists for reciprocal conversations. They ask "what-if" questions of their work and are willing to take risks in the studio trying out new media and following their impulses. They are open to change and input. They track their ideas over time, sometimes returning to paths that were abandoned earlier with fresh perspective. And they think of ways to integrate new information, techniques, and materials into their current and developing work.

Unfortunately, other people tend to shut down curious impulses, or immediately look to others for answers rather than figuring out what they want to know. Or they may fear looking ignorant or incompetent. As a result they close off some of the true joys of creating--discovery, honoring impulses, and the pride of independent accomplishment. If you sense a lack of curiosity in your own attitudes, consider what is holding you back. It is easy to fall into habits that cut off new information. We may fail to apprecaite what others have to offer, or resist doing our own investigating when we have a question. Curiosity is a muscle that needs to be exercised.

Curious artists have a big advantage in their art practices, remaining energized and growing in their work. Knowing how to obtain new information and recognizing what may impede your own curiosity can be important steps in opening new pathways in the studio.

Our ad break in this episode is from artist Elizabeth Schowachert, who offers beautiful handmade brushes and specialized art tools on her website. Please visit:
https://elizabethschowachertart.com

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.

For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast

For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com

Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:
www.messystudiopodcast.com/blick

The Messy Studio Podcast is a CORE Publication MGMT production.

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