<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" encoding="UTF-8" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:atom="http://www.w3.org/2005/Atom/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:fireside="http://fireside.fm/modules/rss/fireside">
  <channel>
    <fireside:hostname>web01.fireside.fm</fireside:hostname>
    <fireside:genDate>Sat, 25 Apr 2026 12:20:49 -0500</fireside:genDate>
    <generator>Fireside (https://fireside.fm)</generator>
    <title>The Messy Studio with Rebecca Crowell - Episodes Tagged with “Life”</title>
    <link>https://messystudio.fireside.fm/tags/life</link>
    <pubDate>Sat, 05 Feb 2022 16:00:00 -0600</pubDate>
    <description>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>The podcast at the intersection of art, travel, business, philosophy, and life in general.</itunes:subtitle>
    <itunes:author>Rebecca Crowell</itunes:author>
    <itunes:summary>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
    <itunes:explicit>no</itunes:explicit>
    <itunes:owner>
      <itunes:name>Rebecca Crowell</itunes:name>
      <itunes:email>rticknor.core@gmail.com</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<item>
  <title>Episode 205: A Brief Explanation For Our Recent Absence </title>
  <link>https://messystudio.fireside.fm/205</link>
  <guid isPermaLink="false">88ae77fc-2757-415e-a45b-59ec49790a9b</guid>
  <pubDate>Sat, 05 Feb 2022 16:00:00 -0600</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/88ae77fc-2757-415e-a45b-59ec49790a9b.mp3" length="6812315" type="audio/mpeg"/>
  <itunes:episode>205</itunes:episode>
  <itunes:title>A Brief Explanation For Our Recent Absence </itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Rebecca and Ross sit down together in person to discuss recent events in their personal lives.</itunes:subtitle>
  <itunes:duration>4:43</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>Our audience is incredibly supportive, and we feel we owe you an explanation for our recent absence. It isn't fair to leave you completely out of the loop. Thank you for your continued support during this difficult time. 
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? Rebecca and Jerry have an exciting Winter Quarter planned with a focus on working with cold wax medium using both abstract and realistic approaches. Members will enjoy opportunities to participate in portfolio reviews and critiques, and of course, engage with the ongoing weekly live sessions that explore featured topics in depth. Cold Wax Academy is the only online teaching platform devoted exclusively to deepening and developing your painting practice in every aspect. Lessons are centered on the range of uses for cold wax medium, but also include important insights and information about all other aspects of art practice. For information about joining this vibrant, international community of artists, and to learn more about cold wax medium, please visit http://www.coldwaxacademy.com 
As always, members have access to recordings of all previous sessions including everything from the first year, so it's easy to join anytime. Winter Quarter begins January 5th. Please visit http://www.coldwaxacademy.com for details about membership levels and to sign up for a year of exciting learning experiences. 
Here is what a member named Sandy has to say about her own experience:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
</description>
  <itunes:keywords>Rebecca Crowell, Ross Ticknor, Life, Special Announcement, Explanation</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Our audience is incredibly supportive, and we feel we owe you an explanation for our recent absence. It isn&#39;t fair to leave you completely out of the loop. Thank you for your continued support during this difficult time. </p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
What&#39;s new at Cold Wax Academy? Rebecca and Jerry have an exciting Winter Quarter planned with a focus on working with cold wax medium using both abstract and realistic approaches. Members will enjoy opportunities to participate in portfolio reviews and critiques, and of course, engage with the ongoing weekly live sessions that explore featured topics in depth. Cold Wax Academy is the only online teaching platform devoted exclusively to deepening and developing your painting practice in every aspect. Lessons are centered on the range of uses for cold wax medium, but also include important insights and information about all other aspects of art practice. For information about joining this vibrant, international community of artists, and to learn more about cold wax medium, please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> </p>

<p>As always, members have access to recordings of all previous sessions including everything from the first year, so it&#39;s easy to join anytime. Winter Quarter begins January 5th. Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for details about membership levels and to sign up for a year of exciting learning experiences. </p>

<p>Here is what a member named Sandy has to say about her own experience:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Our audience is incredibly supportive, and we feel we owe you an explanation for our recent absence. It isn&#39;t fair to leave you completely out of the loop. Thank you for your continued support during this difficult time. </p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
What&#39;s new at Cold Wax Academy? Rebecca and Jerry have an exciting Winter Quarter planned with a focus on working with cold wax medium using both abstract and realistic approaches. Members will enjoy opportunities to participate in portfolio reviews and critiques, and of course, engage with the ongoing weekly live sessions that explore featured topics in depth. Cold Wax Academy is the only online teaching platform devoted exclusively to deepening and developing your painting practice in every aspect. Lessons are centered on the range of uses for cold wax medium, but also include important insights and information about all other aspects of art practice. For information about joining this vibrant, international community of artists, and to learn more about cold wax medium, please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> </p>

<p>As always, members have access to recordings of all previous sessions including everything from the first year, so it&#39;s easy to join anytime. Winter Quarter begins January 5th. Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for details about membership levels and to sign up for a year of exciting learning experiences. </p>

<p>Here is what a member named Sandy has to say about her own experience:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 192: Your Life &amp; Your Abstract Voice</title>
  <link>https://messystudio.fireside.fm/192</link>
  <guid isPermaLink="false">0eca867a-b6f2-4433-bb5b-ab470bf1ba9d</guid>
  <pubDate>Sat, 16 Oct 2021 12:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/0eca867a-b6f2-4433-bb5b-ab470bf1ba9d.mp3" length="47968338" type="audio/mpeg"/>
  <itunes:episode>192</itunes:episode>
  <itunes:title>Your Life &amp; Your Abstract Voice</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>How do abstract artists focus on specific ideas in their work? How can personal voice be discovered and followed given the endless possibilities of abstraction? Today we will talk about one path that has proven to be a rich vein of ideas for many abstract artists—that of pulling from their own experiences in life to create a meaningful, personal visual language.  Today we’ll talk about ways to access ideas for abstraction from what you know best, your own life. </itunes:subtitle>
  <itunes:duration>33:18</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description> How do abstract artists focus on specific ideas in their work? How can personal voice be discovered and followed given the endless possibilities of abstraction? Today we will talk about one path that has proven to be a rich vein of ideas for many abstract artists—that of pulling from their own experiences in life to create a meaningful, personal visual language.  Today we’ll talk about ways to access ideas for abstraction from what you know best, your own life. 
Many artists, especially beginners with abstraction, tend to be a bit disconnected from personal expression in their work. Maybe it's because they believe that abstraction is always about lofty concepts bigger than any individual, or maybe they consider abstraction to be mainly an intellectual /conceptual exercise, or that it is mainly about process and technique.  
All these approaches are satisfying to many abstract artists., but others want a more personal or emotional connection to their work. 
if you haven't considered your own experiences, situations, and emotions as pathways to this connection, it may be because you  worry that this is too self-involved or somehow self-centered. But there is wisdom in the idea that the more personal a subject is the more universal its potential. Your interpretation of your own experiences can strike a chord with others and thus be more widely meaningful.  Work based on your own life and experiences is perfectly valid and is a long tradition in art. 
Discovering personal sources for your work is challenging. It requires self-awareness and observation of what moves you and what abstract elements you connect with your experiences. Specific memories of moments and emotions connected with them are most potent, and journaling and sketching can deepen your awareness of these and help you focus. 
There is no formula for working abstractly from your own experience, it is by nature individualized and personal. But to  realize that your own life is legit subject matter and worthy of your attention is liberating. So go ahead, express your own experiences, be quirky, be open, be a little mysterious, mine your own memories, and feelings.
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
​
Rebecca and her partner Jerry McLaughlin are excited to be launching year two of Cold Wax Academy's membership program, which began in October of 2020. In the coming year, live online learning sessions will feature an entirely new set of topics---beginning with a deep dive into technique and the steps involved in developing a painting. Other topics for year 2 include professional development, abstraction and realism, principles of design, and expanded uses for cold wax medium. 
As always, members have access to recordings of all previous sessions including everything from the first year, so it's easy to join anytime. Fall Quarter begins October 6th. Please visit http://www.coldwaxacademy.com for details about membership levels and to sign up for a year of exciting learning experiences. 
Here is what a member named Sandy has to say about her own experience:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Abstraction, Personal Voice, Life, Experience</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>How do abstract artists focus on specific ideas in their work? How can personal voice be discovered and followed given the endless possibilities of abstraction? Today we will talk about one path that has proven to be a rich vein of ideas for many abstract artists—that of pulling from their own experiences in life to create a meaningful, personal visual language.  Today we’ll talk about ways to access ideas for abstraction from what you know best, your own life. </p>

<p>Many artists, especially beginners with abstraction, tend to be a bit disconnected from personal expression in their work. Maybe it&#39;s because they believe that abstraction is always about lofty concepts bigger than any individual, or maybe they consider abstraction to be mainly an intellectual /conceptual exercise, or that it is mainly about process and technique.<br><br>
All these approaches are satisfying to many abstract artists., but others want a more personal or emotional connection to their work. </p>

<p>if you haven&#39;t considered your own experiences, situations, and emotions as pathways to this connection, it may be because you  worry that this is too self-involved or somehow self-centered. But there is wisdom in the idea that the more personal a subject is the more universal its potential. Your interpretation of your own experiences can strike a chord with others and thus be more widely meaningful.  Work based on your own life and experiences is perfectly valid and is a long tradition in art. </p>

<p>Discovering personal sources for your work is challenging. It requires self-awareness and observation of what moves you and what abstract elements you connect with your experiences. Specific memories of moments and emotions connected with them are most potent, and journaling and sketching can deepen your awareness of these and help you focus. </p>

<p>There is no formula for working abstractly from your own experience, it is by nature individualized and personal. But to  realize that your own life is legit subject matter and worthy of your attention is liberating. So go ahead, express your own experiences, be quirky, be open, be a little mysterious, mine your own memories, and feelings.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
Rebecca and her partner Jerry McLaughlin are excited to be launching year two of Cold Wax Academy&#39;s membership program, which began in October of 2020. In the coming year, live online learning sessions will feature an entirely new set of topics---beginning with a deep dive into technique and the steps involved in developing a painting. Other topics for year 2 include professional development, abstraction and realism, principles of design, and expanded uses for cold wax medium. </p>

<p>As always, members have access to recordings of all previous sessions including everything from the first year, so it&#39;s easy to join anytime. Fall Quarter begins October 6th. Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for details about membership levels and to sign up for a year of exciting learning experiences. </p>

<p>Here is what a member named Sandy has to say about her own experience:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>How do abstract artists focus on specific ideas in their work? How can personal voice be discovered and followed given the endless possibilities of abstraction? Today we will talk about one path that has proven to be a rich vein of ideas for many abstract artists—that of pulling from their own experiences in life to create a meaningful, personal visual language.  Today we’ll talk about ways to access ideas for abstraction from what you know best, your own life. </p>

<p>Many artists, especially beginners with abstraction, tend to be a bit disconnected from personal expression in their work. Maybe it&#39;s because they believe that abstraction is always about lofty concepts bigger than any individual, or maybe they consider abstraction to be mainly an intellectual /conceptual exercise, or that it is mainly about process and technique.<br><br>
All these approaches are satisfying to many abstract artists., but others want a more personal or emotional connection to their work. </p>

<p>if you haven&#39;t considered your own experiences, situations, and emotions as pathways to this connection, it may be because you  worry that this is too self-involved or somehow self-centered. But there is wisdom in the idea that the more personal a subject is the more universal its potential. Your interpretation of your own experiences can strike a chord with others and thus be more widely meaningful.  Work based on your own life and experiences is perfectly valid and is a long tradition in art. </p>

<p>Discovering personal sources for your work is challenging. It requires self-awareness and observation of what moves you and what abstract elements you connect with your experiences. Specific memories of moments and emotions connected with them are most potent, and journaling and sketching can deepen your awareness of these and help you focus. </p>

<p>There is no formula for working abstractly from your own experience, it is by nature individualized and personal. But to  realize that your own life is legit subject matter and worthy of your attention is liberating. So go ahead, express your own experiences, be quirky, be open, be a little mysterious, mine your own memories, and feelings.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
Rebecca and her partner Jerry McLaughlin are excited to be launching year two of Cold Wax Academy&#39;s membership program, which began in October of 2020. In the coming year, live online learning sessions will feature an entirely new set of topics---beginning with a deep dive into technique and the steps involved in developing a painting. Other topics for year 2 include professional development, abstraction and realism, principles of design, and expanded uses for cold wax medium. </p>

<p>As always, members have access to recordings of all previous sessions including everything from the first year, so it&#39;s easy to join anytime. Fall Quarter begins October 6th. Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for details about membership levels and to sign up for a year of exciting learning experiences. </p>

<p>Here is what a member named Sandy has to say about her own experience:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 59: Merging Art and Life</title>
  <link>https://messystudio.fireside.fm/59</link>
  <guid isPermaLink="false">9e326e52-4a5c-47ac-94f8-570be88cb1c1</guid>
  <pubDate>Sat, 16 Feb 2019 11:00:00 -0600</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/9e326e52-4a5c-47ac-94f8-570be88cb1c1.mp3" length="31863131" type="audio/mp3"/>
  <itunes:episode>59</itunes:episode>
  <itunes:title>Merging Art and Life</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>What activities, passions, or interests do you pursue outside your studio (art related or otherwise)? Do you think they feed your main work or focus? Rebecca and Ross discuss listener answers submitted on Facebook, as well as their own thoughts on the subject. </itunes:subtitle>
  <itunes:duration>33:44</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>What activities, passions, or interests do you pursue outside your studio (art related or otherwise)? Do you think they feed your main work or focus? Rebecca and Ross discuss answers submitted on Facebook, as well as their own thoughts on the subject. 
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast
PODCAST notes: merging art and life
Ross Intro: A while back Rebecca posed this question on Facebook,
what activities, passions, or interests do you pursue outside your studio (art
related or otherwise)? Do you think they feed your main work or focus? 
The answers poured in and today we’re going to take a look at some of
them--
Why I asked this question:
Wanted to say something about the wholeness of our lives as artists; artist is such
a large identity/passion that many of us think only in those terms.
But there will always be crossover influences if our art is about who we are
Also we need to get out of our heads sometimes.
Was going to talk about this from my own perspective but too limited.
Curious about people beyond the usual painting postings on Facebook.
What else are they passionate about?
Huge range of answers… volunteering with various causes …making collections
(fountain pens, found objects, old books) …studying the design of Ferraris…raising
bonsais… …storytelling…environmental causes such as radiation protection,
sustainability, working with the homeless…… physical activities including tennis,
horseback riding , weightlifting, sailing, mountain biking, rock climbing, croquet,
;pickleball, fencing, various kinds of dance
Influence from professions—psychotherapy, interior design, costuming for stage
and film,
Also mentioned: synesthesia, the connection in the mind between one sensory
experience and another/ automatic and totally convincing ( a certain musical note
= a certain color. )
Ross points out that synesthesia can occur naturally, but an also be chemically 
induced or a product of stress, experiences which have influenced artists.
Not a voluntary interest but one with implications for art making/ part of the
bigger picture of who we are and how it affects our work.
Also some commonalities in the answers, lots of repeats which I will get to in a
minute.
Some people addressed the 2 nd part of my question and some did not—the
connection between these activities and your art.
I assume that other things in life feed people’s work—how much of his happens in
a conscious way?
Could it be helpful to make more direct connections/
Part of making your art personal and unique is mining these passions for ideas
Thinking about personal voice and direction here.
Finding direction and voice is a quest for many people esp starting out
experienced artists might ask themselves, what can I bring into my work
that moves me from the rest of life? New direction and ideas always important.
Connections may be direct or indirect.
Examples of direct connections—from responses
Being in nature: close observation of surroundings, noticing light, detail, feeling a
spiritual connection/content.
Physical activity: (weightlifting) relates to being fit for large paintings and maybe
on a subtler level the physicality of moving paint around ….rock climbing—the
practice of in-the-moment intuitive decision making, being totally present.
Writing: using words to expand creative ideas.
Travel—exposure to different cultures and visual experiences used in art work.
Music—influences from rhythm and mood, improvisational music and jazz as
related to intuitive painting, collaboration in playing with others.
Gardening and clay work.
Looking at art in museums, researching materials, taking workshops-- obvious
connections.
If you don’t think there is a connection--Ask yourself what intrigues, you about
one of your interests and it may lead directly to some new art idea.
Ex: figure drawing group —challenge of rendering form light/shadow, use of
brush.
Ex: collecting stuff—besides enjoying the objects you collect, is there something
about the act of collecting /organizing/arranging that could enter your work?
Ex: birdwatching—movement, patterns, color, delicacy/strength.
Ex: gardening—the cycle of planting, growing, maturing, dying back.
Could your work be enhanced by being open to your interests as a whole?
No need to push, simply set it as an intention.
Summary of the brief and unscientific survey:
Most Often mentioned:
being in nature, hiking in nature
Yoga, meditation’
Photography
Some kind of music connection—participating or listening
Physical activity, exercise, sports
Volunteering
Reading
Writing
Travel
Some help to slow down, get centered/grounded, connect with inner self, connect
with nature have a meditative aspect – feeding the inner self, being present.
Some are stimulating, energizing—being active, playing music, working with
people, travel.
Some directly related to art in obvious ways –photography, drawing,
experimenting with materials.
Many people mentioned a range, aspects of all of the above –
My takeaway -- our lives are made up of many parts, and art has the potential to
be the expression of the whole not any one thing but that general feeling of 
possibility and curiosity, some combination of what we make for ourselves and 
what life has served up. 
</description>
  <itunes:keywords>Rebecca Crowell, Art, Life, Influences, Hobbies</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>What activities, passions, or interests do you pursue outside your studio (art related or otherwise)? Do you think they feed your main work or focus? Rebecca and Ross discuss answers submitted on Facebook, as well as their own thoughts on the subject. </p>

<p><a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>PODCAST notes: merging art and life</p>

<p>Ross Intro: A while back Rebecca posed this question on Facebook,<br>
what activities, passions, or interests do you pursue outside your studio (art<br>
related or otherwise)? Do you think they feed your main work or focus? <br>
The answers poured in and today we’re going to take a look at some of<br>
them--</p>

<p>Why I asked this question:</p>

<p>Wanted to say something about the wholeness of our lives as artists; artist is such<br>
a large identity/passion that many of us think only in those terms.</p>

<p>But there will always be crossover influences if our art is about who we are</p>

<p>Also we need to get out of our heads sometimes.</p>

<p>Was going to talk about this from my own perspective but too limited.</p>

<p>Curious about people beyond the usual painting postings on Facebook.</p>

<p>What else are they passionate about?</p>

<p>Huge range of answers… volunteering with various causes …making collections<br>
(fountain pens, found objects, old books) …studying the design of Ferraris…raising<br>
bonsais… …storytelling…environmental causes such as radiation protection,<br>
sustainability, working with the homeless…… physical activities including tennis,<br>
horseback riding , weightlifting, sailing, mountain biking, rock climbing, croquet,<br>
;pickleball, fencing, various kinds of dance</p>

<p>Influence from professions—psychotherapy, interior design, costuming for stage<br>
and film,</p>

<p>Also mentioned: synesthesia, the connection in the mind between one sensory<br>
experience and another/ automatic and totally convincing ( a certain musical note<br>
= a certain color. )</p>

<p>Ross points out that synesthesia can occur naturally, but an also be chemically <br>
induced or a product of stress, experiences which have influenced artists.</p>

<p>Not a voluntary interest but one with implications for art making/ part of the<br>
bigger picture of who we are and how it affects our work.</p>

<p>Also some commonalities in the answers, lots of repeats which I will get to in a<br>
minute.</p>

<p>Some people addressed the 2 nd part of my question and some did not—the<br>
connection between these activities and your art.</p>

<p>I assume that other things in life feed people’s work—how much of his happens in<br>
a conscious way?</p>

<p>Could it be helpful to make more direct connections/</p>

<p>Part of making your art personal and unique is mining these passions for ideas</p>

<p>Thinking about personal voice and direction here.</p>

<p>Finding direction and voice is a quest for many people esp starting out<br>
experienced artists might ask themselves, what can I bring into my work<br>
that moves me from the rest of life? New direction and ideas always important.</p>

<p>Connections may be direct or indirect.</p>

<p>Examples of direct connections—from responses</p>

<p>Being in nature: close observation of surroundings, noticing light, detail, feeling a<br>
spiritual connection/content.</p>

<p>Physical activity: (weightlifting) relates to being fit for large paintings and maybe<br>
on a subtler level the physicality of moving paint around ….rock climbing—the<br>
practice of in-the-moment intuitive decision making, being totally present.</p>

<p>Writing: using words to expand creative ideas.</p>

<p>Travel—exposure to different cultures and visual experiences used in art work.</p>

<p>Music—influences from rhythm and mood, improvisational music and jazz as<br>
related to intuitive painting, collaboration in playing with others.</p>

<p>Gardening and clay work.</p>

<p>Looking at art in museums, researching materials, taking workshops-- obvious<br>
connections.</p>

<p>If you don’t think there is a connection--Ask yourself what intrigues, you about<br>
one of your interests and it may lead directly to some new art idea.</p>

<p>Ex: figure drawing group —challenge of rendering form light/shadow, use of<br>
brush.</p>

<p>Ex: collecting stuff—besides enjoying the objects you collect, is there something<br>
about the act of collecting /organizing/arranging that could enter your work?</p>

<p>Ex: birdwatching—movement, patterns, color, delicacy/strength.</p>

<p>Ex: gardening—the cycle of planting, growing, maturing, dying back.</p>

<p>Could your work be enhanced by being open to your interests as a whole?</p>

<p>No need to push, simply set it as an intention.</p>

<p>Summary of the brief and unscientific survey:</p>

<p>Most Often mentioned:<br>
being in nature, hiking in nature<br>
Yoga, meditation’<br>
Photography<br>
Some kind of music connection—participating or listening<br>
Physical activity, exercise, sports<br>
Volunteering<br>
Reading<br>
Writing<br>
Travel</p>

<p>Some help to slow down, get centered/grounded, connect with inner self, connect<br>
with nature have a meditative aspect – feeding the inner self, being present.</p>

<p>Some are stimulating, energizing—being active, playing music, working with<br>
people, travel.</p>

<p>Some directly related to art in obvious ways –photography, drawing,<br>
experimenting with materials.</p>

<p>Many people mentioned a range, aspects of all of the above –</p>

<p>My takeaway -- our lives are made up of many parts, and art has the potential to<br>
be the expression of the whole not any one thing but that general feeling of <br>
possibility and curiosity, some combination of what we make for ourselves and <br>
what life has served up.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>What activities, passions, or interests do you pursue outside your studio (art related or otherwise)? Do you think they feed your main work or focus? Rebecca and Ross discuss answers submitted on Facebook, as well as their own thoughts on the subject. </p>

<p><a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>PODCAST notes: merging art and life</p>

<p>Ross Intro: A while back Rebecca posed this question on Facebook,<br>
what activities, passions, or interests do you pursue outside your studio (art<br>
related or otherwise)? Do you think they feed your main work or focus? <br>
The answers poured in and today we’re going to take a look at some of<br>
them--</p>

<p>Why I asked this question:</p>

<p>Wanted to say something about the wholeness of our lives as artists; artist is such<br>
a large identity/passion that many of us think only in those terms.</p>

<p>But there will always be crossover influences if our art is about who we are</p>

<p>Also we need to get out of our heads sometimes.</p>

<p>Was going to talk about this from my own perspective but too limited.</p>

<p>Curious about people beyond the usual painting postings on Facebook.</p>

<p>What else are they passionate about?</p>

<p>Huge range of answers… volunteering with various causes …making collections<br>
(fountain pens, found objects, old books) …studying the design of Ferraris…raising<br>
bonsais… …storytelling…environmental causes such as radiation protection,<br>
sustainability, working with the homeless…… physical activities including tennis,<br>
horseback riding , weightlifting, sailing, mountain biking, rock climbing, croquet,<br>
;pickleball, fencing, various kinds of dance</p>

<p>Influence from professions—psychotherapy, interior design, costuming for stage<br>
and film,</p>

<p>Also mentioned: synesthesia, the connection in the mind between one sensory<br>
experience and another/ automatic and totally convincing ( a certain musical note<br>
= a certain color. )</p>

<p>Ross points out that synesthesia can occur naturally, but an also be chemically <br>
induced or a product of stress, experiences which have influenced artists.</p>

<p>Not a voluntary interest but one with implications for art making/ part of the<br>
bigger picture of who we are and how it affects our work.</p>

<p>Also some commonalities in the answers, lots of repeats which I will get to in a<br>
minute.</p>

<p>Some people addressed the 2 nd part of my question and some did not—the<br>
connection between these activities and your art.</p>

<p>I assume that other things in life feed people’s work—how much of his happens in<br>
a conscious way?</p>

<p>Could it be helpful to make more direct connections/</p>

<p>Part of making your art personal and unique is mining these passions for ideas</p>

<p>Thinking about personal voice and direction here.</p>

<p>Finding direction and voice is a quest for many people esp starting out<br>
experienced artists might ask themselves, what can I bring into my work<br>
that moves me from the rest of life? New direction and ideas always important.</p>

<p>Connections may be direct or indirect.</p>

<p>Examples of direct connections—from responses</p>

<p>Being in nature: close observation of surroundings, noticing light, detail, feeling a<br>
spiritual connection/content.</p>

<p>Physical activity: (weightlifting) relates to being fit for large paintings and maybe<br>
on a subtler level the physicality of moving paint around ….rock climbing—the<br>
practice of in-the-moment intuitive decision making, being totally present.</p>

<p>Writing: using words to expand creative ideas.</p>

<p>Travel—exposure to different cultures and visual experiences used in art work.</p>

<p>Music—influences from rhythm and mood, improvisational music and jazz as<br>
related to intuitive painting, collaboration in playing with others.</p>

<p>Gardening and clay work.</p>

<p>Looking at art in museums, researching materials, taking workshops-- obvious<br>
connections.</p>

<p>If you don’t think there is a connection--Ask yourself what intrigues, you about<br>
one of your interests and it may lead directly to some new art idea.</p>

<p>Ex: figure drawing group —challenge of rendering form light/shadow, use of<br>
brush.</p>

<p>Ex: collecting stuff—besides enjoying the objects you collect, is there something<br>
about the act of collecting /organizing/arranging that could enter your work?</p>

<p>Ex: birdwatching—movement, patterns, color, delicacy/strength.</p>

<p>Ex: gardening—the cycle of planting, growing, maturing, dying back.</p>

<p>Could your work be enhanced by being open to your interests as a whole?</p>

<p>No need to push, simply set it as an intention.</p>

<p>Summary of the brief and unscientific survey:</p>

<p>Most Often mentioned:<br>
being in nature, hiking in nature<br>
Yoga, meditation’<br>
Photography<br>
Some kind of music connection—participating or listening<br>
Physical activity, exercise, sports<br>
Volunteering<br>
Reading<br>
Writing<br>
Travel</p>

<p>Some help to slow down, get centered/grounded, connect with inner self, connect<br>
with nature have a meditative aspect – feeding the inner self, being present.</p>

<p>Some are stimulating, energizing—being active, playing music, working with<br>
people, travel.</p>

<p>Some directly related to art in obvious ways –photography, drawing,<br>
experimenting with materials.</p>

<p>Many people mentioned a range, aspects of all of the above –</p>

<p>My takeaway -- our lives are made up of many parts, and art has the potential to<br>
be the expression of the whole not any one thing but that general feeling of <br>
possibility and curiosity, some combination of what we make for ourselves and <br>
what life has served up.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 23: Finding Personal Path</title>
  <link>https://messystudio.fireside.fm/23</link>
  <guid isPermaLink="false">de61e5de-3ebd-4895-ab15-25af4d716462</guid>
  <pubDate>Sat, 26 May 2018 11:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/de61e5de-3ebd-4895-ab15-25af4d716462.mp3" length="38004643" type="audio/mp3"/>
  <itunes:episode>23</itunes:episode>
  <itunes:title>Finding Personal Path</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Rebecca and Ross talk about finding your personal path in the art world and life. </itunes:subtitle>
  <itunes:duration>32:28</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>Rebecca and Ross talk about finding your personal path in the art world and life. 
www.rebeccacrowell.com
www.coldwaxbook.com
www.facebook.com/messystudiopodcast 
</description>
  <content:encoded>
    <![CDATA[<p>Rebecca and Ross talk about finding your personal path in the art world and life. </p>

<p><a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxbook.com" rel="nofollow">www.coldwaxbook.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Rebecca and Ross talk about finding your personal path in the art world and life. </p>

<p><a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxbook.com" rel="nofollow">www.coldwaxbook.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>]]>
  </itunes:summary>
</item>
  </channel>
</rss>
