Intuition and spontaneity have somewhat different meanings although they are very closely related. Intuition means inner knowing or understanding, a sense of rightness. It may evolve slowly and grow over time based on practice and experience and can stand up to analysis and questioning. Spontaneity means being in the present moment, playing, and acting with freedom and energy. It is reactive to the situation and not something to question or analyze.

How do these approaches differ from randomness? Although all three are alike in not being planned, random responses are characterized as being without purpose and based in chance. They have no specific source, while intuition and spontaneity both arise from your core creative self and push you forward in inspiring ways.

It can be very helpful to recognize your own use of these three approaches. Learning to recognize randomness and avoiding it can help keep you on track with developing meaning in your work, while cultivating intuition and spontaneity can provide valuable insight and energy. These distinctions can be hard to identify in the moment but in observing your work over time you can more easily see their impact.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
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When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

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What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

The word ‘intuition’ has its roots in the Latin intueri which means ‘to look at or toward’ or ‘to contemplate’. This points to the foundation of intuition, which requires an openness, an awareness of your true self, your experiences, and emotions, that you can use in your work. When you have that base, the inner knowing that we call intuition can be accessed. Intuition also comes from being in the moment, and tends to motivate us toward action and decisions. It is motivating and energizing, but it can be counteracted by second guessing and hesitation.

Rational thought is important too of course, the need to step back to analyze how things are going. We need critical thinking to improve and evaluate our work. But in creative work, the original impulse is intuitive. When your work comes from your deepest self, that is rarely a purely rational or intellectual source. Left-brain thinking can support and help develop the original idea. But what gets you rolling, provides the excitement and energy, is generally not primarily intellectual, but instead emotional or experiential.

Many artists want to be able to develop and to trust their intuition but they feel inhibited by their rational minds, or by fears of being judged if they allow their inner selves to be more visible. Making art sometimes from as pure an intutive source as possible is a good way to develop your intuition. It’s important to honor and nurture intuition however you can access it, whether in small decisions or in larger, more inspiring ways that get to your deeper sense of self-expression.

Nancy Fletcher Cassell webpage mentioned--intuitive painting:
https://ericmaisel.com/wp-content/uploads/downloads/2011/07/ten_tips_for_intuitive_painting.pdf

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Rebecca and Jerry have an exciting lineup of online sessions planned as they launch a new year of learning and growth for members of Cold Wax Academy. Winter quarter sessions, which began on January 4th, will feature help with technical issues, photographing your work, developing ideas for imagery, and advice on works in progress. And two special guests, well-known authors Eric Maisel and Shaun McNiff will be conducting interactive sessions with members. As a member, you can also access the private Facebook page and take advantage of the informed and supportive community there of artists who post their paintings and questions. It's never too late to join Cold Wax Academy! All live sessions are recorded and available in the member library. Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Please visit http://www.coldwaxacademy.com for more information.
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

Color is a very powerful influence in our everyday lives, and certainly in our art. It is the most studied of the visual elements by experts outside of the field of art--in biology, psychology, and in cultural studies, to name a few. As artists, we may work with color in an intuitive way, or more intellectually-- each of us finding a way that suits us. There is no single correct system for using color. Our individual approach is linked to our own characters and personalities, and is often a strong aspect of our personal visual voice.

How important is it to study and apply color theory and systems? Although a basic introduction to color is standard in art school courses, Rebecca attended several different schools and somehow missed this part of the cirriculum. As a result, her approach to color is mostly intuitive, developed over time through practice and observation. Trial and error builds experience, and only through experience can we really grasp the intricacies of color.

Many self-taught artists feel insecure about color because they are aware of the scientific and technical aspects of color, and feel it is something that must be studied at length as one normally does in art school. It is true that the formulas and systems for color mixing can be fascinating. There is a rich history of color, paint, and pigment throughout history. Also, some art media require specific knowledge for layering colors, such as watercolor or printmaking. But intuitive use of color can also be very effective especially when combined with some very basic information and vocabulary that is easily studied, along with awarenss of what your intentions are regarding color.

In spite of the dramatic impact color has on our work, we can easily become habitual in our use of color, and fail to be led by intutiion into more effective ways of using it. One tip is to notice which colors move and affect you, which may be different than the ones you find appealing and use most often. Many people speak of "my colors" but these may not be the ones that provide contrast or depth for on the work. Do some experimenting and exploring with colors that challenge you or excite you. Consider what your color choices communciate to others and whether or not that is what you want to convey. Are there some changes, even small ones, that could bring another level of meaning to your work?

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https://www.nualaclarke.com/
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http://www.ballinglenartsfoundation.org/

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Special Guests: Joanna Kidney and Nuala Clarke.