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    <title>The Messy Studio with Rebecca Crowell - Episodes Tagged with “Materials”</title>
    <link>https://messystudio.fireside.fm/tags/materials</link>
    <pubDate>Sat, 18 Mar 2023 17:00:00 -0500</pubDate>
    <description>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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    <itunes:subtitle>The podcast at the intersection of art, travel, business, philosophy, and life in general.</itunes:subtitle>
    <itunes:author>Rebecca Crowell</itunes:author>
    <itunes:summary>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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    <itunes:owner>
      <itunes:name>Rebecca Crowell</itunes:name>
      <itunes:email>rticknor.core@gmail.com</itunes:email>
    </itunes:owner>
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  <title>Episode 245: Art and Technology </title>
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  <pubDate>Sat, 18 Mar 2023 17:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
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  <itunes:episode>245</itunes:episode>
  <itunes:title>Art and Technology </itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>As artists, many of us honor the age-old tradition of creating our work with nothing more than our hands, a few tools, and materials that have stood the test of time. Yet we also live in a high-tech world, and that impacts all of us. How artists view technology ranges from a necessary evil to a full embrace of its creative possibilities. But we should all understand that technology itself is not a new factor in making art. Today we’ll look at some of the ways technology has been used over time in art and ways to think about it in our current world. 
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  <itunes:duration>41:39</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description> As artists, many of us honor the age-old tradition of creating our work with nothing more than our hands, a few tools, and materials that have stood the test of time. Yet we also live in a high-tech world, and that impacts all of us. How artists view technology ranges from a necessary evil to a full embrace of its creative possibilities. But we should all understand that technology itself is not a new factor in making art. Today we’ll look at some of the ways technology has been used over time in art and ways to think about it in our current world. 
Dealing with technology can feel daunting and unnatural to the way you approach your work or it may be something you embrace enthusiastically. But it impacts all of us in life as well as in art. For artists, technology represents an intersection of scientific knowledge and creative output. It means knowledge that expands the known boundaries of what can be done in the name of creativity.
But thinking of technology as something only relevant to artists today does not consider the long history of technical advances that aid in creative production. A good example is the use of the camera obscura during the Renaissance by artists like Leonardo da Vinci to understand and depict perspective in painting. In addition, there have been countless advances in art materials, tools, and equipment that make our creative lives more expansive today. 
Many artists today embrace new forms of technology in their work, including digital media, 3-D printing, and Artificial Intelligence. Yet traditional forms of art in which we see the hand of the artist will always have human appeal, and it's important to not feel pushed into technology to feel your art is relevant.  But whatever approach is right for you, being open to the changes in art that result from technology, being curious and appreciative of its place in the flow of art ideas over time is important.
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
What's new At Cold Wax Academy? 
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library.  As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. 
It's never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. 
Please visit http://www.coldwaxacademy.com for more information.
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
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  <itunes:keywords>Rebecca Crowell, Art, Creativity, Technology, Materials, Marketing, Communicating, History, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>As artists, many of us honor the age-old tradition of creating our work with nothing more than our hands, a few tools, and materials that have stood the test of time. Yet we also live in a high-tech world, and that impacts all of us. How artists view technology ranges from a necessary evil to a full embrace of its creative possibilities. But we should all understand that technology itself is not a new factor in making art. Today we’ll look at some of the ways technology has been used over time in art and ways to think about it in our current world. </p>

<p>Dealing with technology can feel daunting and unnatural to the way you approach your work or it may be something you embrace enthusiastically. But it impacts all of us in life as well as in art. For artists, technology represents an intersection of scientific knowledge and creative output. It means knowledge that expands the known boundaries of what can be done in the name of creativity.</p>

<p>But thinking of technology as something only relevant to artists today does not consider the long history of technical advances that aid in creative production. A good example is the use of the camera obscura during the Renaissance by artists like Leonardo da Vinci to understand and depict perspective in painting. In addition, there have been countless advances in art materials, tools, and equipment that make our creative lives more expansive today. </p>

<p>Many artists today embrace new forms of technology in their work, including digital media, 3-D printing, and Artificial Intelligence. Yet traditional forms of art in which we see the hand of the artist will always have human appeal, and it&#39;s important to not feel pushed into technology to feel your art is relevant.  But whatever approach is right for you, being open to the changes in art that result from technology, being curious and appreciative of its place in the flow of art ideas over time is important.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>What&#39;s new At Cold Wax Academy? <br>
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library.  As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. </p>

<p>It&#39;s never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information as well as basic information about using cold wax medium. </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.<br>
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Also-- please visit <a href="https://www.espacioart.org" rel="nofollow">https://www.espacioart.org</a> to learn about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>As artists, many of us honor the age-old tradition of creating our work with nothing more than our hands, a few tools, and materials that have stood the test of time. Yet we also live in a high-tech world, and that impacts all of us. How artists view technology ranges from a necessary evil to a full embrace of its creative possibilities. But we should all understand that technology itself is not a new factor in making art. Today we’ll look at some of the ways technology has been used over time in art and ways to think about it in our current world. </p>

<p>Dealing with technology can feel daunting and unnatural to the way you approach your work or it may be something you embrace enthusiastically. But it impacts all of us in life as well as in art. For artists, technology represents an intersection of scientific knowledge and creative output. It means knowledge that expands the known boundaries of what can be done in the name of creativity.</p>

<p>But thinking of technology as something only relevant to artists today does not consider the long history of technical advances that aid in creative production. A good example is the use of the camera obscura during the Renaissance by artists like Leonardo da Vinci to understand and depict perspective in painting. In addition, there have been countless advances in art materials, tools, and equipment that make our creative lives more expansive today. </p>

<p>Many artists today embrace new forms of technology in their work, including digital media, 3-D printing, and Artificial Intelligence. Yet traditional forms of art in which we see the hand of the artist will always have human appeal, and it&#39;s important to not feel pushed into technology to feel your art is relevant.  But whatever approach is right for you, being open to the changes in art that result from technology, being curious and appreciative of its place in the flow of art ideas over time is important.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>What&#39;s new At Cold Wax Academy? <br>
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library.  As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. </p>

<p>It&#39;s never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information as well as basic information about using cold wax medium. </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.<br>
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Also-- please visit <a href="https://www.espacioart.org" rel="nofollow">https://www.espacioart.org</a> to learn about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 244: Abstract Painting: Exploring Media </title>
  <link>https://messystudio.fireside.fm/244</link>
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  <pubDate>Tue, 14 Mar 2023 11:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/6c033d5b-e508-4e93-af7a-1e65fc455032.mp3" length="59729710" type="audio/mpeg"/>
  <itunes:episode>244</itunes:episode>
  <itunes:title>Abstract Painting: Exploring Media </itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Each type of painting media that an abstract artist uses has specific qualities that make it suitable for certain approaches-- and less so for others.  As part of your studio practice, it’s important to understand and work with the qualities of different media rather than trying to push against their nature. And it is also exciting to explore outside your typical media to see what each has to offer. Today we’ll look at several media used for abstract painting—oil, acrylic, encaustic, watercolor, and mixed media approaches and touch on the benefits and challenges of each. </itunes:subtitle>
  <itunes:duration>41:28</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>Each type of painting media that an abstract artist uses has specific qualities that make it suitable for certain approaches-- and less so for others.  As part of your studio practice, it’s important to understand and work with the qualities of different media rather than trying to push against their nature. And it is also exciting to explore outside your typical media to see what each has to offer. Today we’ll look at several media used for abstract painting—oil, acrylic, encaustic, watercolor, and mixed media approaches and touch on the benefits and challenges of each. 
A basic art theory concerns the idea that each art media has unique characteristics to explore and exploit. There is also plenty of middle ground; various media lend themselves to layering, for example. But in exploring various media for different purposes, you may discover new ideas and directions for your work. Water based media tend to offer possibilities for spontaneity, while oil painting offers special luminosity of color.  The material qualities of various paints also play a special role in abstraction, when color, line, and physical texture can be important be an important presence for their own sakes. 
Along with choosing painting media that is in line for your intentions, the tools associated with the medium are a consideration. Experimenting with tools that are outside traditional choices can be exciting, but if you are truly a brush painter, for example, you would probably work best with a fluid media like oil, acrylic, watercolor, and gouache rather than thicker media like oil mixed with cold wax medium, or encaustic.  
Exploring these different media is exciting, and often leads to a cross-pollination of ideas. For example, you might work through several iterations of an image using water-based media that sets up quickly, and then moving some of those ideas into oil. Or you might increase the scale of a small acrylic study to a large mixed media piece.  A shape that you play with in acrylic may take on more depth or dimensionality when you build it up in layers of oil paint. Each medium has distinct effects and potential.
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
What's new At Cold Wax Academy? 
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library.  As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. 
It's never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. 
Please visit http://www.coldwaxacademy.com for more information.
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Abstraction, Materials, Experimentation, Mixed Media, Water Color, Oil Paint, Acrylic </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Each type of painting media that an abstract artist uses has specific qualities that make it suitable for certain approaches-- and less so for others.  As part of your studio practice, it’s important to understand and work with the qualities of different media rather than trying to push against their nature. And it is also exciting to explore outside your typical media to see what each has to offer. Today we’ll look at several media used for abstract painting—oil, acrylic, encaustic, watercolor, and mixed media approaches and touch on the benefits and challenges of each. </p>

<p>A basic art theory concerns the idea that each art media has unique characteristics to explore and exploit. There is also plenty of middle ground; various media lend themselves to layering, for example. But in exploring various media for different purposes, you may discover new ideas and directions for your work. Water based media tend to offer possibilities for spontaneity, while oil painting offers special luminosity of color.  The material qualities of various paints also play a special role in abstraction, when color, line, and physical texture can be important be an important presence for their own sakes. </p>

<p>Along with choosing painting media that is in line for your intentions, the tools associated with the medium are a consideration. Experimenting with tools that are outside traditional choices can be exciting, but if you are truly a brush painter, for example, you would probably work best with a fluid media like oil, acrylic, watercolor, and gouache rather than thicker media like oil mixed with cold wax medium, or encaustic.  </p>

<p>Exploring these different media is exciting, and often leads to a cross-pollination of ideas. For example, you might work through several iterations of an image using water-based media that sets up quickly, and then moving some of those ideas into oil. Or you might increase the scale of a small acrylic study to a large mixed media piece.  A shape that you play with in acrylic may take on more depth or dimensionality when you build it up in layers of oil paint. Each medium has distinct effects and potential.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>What&#39;s new At Cold Wax Academy? <br>
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library.  As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. </p>

<p>It&#39;s never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information as well as basic information about using cold wax medium. </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.<br>
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Also-- please visit <a href="https://www.espacioart.org" rel="nofollow">https://www.espacioart.org</a> to learn about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Each type of painting media that an abstract artist uses has specific qualities that make it suitable for certain approaches-- and less so for others.  As part of your studio practice, it’s important to understand and work with the qualities of different media rather than trying to push against their nature. And it is also exciting to explore outside your typical media to see what each has to offer. Today we’ll look at several media used for abstract painting—oil, acrylic, encaustic, watercolor, and mixed media approaches and touch on the benefits and challenges of each. </p>

<p>A basic art theory concerns the idea that each art media has unique characteristics to explore and exploit. There is also plenty of middle ground; various media lend themselves to layering, for example. But in exploring various media for different purposes, you may discover new ideas and directions for your work. Water based media tend to offer possibilities for spontaneity, while oil painting offers special luminosity of color.  The material qualities of various paints also play a special role in abstraction, when color, line, and physical texture can be important be an important presence for their own sakes. </p>

<p>Along with choosing painting media that is in line for your intentions, the tools associated with the medium are a consideration. Experimenting with tools that are outside traditional choices can be exciting, but if you are truly a brush painter, for example, you would probably work best with a fluid media like oil, acrylic, watercolor, and gouache rather than thicker media like oil mixed with cold wax medium, or encaustic.  </p>

<p>Exploring these different media is exciting, and often leads to a cross-pollination of ideas. For example, you might work through several iterations of an image using water-based media that sets up quickly, and then moving some of those ideas into oil. Or you might increase the scale of a small acrylic study to a large mixed media piece.  A shape that you play with in acrylic may take on more depth or dimensionality when you build it up in layers of oil paint. Each medium has distinct effects and potential.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>What&#39;s new At Cold Wax Academy? <br>
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library.  As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. </p>

<p>It&#39;s never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information as well as basic information about using cold wax medium. </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.<br>
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Also-- please visit <a href="https://www.espacioart.org" rel="nofollow">https://www.espacioart.org</a> to learn about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 227: The Gift of Days: An Artist Residency </title>
  <link>https://messystudio.fireside.fm/227</link>
  <guid isPermaLink="false">ae93be76-6a8d-46f1-9f0e-cdb8f00393c1</guid>
  <pubDate>Sat, 29 Oct 2022 16:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/ae93be76-6a8d-46f1-9f0e-cdb8f00393c1.mp3" length="59519058" type="audio/mpeg"/>
  <itunes:episode>227</itunes:episode>
  <itunes:title>The Gift of Days: An Artist Residency </itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>In today’s episode, Rebecca reflects on her recent 3 weeks of residency at the Obras Foundation in Portugal, and the challenges and rewards of this experience. </itunes:subtitle>
  <itunes:duration>41:19</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>We’d like to begin today with some words from John O’Donohue, the Irish poet, author, priest, and philosopher--who wrote in his poem, For the Traveler:
May you travel in an awakened way,
Gathered wisely into your inner ground;
That you may not waste the invitations
Which wait along the way to transform you.
May you travel safely, arrive refreshed,
And live your time away to its fullest;
Return home more enriched, and free
To balance the gift of days which call you
O’Donohue’s poem-- from which this excerpt is taken-- reflects on the impact of travel that is done in an aware and thoughtful manner. Taking part in an artist residency program is one way to experience a new place on this deep level and to experience its influence on your work. In today’s episode, Rebecca reflects on her recent 3 weeks of residency at the Obras Foundation in Portugal, and the challenges and rewards of this experience. 
We talked last week about the duality of familiarity and novelty that you can experience when working with the idea of place and in your response to unique aspects of an environment. There can be novelty in what is familiar, when you tune into your daily environment, and there can also be familiarity in what is new, as you seek out what you know and are comfortable with even in a completely foreign environment. When working in a truly new and unfamiliar place, it can be a challenge to find focus and continuity with your ongoing work. Allowing your responses to being on a residency to evolve organically in your ongoing work may be the best way to integrate your new experience.
website for Obras Foundation: http://www.obras-art.org
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? 
Rebecca and Jerry have just launched their Fall quarter of live, online sessions with a special focus this time on member participation, plus informative sessions on a variety of other topics such as photographing your art work and using Procreate. This month also marks the beginning of Cold Wax Academy's 3rd year of teaching sessions, meaning that the member library now has over 80 recordings and other instructional documents available for members. To access this wealth of information and to take part in upcoming live sessions, please visit the membership page at ColdWaxAcademy.com and sign up for one of the two levels of membership available. 
Please visit http://www.coldwaxacademy.com for more information.
Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon!
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Place, Travel, Portugal, Lisbon, Abstraction, Materials, Influences, Artist Residencies </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>We’d like to begin today with some words from John O’Donohue, the Irish poet, author, priest, and philosopher--who wrote in his poem, For the Traveler:</p>

<p>May you travel in an awakened way,<br>
Gathered wisely into your inner ground;<br>
That you may not waste the invitations<br>
Which wait along the way to transform you.</p>

<p>May you travel safely, arrive refreshed,<br>
And live your time away to its fullest;<br>
Return home more enriched, and free<br>
To balance the gift of days which call you</p>

<p>O’Donohue’s poem-- from which this excerpt is taken-- reflects on the impact of travel that is done in an aware and thoughtful manner. Taking part in an artist residency program is one way to experience a new place on this deep level and to experience its influence on your work. In today’s episode, Rebecca reflects on her recent 3 weeks of residency at the Obras Foundation in Portugal, and the challenges and rewards of this experience. </p>

<p>We talked last week about the duality of familiarity and novelty that you can experience when working with the idea of place and in your response to unique aspects of an environment. There can be novelty in what is familiar, when you tune into your daily environment, and there can also be familiarity in what is new, as you seek out what you know and are comfortable with even in a completely foreign environment. When working in a truly new and unfamiliar place, it can be a challenge to find focus and continuity with your ongoing work. Allowing your responses to being on a residency to evolve organically in your ongoing work may be the best way to integrate your new experience.</p>

<h2>website for Obras Foundation: <a href="http://www.obras-art.org" rel="nofollow">http://www.obras-art.org</a></h2>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
What&#39;s new at Cold Wax Academy? <br>
Rebecca and Jerry have just launched their Fall quarter of live, online sessions with a special focus this time on member participation, plus informative sessions on a variety of other topics such as photographing your art work and using Procreate. This month also marks the beginning of Cold Wax Academy&#39;s 3rd year of teaching sessions, meaning that the member library now has over 80 recordings and other instructional documents available for members. To access this wealth of information and to take part in upcoming live sessions, please visit the membership page at ColdWaxAcademy.com and sign up for one of the two levels of membership available. </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.</p>

<p>Also-- stay tuned for information coming soon about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing <a href="mailto:info@coldwaxacademy.com" rel="nofollow">info@coldwaxacademy.com</a>. A dedicated Espacio website is coming soon!</p>

<p>Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>We’d like to begin today with some words from John O’Donohue, the Irish poet, author, priest, and philosopher--who wrote in his poem, For the Traveler:</p>

<p>May you travel in an awakened way,<br>
Gathered wisely into your inner ground;<br>
That you may not waste the invitations<br>
Which wait along the way to transform you.</p>

<p>May you travel safely, arrive refreshed,<br>
And live your time away to its fullest;<br>
Return home more enriched, and free<br>
To balance the gift of days which call you</p>

<p>O’Donohue’s poem-- from which this excerpt is taken-- reflects on the impact of travel that is done in an aware and thoughtful manner. Taking part in an artist residency program is one way to experience a new place on this deep level and to experience its influence on your work. In today’s episode, Rebecca reflects on her recent 3 weeks of residency at the Obras Foundation in Portugal, and the challenges and rewards of this experience. </p>

<p>We talked last week about the duality of familiarity and novelty that you can experience when working with the idea of place and in your response to unique aspects of an environment. There can be novelty in what is familiar, when you tune into your daily environment, and there can also be familiarity in what is new, as you seek out what you know and are comfortable with even in a completely foreign environment. When working in a truly new and unfamiliar place, it can be a challenge to find focus and continuity with your ongoing work. Allowing your responses to being on a residency to evolve organically in your ongoing work may be the best way to integrate your new experience.</p>

<h2>website for Obras Foundation: <a href="http://www.obras-art.org" rel="nofollow">http://www.obras-art.org</a></h2>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
What&#39;s new at Cold Wax Academy? <br>
Rebecca and Jerry have just launched their Fall quarter of live, online sessions with a special focus this time on member participation, plus informative sessions on a variety of other topics such as photographing your art work and using Procreate. This month also marks the beginning of Cold Wax Academy&#39;s 3rd year of teaching sessions, meaning that the member library now has over 80 recordings and other instructional documents available for members. To access this wealth of information and to take part in upcoming live sessions, please visit the membership page at ColdWaxAcademy.com and sign up for one of the two levels of membership available. </p>

<p>Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.</p>

<p>Also-- stay tuned for information coming soon about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing <a href="mailto:info@coldwaxacademy.com" rel="nofollow">info@coldwaxacademy.com</a>. A dedicated Espacio website is coming soon!</p>

<p>Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 220: The Blank Canvas</title>
  <link>https://messystudio.fireside.fm/220</link>
  <guid isPermaLink="false">a1ea13f6-212b-443f-ba8e-9cedb3849092</guid>
  <pubDate>Sat, 10 Sep 2022 15:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/a1ea13f6-212b-443f-ba8e-9cedb3849092.mp3" length="56133589" type="audio/mpeg"/>
  <itunes:episode>220</itunes:episode>
  <itunes:title>The Blank Canvas</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Beginning a work of art is a leap into the unknown. Facing a blank canvas or panel or sheet of drawing paper, a lump of clay, a block of wood, a freshly prepared litho stone, or the untouched material of any art form is exhilarating but also a bit intimidating. How do you approach starting new work? Do you feel the energy of a fresh start, or is there some worry about how things will go? How do you overcome resistance to starting something new? Today we will talk about the ups and downs in launching into new work. </itunes:subtitle>
  <itunes:duration>38:58</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>Beginning a work of art is a leap into the unknown. Facing a blank canvas or panel or sheet of drawing paper, a lump of clay, a block of wood, a freshly prepared litho stone, or the untouched material of any art form is exhilarating but also a bit intimidating. How do you approach starting new work? Do you feel the energy of a fresh start, or is there some worry about how things will go? How do you overcome resistance to starting something new? Today we will talk about the ups and downs in launching into new work. 
The beginning stages of your work challenges you with the question of "now what"?  What, if anything, are you ready to change in your work? What urges and new ideas are you entertaining? These questions impact all people who are producing creative work, because we never rest long on past accomplishments. New beginnings are the part of the creative cycle that keep us moving forward. 
How you respond to beginning new work depends on where you are in that cycle. At different times, starting fresh work can affect you differently. If your ideas are flowing well, you probably are excited about the new work. The question of what’s next brings a positive, confident feeling. If you're struggling though, it’s time for some serious reflection about your work, and trying to pinpoint where the problems are coming from. Another difficult situation can be feeling self-imposed pressure if you're previous piece was very successful. You may worry about being able to reach that level again. Understanding that progress takes time and multiple stages in which you integrate new skills and ideas is important.  Another situation that affects how you approach new work is when you have a commitment or event that you’re working toward. In that case, there is a bigger context because you will be thinking about creating work that will show well together or that fits a specific theme.
While there are certainly difficulties or challenges with facing the metaphoric bank canvas, you can access positive aspects no matter where you are in the creative cycle. The fresh start, the sense of limitless possibilities is exciting, and there is a special energy when you have yet to make the first move on the new work. That is something to cultivate, to look forward to, and respect because every time you approach a new piece, you are showing commitment to your work, and a certain optimism that keeps you moving forward.
Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. 
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? 
As their summer programming comes to a close this month, Rebecca and Jerry are busy planning for their online sessions for Fall Quarter which begins October 5th. If you are already a member, please respond to the survey Jerry sent out asking for member input on what you'd like to learn more about or delve into more deeply in upcoming online sessions. As instructors, Rebecca and Jerry are always aiming to increase member participation and involvement--one of the many valuable aspects of Cold Wax Academy. If you're not a member yet, this is a great time to join, catch up on all past recordings, and enjoy their interactive online sessions. 
Please visit http://www.coldwaxacademy.com for more information.
Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon!
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Getting Started, Blank Canvas, Materials, Time, Practice</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Beginning a work of art is a leap into the unknown. Facing a blank canvas or panel or sheet of drawing paper, a lump of clay, a block of wood, a freshly prepared litho stone, or the untouched material of any art form is exhilarating but also a bit intimidating. How do you approach starting new work? Do you feel the energy of a fresh start, or is there some worry about how things will go? How do you overcome resistance to starting something new? Today we will talk about the ups and downs in launching into new work. </p>

<p>The beginning stages of your work challenges you with the question of &quot;now what&quot;?  What, if anything, are you ready to change in your work? What urges and new ideas are you entertaining? These questions impact all people who are producing creative work, because we never rest long on past accomplishments. New beginnings are the part of the creative cycle that keep us moving forward. </p>

<p>How you respond to beginning new work depends on where you are in that cycle. At different times, starting fresh work can affect you differently. If your ideas are flowing well, you probably are excited about the new work. The question of what’s next brings a positive, confident feeling. If you&#39;re struggling though, it’s time for some serious reflection about your work, and trying to pinpoint where the problems are coming from. Another difficult situation can be feeling self-imposed pressure if you&#39;re previous piece was very successful. You may worry about being able to reach that level again. Understanding that progress takes time and multiple stages in which you integrate new skills and ideas is important.  Another situation that affects how you approach new work is when you have a commitment or event that you’re working toward. In that case, there is a bigger context because you will be thinking about creating work that will show well together or that fits a specific theme.</p>

<p>While there are certainly difficulties or challenges with facing the metaphoric bank canvas, you can access positive aspects no matter where you are in the creative cycle. The fresh start, the sense of limitless possibilities is exciting, and there is a special energy when you have yet to make the first move on the new work. That is something to cultivate, to look forward to, and respect because every time you approach a new piece, you are showing commitment to your work, and a certain optimism that keeps you moving forward.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
What&#39;s new at Cold Wax Academy? <br>
As their summer programming comes to a close this month, Rebecca and Jerry are busy planning for their online sessions for Fall Quarter which begins October 5th. If you are already a member, please respond to the survey Jerry sent out asking for member input on what you&#39;d like to learn more about or delve into more deeply in upcoming online sessions. As instructors, Rebecca and Jerry are always aiming to increase member participation and involvement--one of the many valuable aspects of Cold Wax Academy. If you&#39;re not a member yet, this is a great time to join, catch up on all past recordings, and enjoy their interactive online sessions. <br>
Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.</p>

<p>Also-- stay tuned for information coming soon about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing <a href="mailto:info@coldwaxacademy.com" rel="nofollow">info@coldwaxacademy.com</a>. A dedicated Espacio website is coming soon!</p>

<p>Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Beginning a work of art is a leap into the unknown. Facing a blank canvas or panel or sheet of drawing paper, a lump of clay, a block of wood, a freshly prepared litho stone, or the untouched material of any art form is exhilarating but also a bit intimidating. How do you approach starting new work? Do you feel the energy of a fresh start, or is there some worry about how things will go? How do you overcome resistance to starting something new? Today we will talk about the ups and downs in launching into new work. </p>

<p>The beginning stages of your work challenges you with the question of &quot;now what&quot;?  What, if anything, are you ready to change in your work? What urges and new ideas are you entertaining? These questions impact all people who are producing creative work, because we never rest long on past accomplishments. New beginnings are the part of the creative cycle that keep us moving forward. </p>

<p>How you respond to beginning new work depends on where you are in that cycle. At different times, starting fresh work can affect you differently. If your ideas are flowing well, you probably are excited about the new work. The question of what’s next brings a positive, confident feeling. If you&#39;re struggling though, it’s time for some serious reflection about your work, and trying to pinpoint where the problems are coming from. Another difficult situation can be feeling self-imposed pressure if you&#39;re previous piece was very successful. You may worry about being able to reach that level again. Understanding that progress takes time and multiple stages in which you integrate new skills and ideas is important.  Another situation that affects how you approach new work is when you have a commitment or event that you’re working toward. In that case, there is a bigger context because you will be thinking about creating work that will show well together or that fits a specific theme.</p>

<p>While there are certainly difficulties or challenges with facing the metaphoric bank canvas, you can access positive aspects no matter where you are in the creative cycle. The fresh start, the sense of limitless possibilities is exciting, and there is a special energy when you have yet to make the first move on the new work. That is something to cultivate, to look forward to, and respect because every time you approach a new piece, you are showing commitment to your work, and a certain optimism that keeps you moving forward.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don&#39;t even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. </p>

<p><a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
What&#39;s new at Cold Wax Academy? <br>
As their summer programming comes to a close this month, Rebecca and Jerry are busy planning for their online sessions for Fall Quarter which begins October 5th. If you are already a member, please respond to the survey Jerry sent out asking for member input on what you&#39;d like to learn more about or delve into more deeply in upcoming online sessions. As instructors, Rebecca and Jerry are always aiming to increase member participation and involvement--one of the many valuable aspects of Cold Wax Academy. If you&#39;re not a member yet, this is a great time to join, catch up on all past recordings, and enjoy their interactive online sessions. <br>
Please visit <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> for more information.</p>

<p>Also-- stay tuned for information coming soon about Rebecca and Jerry&#39;s newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio&#39;s first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing <a href="mailto:info@coldwaxacademy.com" rel="nofollow">info@coldwaxacademy.com</a>. A dedicated Espacio website is coming soon!</p>

<p>Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:<br>
&quot;Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across.  Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed.&quot; </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a Tick Digital Media Production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 149: Nature's Art Supplies</title>
  <link>https://messystudio.fireside.fm/149</link>
  <guid isPermaLink="false">28afd865-29cb-4243-a1b1-50f728f864b5</guid>
  <pubDate>Sat, 31 Oct 2020 12:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/28afd865-29cb-4243-a1b1-50f728f864b5.mp3" length="36083053" type="audio/mpeg"/>
  <itunes:episode>149</itunes:episode>
  <itunes:title>Nature's Art Supplies</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work.  Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be done with sticks, dirt, rocks, feathers, bones, and other bits of nature?  Today we’ll toss around some ideas for using natural objects as art materials and tools, and forces of nature as part of the art process. </itunes:subtitle>
  <itunes:duration>32:09</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work.  Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be done with sticks, dirt, rocks, feathers, bones, and other bits of nature?  Today we’ll toss around some ideas for using natural objects as art materials and tools, and forces of nature as part of the art process. 
Many artists enjoy collecting natural objects for their beauty and unique aspects but also for specific purposes in the studios. Using materials from the natural world opens up many possibilities for mark-making, textural effects, and for using processes such as allowing weather to affect a piece by placing it outside or printing from rusted metal. 
The impulse to create with natural materials goes back to childhood for many of us when we made snow forts and tiny environments from sticks and rocks, or sealed autumn leaves between sheets of wax paper.  The connection to nature we felt then can be extended into our adult practices as an expression of our experiences in the landscape.  Many materials produce unique effects that can't be found in commercially available supplies, such as sticks and dried plant stalks for drawing, dried organic material mixed into paint, and unique natural dyes.  Sometimes the personal meaning of a work is enhanced by the origin of the material such as sand from a particular beach that the artist visited. 
Artists also develop inventive ways of interacting with natural forces as part of their practices. The British artist Andy Goldsworthy uses both objects from nature and its processes to create ephemeral sculptures of ice, earth, and fallen leaves, which he then documents in stunning photographs. Other artists bury drawings or paintings in the ground to let the earth color and erode them or set them in the rain to wash them out. Irish artist Nuala Clarke created an installation piece using bits of cloth that washed up on the beach that were beautifully weathered and worn, titled The Mariner's Laundry. 
Expanding our creative vision to what nature and its processes can bring to our work is exciting and a way to bring your own experience of nature and natural processes and forces to your work. 
Artists mentioned in this episoide: Andy Goldsworthy, Nuala Clarke, Anthony Crammen painting with fire: https://www.youtube.com/watch?v=IxwQ0itTCpM
​
Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:
www.messystudiopodcast.com/blick
​
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
​
Thanks also to everyone who sent kind messages to Ross and Kara on their wedding day last week. The wedding registry is still active on Amazon if you would like to send a gift! (https://www.amazon.com/wedding/registry/20A1CHK052VZ9?ref=wr_search_page_result_10)
​
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions  as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button. 
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a CORE Publication MGMT production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Fundamentals, Materials, Nature</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work.  Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be done with sticks, dirt, rocks, feathers, bones, and other bits of nature?  Today we’ll toss around some ideas for using natural objects as art materials and tools, and forces of nature as part of the art process. </p>

<p>Many artists enjoy collecting natural objects for their beauty and unique aspects but also for specific purposes in the studios. Using materials from the natural world opens up many possibilities for mark-making, textural effects, and for using processes such as allowing weather to affect a piece by placing it outside or printing from rusted metal. </p>

<p>The impulse to create with natural materials goes back to childhood for many of us when we made snow forts and tiny environments from sticks and rocks, or sealed autumn leaves between sheets of wax paper.  The connection to nature we felt then can be extended into our adult practices as an expression of our experiences in the landscape.  Many materials produce unique effects that can&#39;t be found in commercially available supplies, such as sticks and dried plant stalks for drawing, dried organic material mixed into paint, and unique natural dyes.  Sometimes the personal meaning of a work is enhanced by the origin of the material such as sand from a particular beach that the artist visited. </p>

<p>Artists also develop inventive ways of interacting with natural forces as part of their practices. The British artist Andy Goldsworthy uses both objects from nature and its processes to create ephemeral sculptures of ice, earth, and fallen leaves, which he then documents in stunning photographs. Other artists bury drawings or paintings in the ground to let the earth color and erode them or set them in the rain to wash them out. Irish artist Nuala Clarke created an installation piece using bits of cloth that washed up on the beach that were beautifully weathered and worn, titled The Mariner&#39;s Laundry. </p>

<p>Expanding our creative vision to what nature and its processes can bring to our work is exciting and a way to bring your own experience of nature and natural processes and forces to your work. </p>

<hr>

<p>Artists mentioned in this episoide: Andy Goldsworthy, Nuala Clarke, Anthony Crammen painting with fire: <a href="https://www.youtube.com/watch?v=IxwQ0itTCpM" rel="nofollow">https://www.youtube.com/watch?v=IxwQ0itTCpM</a><br>
​<br>
Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
Thanks also to everyone who sent kind messages to Ross and Kara on their wedding day last week. <a href="https://www.amazon.com/wedding/registry/20A1CHK052VZ9?ref=wr_search_page_result_10" rel="nofollow">The wedding registry is still active on Amazon if you would like to send a gift!</a><br>
​<br>
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions  as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> and click on the Membership button. <br>
​<br>
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work.  Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be done with sticks, dirt, rocks, feathers, bones, and other bits of nature?  Today we’ll toss around some ideas for using natural objects as art materials and tools, and forces of nature as part of the art process. </p>

<p>Many artists enjoy collecting natural objects for their beauty and unique aspects but also for specific purposes in the studios. Using materials from the natural world opens up many possibilities for mark-making, textural effects, and for using processes such as allowing weather to affect a piece by placing it outside or printing from rusted metal. </p>

<p>The impulse to create with natural materials goes back to childhood for many of us when we made snow forts and tiny environments from sticks and rocks, or sealed autumn leaves between sheets of wax paper.  The connection to nature we felt then can be extended into our adult practices as an expression of our experiences in the landscape.  Many materials produce unique effects that can&#39;t be found in commercially available supplies, such as sticks and dried plant stalks for drawing, dried organic material mixed into paint, and unique natural dyes.  Sometimes the personal meaning of a work is enhanced by the origin of the material such as sand from a particular beach that the artist visited. </p>

<p>Artists also develop inventive ways of interacting with natural forces as part of their practices. The British artist Andy Goldsworthy uses both objects from nature and its processes to create ephemeral sculptures of ice, earth, and fallen leaves, which he then documents in stunning photographs. Other artists bury drawings or paintings in the ground to let the earth color and erode them or set them in the rain to wash them out. Irish artist Nuala Clarke created an installation piece using bits of cloth that washed up on the beach that were beautifully weathered and worn, titled The Mariner&#39;s Laundry. </p>

<p>Expanding our creative vision to what nature and its processes can bring to our work is exciting and a way to bring your own experience of nature and natural processes and forces to your work. </p>

<hr>

<p>Artists mentioned in this episoide: Andy Goldsworthy, Nuala Clarke, Anthony Crammen painting with fire: <a href="https://www.youtube.com/watch?v=IxwQ0itTCpM" rel="nofollow">https://www.youtube.com/watch?v=IxwQ0itTCpM</a><br>
​<br>
Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a><br>
​<br>
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. <br>
​<br>
Thanks also to everyone who sent kind messages to Ross and Kara on their wedding day last week. <a href="https://www.amazon.com/wedding/registry/20A1CHK052VZ9?ref=wr_search_page_result_10" rel="nofollow">The wedding registry is still active on Amazon if you would like to send a gift!</a><br>
​<br>
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions  as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> and click on the Membership button. <br>
​<br>
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. <br>
​<br>
For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a><br>
​<br>
For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.coldwaxacademy.com" rel="nofollow">www.coldwaxacademy.com</a><br>
​<br>
The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 144: Cooking Up Something Good</title>
  <link>https://messystudio.fireside.fm/144</link>
  <guid isPermaLink="false">4dc32fcc-43d9-4f60-90dd-71e7bb8df3d1</guid>
  <pubDate>Sat, 26 Sep 2020 13:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/4dc32fcc-43d9-4f60-90dd-71e7bb8df3d1.mp3" length="55413895" type="audio/mpeg"/>
  <itunes:episode>144</itunes:episode>
  <itunes:title>Cooking Up Something Good</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>In our almost three years of recording podcasts, we have often found ourselves comparing cooking and art in terms of process and outcome. Since our podcast description includes “life in general” we thought it would be fun to move away from the messy studio and into the messy kitchen for an episode that explores the ways that cooking and creating art share aspects of creativity.   </itunes:subtitle>
  <itunes:duration>48:31</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>In our almost three years of recording podcasts, we have often found ourselves comparing cooking and art in terms of process and outcome. Since our podcast description includes “life in general” we thought it would be fun to move away from the messy studio and into the messy kitchen for an episode that explores the ways that cooking and creating art share aspects of creativity.  
Many artists excel at cooking and enjoy it as a relaxing and creative activity. The parallels to making art include the sensory aspect of working with materials, the need for creative innovation, balancing of flavors, and patience in letting things reach the perfect point of being done. Experience plays a role in both practices, as we gradually learn better to predict and control outcomes.  
There is also the sense of flow that a confident cook can achieve in the kitchen, moving between tasks and responding in the moment to what is needed. That feeling of control and spontaneity being in perfect balance is something many artists love when it happens in the studio. 
Self-expression plays a part in both the kitchen and studio, as we look for ways to create unique mixtures and processes that say who we are. Individuality shines through in either process, or two people with the same recipe can produce very different results.  Intuition and a playful attitude can bring the spark that both makes food special and art unique.
Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions on October 7 at 10 a.m. Central time, as part of the new membership program, and all sessions will be recorded for future viewing by members. The first introductory lesson on Oct. 7 will also be accessible free on their Facebook Cold Wax Community page. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button. 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com
Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:
www.messystudiopodcast.com/blick
The Messy Studio Podcast is a CORE Publication MGMT production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Materials, Collage, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In our almost three years of recording podcasts, we have often found ourselves comparing cooking and art in terms of process and outcome. Since our podcast description includes “life in general” we thought it would be fun to move away from the messy studio and into the messy kitchen for an episode that explores the ways that cooking and creating art share aspects of creativity.  </p>

<p>Many artists excel at cooking and enjoy it as a relaxing and creative activity. The parallels to making art include the sensory aspect of working with materials, the need for creative innovation, balancing of flavors, and patience in letting things reach the perfect point of being done. Experience plays a role in both practices, as we gradually learn better to predict and control outcomes.  </p>

<p>There is also the sense of flow that a confident cook can achieve in the kitchen, moving between tasks and responding in the moment to what is needed. That feeling of control and spontaneity being in perfect balance is something many artists love when it happens in the studio. </p>

<p>Self-expression plays a part in both the kitchen and studio, as we look for ways to create unique mixtures and processes that say who we are. Individuality shines through in either process, or two people with the same recipe can produce very different results.  Intuition and a playful attitude can bring the spark that both makes food special and art unique.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. </p>

<p>Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions on October 7 at 10 a.m. Central time, as part of the new membership program, and all sessions will be recorded for future viewing by members. The first introductory lesson on Oct. 7 will also be accessible free on their Facebook Cold Wax Community page. For more information, and to become a member of Cold Wax Academy please visit their website at <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> and click on the Membership button. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>

<p>Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In our almost three years of recording podcasts, we have often found ourselves comparing cooking and art in terms of process and outcome. Since our podcast description includes “life in general” we thought it would be fun to move away from the messy studio and into the messy kitchen for an episode that explores the ways that cooking and creating art share aspects of creativity.  </p>

<p>Many artists excel at cooking and enjoy it as a relaxing and creative activity. The parallels to making art include the sensory aspect of working with materials, the need for creative innovation, balancing of flavors, and patience in letting things reach the perfect point of being done. Experience plays a role in both practices, as we gradually learn better to predict and control outcomes.  </p>

<p>There is also the sense of flow that a confident cook can achieve in the kitchen, moving between tasks and responding in the moment to what is needed. That feeling of control and spontaneity being in perfect balance is something many artists love when it happens in the studio. </p>

<p>Self-expression plays a part in both the kitchen and studio, as we look for ways to create unique mixtures and processes that say who we are. Individuality shines through in either process, or two people with the same recipe can produce very different results.  Intuition and a playful attitude can bring the spark that both makes food special and art unique.</p>

<hr>

<p>Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. </p>

<p>Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions on October 7 at 10 a.m. Central time, as part of the new membership program, and all sessions will be recorded for future viewing by members. The first introductory lesson on Oct. 7 will also be accessible free on their Facebook Cold Wax Community page. For more information, and to become a member of Cold Wax Academy please visit their website at <a href="http://www.coldwaxacademy.com" rel="nofollow">http://www.coldwaxacademy.com</a> and click on the Membership button. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>

<p>Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 143: Quirky Mashups: Mixed Media Ideas</title>
  <link>https://messystudio.fireside.fm/143</link>
  <guid isPermaLink="false">8be27a8f-010a-4c4f-a3f7-0ae47b753e2c</guid>
  <pubDate>Sat, 19 Sep 2020 14:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/8be27a8f-010a-4c4f-a3f7-0ae47b753e2c.mp3" length="41929550" type="audio/mpeg"/>
  <itunes:episode>143</itunes:episode>
  <itunes:title>Quirky Mashups: Mixed Media Ideas</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Working in mixed media, also called combined media, expands creative possibilities, and intrigues many artists.  What materials can be used together in interesting and non-traditional ways?  How can you approach the overwhelming number of potential combinations? Mixed media involves the joy of experimentation, the satisfaction of discovering new approaches, and new ways of creating meaning and personal voice in your work. In today’s episode, we will sum up some of the comments made on a recent Facebook post about the topic, and talk about the reasons many artists love to work in mixed media. 
</itunes:subtitle>
  <itunes:duration>37:44</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>Working in mixed media, also called combined media, expands creative possibilities, and intrigues many artists.  What materials can be used together in interesting and non-traditional ways?  How can you approach the overwhelming number of potential combinations? Mixed media involves the joy of experimentation, the satisfaction of discovering new approaches, and new ways of creating meaning and personal voice in your work. In today’s episode, we will sum up some of the comments made on a recent Facebook post about the topic and talk about the reasons many artists love to work in mixed media. 
I took the title for this episode from a description by the artist Sara Post about her own work in mixed media. It seems to describe well the mixed media work many artists create; "quirky" in the sense of being very personal, very inventive, and uniquely expressive.  One of its attractions is that of play, the sense of freedom and exploration. Working in combined media almost always involves experimentation and the development of techniques. Unless you are following someone else’s process, you’re figuring it out as you go.
A pitfall of working in mixed media can be a lack of restraint or sensitivity to the various materials and ways of applying them. The result can be muddy or confusing, although an "everything but the kitchen sink" approach can work if intentional and appropriate for the idea an artist is working with.  Expressing complexity or intense contrast might be well served by this approach.
Some effective combinations of media include ink, gouache, graphite, acrylics and acrylic mediums, gesso, colored pencil, powdered pigment, transfer paper, wall paint, and collage elements for water-based media. Oil based media that work together include oil, cold wax medium, additives such as sand or ash, collage elements, and pigment sticks. The substrates that an artist works on can also be an aspect of mixed media. The results may be surprising when you work on surfaces such as found wood, tar paper, or aluminum.  Some artists use 3-D objects as a basis for their work, developing or embellishing with other materials. 
Working in mixed media can be an intriguing sideline that informs other work in progress, or an artist's main way of working.  It's a way of opening up new ideas and of working freely and experimentally and creating visual effects not possible with more traditional or straightforward uses of media.
Please check out the Messy Studio Facebook page to see an album of mixed media images sent in by liusterners. Thanks! https://www.facebook.com/MessyStudioPodcast/photos
Special thanks to Marian Sommers for setting up a monthly donation of $10. Check out her artwork at her website, http://mariansommers.com/. If you would like your own shoutout on the podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
We would like our listeners to know about a big change coming to Squeegee Press, known for its award-winning book, videos, workshops, and tools - all created for artists working with cold wax medium. Rebecca and her partner Jerry McLaughlin have announced that later this month Squeegee Press will become Cold Wax Academy-- and will soon include some exciting new membership features. 
As part of this change, their video, Cold Wax Medium: a Video Workshop will become available as streaming content for members only. 
This comprehensive video, nearly 7 hours long, covers everything Rebecca and Jerry teach in a 5-day workshop and more. If you prefer to own the video, it's on sale at $250 off from now until the end of September when access will shift to streaming only. To purchase, and for more information, please visit www.squeegeepress.com and don't forget to join the mailing list for updates on all the new offerings from Cold Wax Academy. 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com
Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:
www.messystudiopodcast.com/blick
The Messy Studio Podcast is a CORE Publication MGMT production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Fundamentals, Materials, Mixed Media</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Working in mixed media, also called combined media, expands creative possibilities, and intrigues many artists.  What materials can be used together in interesting and non-traditional ways?  How can you approach the overwhelming number of potential combinations? Mixed media involves the joy of experimentation, the satisfaction of discovering new approaches, and new ways of creating meaning and personal voice in your work. In today’s episode, we will sum up some of the comments made on a recent Facebook post about the topic and talk about the reasons many artists love to work in mixed media. </p>

<p>I took the title for this episode from a description by the artist Sara Post about her own work in mixed media. It seems to describe well the mixed media work many artists create; &quot;quirky&quot; in the sense of being very personal, very inventive, and uniquely expressive.  One of its attractions is that of play, the sense of freedom and exploration. Working in combined media almost always involves experimentation and the development of techniques. Unless you are following someone else’s process, you’re figuring it out as you go.</p>

<p>A pitfall of working in mixed media can be a lack of restraint or sensitivity to the various materials and ways of applying them. The result can be muddy or confusing, although an &quot;everything but the kitchen sink&quot; approach can work if intentional and appropriate for the idea an artist is working with.  Expressing complexity or intense contrast might be well served by this approach.</p>

<p>Some effective combinations of media include ink, gouache, graphite, acrylics and acrylic mediums, gesso, colored pencil, powdered pigment, transfer paper, wall paint, and collage elements for water-based media. Oil based media that work together include oil, cold wax medium, additives such as sand or ash, collage elements, and pigment sticks. The substrates that an artist works on can also be an aspect of mixed media. The results may be surprising when you work on surfaces such as found wood, tar paper, or aluminum.  Some artists use 3-D objects as a basis for their work, developing or embellishing with other materials. </p>

<p>Working in mixed media can be an intriguing sideline that informs other work in progress, or an artist&#39;s main way of working.  It&#39;s a way of opening up new ideas and of working freely and experimentally and creating visual effects not possible with more traditional or straightforward uses of media.</p>

<p>Please check out the Messy Studio Facebook page to see an album of mixed media images sent in by liusterners. Thanks! <a href="https://www.facebook.com/MessyStudioPodcast/photos" rel="nofollow">https://www.facebook.com/MessyStudioPodcast/photos</a></p>

<hr>

<p>Special thanks to Marian Sommers for setting up a monthly donation of $10. Check out her artwork at her website, <a href="http://mariansommers.com/" rel="nofollow">http://mariansommers.com/</a>. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. </p>

<p>We would like our listeners to know about a big change coming to Squeegee Press, known for its award-winning book, videos, workshops, and tools - all created for artists working with cold wax medium. Rebecca and her partner Jerry McLaughlin have announced that later this month Squeegee Press will become Cold Wax Academy-- and will soon include some exciting new membership features. </p>

<p>As part of this change, their video, Cold Wax Medium: a Video Workshop will become available as streaming content for members only. <br>
This comprehensive video, nearly 7 hours long, covers everything Rebecca and Jerry teach in a 5-day workshop and more. If you prefer to own the video, it&#39;s on sale at $250 off from now until the end of September when access will shift to streaming only. To purchase, and for more information, please visit <a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a> and don&#39;t forget to join the mailing list for updates on all the new offerings from Cold Wax Academy. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>

<p>Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Working in mixed media, also called combined media, expands creative possibilities, and intrigues many artists.  What materials can be used together in interesting and non-traditional ways?  How can you approach the overwhelming number of potential combinations? Mixed media involves the joy of experimentation, the satisfaction of discovering new approaches, and new ways of creating meaning and personal voice in your work. In today’s episode, we will sum up some of the comments made on a recent Facebook post about the topic and talk about the reasons many artists love to work in mixed media. </p>

<p>I took the title for this episode from a description by the artist Sara Post about her own work in mixed media. It seems to describe well the mixed media work many artists create; &quot;quirky&quot; in the sense of being very personal, very inventive, and uniquely expressive.  One of its attractions is that of play, the sense of freedom and exploration. Working in combined media almost always involves experimentation and the development of techniques. Unless you are following someone else’s process, you’re figuring it out as you go.</p>

<p>A pitfall of working in mixed media can be a lack of restraint or sensitivity to the various materials and ways of applying them. The result can be muddy or confusing, although an &quot;everything but the kitchen sink&quot; approach can work if intentional and appropriate for the idea an artist is working with.  Expressing complexity or intense contrast might be well served by this approach.</p>

<p>Some effective combinations of media include ink, gouache, graphite, acrylics and acrylic mediums, gesso, colored pencil, powdered pigment, transfer paper, wall paint, and collage elements for water-based media. Oil based media that work together include oil, cold wax medium, additives such as sand or ash, collage elements, and pigment sticks. The substrates that an artist works on can also be an aspect of mixed media. The results may be surprising when you work on surfaces such as found wood, tar paper, or aluminum.  Some artists use 3-D objects as a basis for their work, developing or embellishing with other materials. </p>

<p>Working in mixed media can be an intriguing sideline that informs other work in progress, or an artist&#39;s main way of working.  It&#39;s a way of opening up new ideas and of working freely and experimentally and creating visual effects not possible with more traditional or straightforward uses of media.</p>

<p>Please check out the Messy Studio Facebook page to see an album of mixed media images sent in by liusterners. Thanks! <a href="https://www.facebook.com/MessyStudioPodcast/photos" rel="nofollow">https://www.facebook.com/MessyStudioPodcast/photos</a></p>

<hr>

<p>Special thanks to Marian Sommers for setting up a monthly donation of $10. Check out her artwork at her website, <a href="http://mariansommers.com/" rel="nofollow">http://mariansommers.com/</a>. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. </p>

<p>We would like our listeners to know about a big change coming to Squeegee Press, known for its award-winning book, videos, workshops, and tools - all created for artists working with cold wax medium. Rebecca and her partner Jerry McLaughlin have announced that later this month Squeegee Press will become Cold Wax Academy-- and will soon include some exciting new membership features. </p>

<p>As part of this change, their video, Cold Wax Medium: a Video Workshop will become available as streaming content for members only. <br>
This comprehensive video, nearly 7 hours long, covers everything Rebecca and Jerry teach in a 5-day workshop and more. If you prefer to own the video, it&#39;s on sale at $250 off from now until the end of September when access will shift to streaming only. To purchase, and for more information, please visit <a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a> and don&#39;t forget to join the mailing list for updates on all the new offerings from Cold Wax Academy. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>

<p>Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 142: Material World</title>
  <link>https://messystudio.fireside.fm/142</link>
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  <pubDate>Sat, 12 Sep 2020 03:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/53f64c3f-500f-4330-a9fb-e10f514ba800.mp3" length="39485865" type="audio/mpeg"/>
  <itunes:episode>142</itunes:episode>
  <itunes:title>Material World</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>The materials an artist uses are one of the first things we notice when looking at art—we may see paint, clay, wood, paper, pencil, or intriguing combinations of many materials and processes. Beyond their visual impact alone, materials can also evoke feelings and ideas that add to the meaning of the work. Today we’re going to talk about materiality in art—its impact and the decisions involved in choosing art materials. </itunes:subtitle>
  <itunes:duration>34:10</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>The materials an artist uses are one of the first things we notice when looking at art—we may see paint, clay, wood, paper, pencil, or intriguing combinations of many materials and processes. Beyond their visual impact alone, materials can also evoke feelings and ideas that add to the meaning of the work. Today we’re going to talk about materiality in art—its impact and the decisions involved in choosing art materials. 
As an art term, materiality refers to the importance placed on the physical aspects of a work of art, what it is made with and the ways the artist works with it. What is expressed via the materials and processes used by an artist? How do these materials and processes alone create meaning and impact?    
There are many ways that artists engage with materiality in their work. Sometimes the source of the material is emphasized--for example a sculpture made of found objects that themselves have distinct associations. Some artists choose to challenge the traditional heiracrchies of materials, for example using concrete rather than marble or wood in sculpture, or using ephemeral materials that are not meant to hold up over time. Certain materials or processes that have cultural significance such as women's traditional craft are sometimes elevated into a broader context of social commentary. Other times the materials and processes may be obscured so as to lead to a sense of mystery about how an effect was created. 
Many artists choose to work with conventional materials in established ways but even so, knowledge of the properties of their chosen media is important. Choosing how we approach materials and processes are choices we make as artists, whether or not we make materiality itself a focus.  
Special thanks to Marian Sommers for setting up a monthly donation of $10. Check out her artwork at her website, http://mariansommers.com/. If you would like your own shoutout on the podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). 
We would like our listeners to know about a big change coming to Squeegee Press, known for its award-winning book, videos, workshops, and tools - all created for artists working with cold wax medium. Rebecca and her partner Jerry McLaughlin have announced that later this month Squeegee Press will become Cold Wax Academy-- and will soon include some exciting new membership features. 
As part of this change, their video, Cold Wax Medium: a Video Workshop will become available as streaming content for members only. 
This comprehensive video, nearly 7 hours long, covers everything Rebecca and Jerry teach in a 5-day workshop and more. If you prefer to own the video, it's on sale at $250 off from now until the end of September when access will shift to streaming only. To purchase, and for more information, please visit www.squeegeepress.com and don't forget to join the mailing list for updates on all the new offerings from Cold Wax Academy. 
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? 
Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. 
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com
Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:
www.messystudiopodcast.com/blick
The Messy Studio Podcast is a CORE Publication MGMT production.  
</description>
  <itunes:keywords>Rebecca Crowell, Art, Creativity, Fundamentals, Materials, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>The materials an artist uses are one of the first things we notice when looking at art—we may see paint, clay, wood, paper, pencil, or intriguing combinations of many materials and processes. Beyond their visual impact alone, materials can also evoke feelings and ideas that add to the meaning of the work. Today we’re going to talk about materiality in art—its impact and the decisions involved in choosing art materials. </p>

<p>As an art term, materiality refers to the importance placed on the physical aspects of a work of art, what it is made with and the ways the artist works with it. What is expressed via the materials and processes used by an artist? How do these materials and processes alone create meaning and impact?    </p>

<p>There are many ways that artists engage with materiality in their work. Sometimes the source of the material is emphasized--for example a sculpture made of found objects that themselves have distinct associations. Some artists choose to challenge the traditional heiracrchies of materials, for example using concrete rather than marble or wood in sculpture, or using ephemeral materials that are not meant to hold up over time. Certain materials or processes that have cultural significance such as women&#39;s traditional craft are sometimes elevated into a broader context of social commentary. Other times the materials and processes may be obscured so as to lead to a sense of mystery about how an effect was created. </p>

<p>Many artists choose to work with conventional materials in established ways but even so, knowledge of the properties of their chosen media is important. Choosing how we approach materials and processes are choices we make as artists, whether or not we make materiality itself a focus.  </p>

<hr>

<p>Special thanks to Marian Sommers for setting up a monthly donation of $10. Check out her artwork at her website, <a href="http://mariansommers.com/" rel="nofollow">http://mariansommers.com/</a>. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. </p>

<p>We would like our listeners to know about a big change coming to Squeegee Press, known for its award-winning book, videos, workshops, and tools - all created for artists working with cold wax medium. Rebecca and her partner Jerry McLaughlin have announced that later this month Squeegee Press will become Cold Wax Academy-- and will soon include some exciting new membership features. </p>

<p>As part of this change, their video, Cold Wax Medium: a Video Workshop will become available as streaming content for members only. <br>
This comprehensive video, nearly 7 hours long, covers everything Rebecca and Jerry teach in a 5-day workshop and more. If you prefer to own the video, it&#39;s on sale at $250 off from now until the end of September when access will shift to streaming only. To purchase, and for more information, please visit <a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a> and don&#39;t forget to join the mailing list for updates on all the new offerings from Cold Wax Academy. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>

<p>Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>The materials an artist uses are one of the first things we notice when looking at art—we may see paint, clay, wood, paper, pencil, or intriguing combinations of many materials and processes. Beyond their visual impact alone, materials can also evoke feelings and ideas that add to the meaning of the work. Today we’re going to talk about materiality in art—its impact and the decisions involved in choosing art materials. </p>

<p>As an art term, materiality refers to the importance placed on the physical aspects of a work of art, what it is made with and the ways the artist works with it. What is expressed via the materials and processes used by an artist? How do these materials and processes alone create meaning and impact?    </p>

<p>There are many ways that artists engage with materiality in their work. Sometimes the source of the material is emphasized--for example a sculpture made of found objects that themselves have distinct associations. Some artists choose to challenge the traditional heiracrchies of materials, for example using concrete rather than marble or wood in sculpture, or using ephemeral materials that are not meant to hold up over time. Certain materials or processes that have cultural significance such as women&#39;s traditional craft are sometimes elevated into a broader context of social commentary. Other times the materials and processes may be obscured so as to lead to a sense of mystery about how an effect was created. </p>

<p>Many artists choose to work with conventional materials in established ways but even so, knowledge of the properties of their chosen media is important. Choosing how we approach materials and processes are choices we make as artists, whether or not we make materiality itself a focus.  </p>

<hr>

<p>Special thanks to Marian Sommers for setting up a monthly donation of $10. Check out her artwork at her website, <a href="http://mariansommers.com/" rel="nofollow">http://mariansommers.com/</a>. If you would like your own shoutout on the podcast <a href="https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F" rel="nofollow">donate here</a>. </p>

<p>We would like our listeners to know about a big change coming to Squeegee Press, known for its award-winning book, videos, workshops, and tools - all created for artists working with cold wax medium. Rebecca and her partner Jerry McLaughlin have announced that later this month Squeegee Press will become Cold Wax Academy-- and will soon include some exciting new membership features. </p>

<p>As part of this change, their video, Cold Wax Medium: a Video Workshop will become available as streaming content for members only. <br>
This comprehensive video, nearly 7 hours long, covers everything Rebecca and Jerry teach in a 5-day workshop and more. If you prefer to own the video, it&#39;s on sale at $250 off from now until the end of September when access will shift to streaming only. To purchase, and for more information, please visit <a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a> and don&#39;t forget to join the mailing list for updates on all the new offerings from Cold Wax Academy. </p>

<p>Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? <br>
Email Ross at <a href="mailto:rticknor.core@gmail.com" rel="nofollow">rticknor.core@gmail.com</a> for current mid-roll advertising rates. </p>

<p>For more from The Messy Studio:<br>
<a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>For more from Rebecca Crowell:<br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a></p>

<p>Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link:<br>
<a href="http://www.messystudiopodcast.com/blick" rel="nofollow">www.messystudiopodcast.com/blick</a></p>

<p>The Messy Studio Podcast is a CORE Publication MGMT production. </p>]]>
  </itunes:summary>
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