web02.fireside.fm Wed, 15 Apr 2026 03:38:42 -0500 Fireside (https://fireside.fm) The Messy Studio with Rebecca Crowell - Episodes Tagged with “New Mexico” https://messystudio.fireside.fm/tags/new%20mexico Sat, 21 Mar 2020 15:00:00 -0500 Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! en-us episodic The podcast at the intersection of art, travel, business, philosophy, and life in general. Rebecca Crowell Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! no Rebecca Crowell rticknor.core@gmail.com Episode 117: COVID-19 Outbreak: Coping With Isolation https://messystudio.fireside.fm/117 381d2b7f-7310-4edb-bcbb-8f8feea8c916 Sat, 21 Mar 2020 15:00:00 -0500 Rebecca Crowell 117 COVID-19 Outbreak: Coping With Isolation full Rebecca Crowell When the news media first mentioned the coronavirus spreading through China, few of us in the rest of the world realized the huge impact it would have. A few months later we face quarantines and severe economic consequences, and many of us are facing isolation, boredom, and anxiety, as well as financial stress. In this episode we address how the current measures implemented to contain COVID-19 have affected our lives as artists, as well as ideas for coping in this time of uncertainty and change. 53:35 no When the news media first mentioned the coronavirus spreading through China, few of us in the rest of the world realized the huge impact it would have. A few months later we face quarantines and severe economic consequences and many of us are facing isolation, boredom, and anxiety, as well as financial stress. In this episode we address how the current measures implemented to contain COVID-19 have affected our lives as artists, as well as ideas for coping in this time of uncertainty and change. Currently Rebecca is in quarantine in New Mexico, fortunately without symptoms. She did have to cut her time in Ireland short and return to the United States before the suspension of international travel. This meant canceling a workshop, an important source of income, and spending the next two weeks confined to her home. Like many other artists, she has also canceled other upcoming workshops and travel. The pandemic now affects every aspect of our lives as artists, from the postponed or canceled events and galleries on the economic brink, to the need to shelter in place, possibly apart from our studios, and the loss of personal contact with other artists. It can be hard to focus on our work when we are feeling anxious and distracted by the constant flow of bad news, and worries about ourselves and our loved ones. There is much about the current situation that is unknown and beyond our control. But concentrating on what we can control, including our attitudes is the key to staying mentally healthy. Even though many things now seem hopeless and frightening, there are also positive aspects to the situation on which to focus. Acting in generous ways, thinking of how to help others, and realizing we're all in this together can all help with remaining on track. For many of us, a spiritual component is critical to maintaining the right attitude to survive and thrive in the midst of a catastrophe. Technology is a help in many aspects of what we're now dealing with, and spirituality is no exception. Whatever your spiritual philosophy, there is an app that will send you daily devotionals, meditations, or affirmations. Spend some time every morning reading these rather than the latest COVID-19 news. This will set the tone for the rest of the day. The news is important, but it can wait a few minutes. As artists we are very fortunate to have the commitment to our work to help us in this time of isolation. Some of us are lucky enough to have ongoing access to our studios, but if not it may help to remember times when you created in less than ideal circumstances, as most of us did starting out. We can value the chance to catch up on projects, do some online learning, or delve into some idea that has been on the back burner. For many of us, our time in the studio is now our own, without the need to prepare for upcoming exhibits or meet other outside demands., and there is a certain freedom to that. We may also be able to catch up on projects that have fallen by the wayside. because we don’t find them very fulfilling, like bookkeeping or cleaning; clearing out a backlog of such chores is a good feeling. Besides more time in the studio, many of us also have more time with our families. Try to establish a routine to help you make the most of this time, including as much time as possible to your art. Adjusting to working in your studio while caring for school aged children who are now at home will be difficult, but there are many educational resources online to help. Your kids may also enjoy making some art with you, and learning about what you do. Financial difficulty will hit many of us and create a great deal of anxiety. One suggestion is to develop a new income stream related to your art practice now, such as an online course, a mentoring program, or instructional video series. An art course aimed at children might be especially appropriate at this time. Think about what your specialized niche might be and have confidence that most artists have an insatiable thirst for learning and improving. While it will take weeks or longer to develop something worth charging for, starting now is a smart move. Even the isolation imposed by COVID-19 ends soon, we'll be feeling the economic strain for some time. We are all currently faced with enormous changes and challenges, and it's all happening fast. Some people will sit at home, hypnotized by the television, waiting for this all to be over. But others will use this time to improve their work, improvise with what they do have, and address neglected aspects of their lives. To quote the late Toni Morrison: "This is precisely the time when artists go to work. There is no time for despair, no place for self pity, no need for silence, and no room for fear. We do language. (or in this case, art…) That is how civilizations heal." Here are some great learning resources for you... Access to your library online: https://www.overdrive.com/ MIT's open courseware platform: https://ocw.mit.edu/index.htm Skillshare has a banner ad at the top of the screen for two months of premium for free: www.skillshare.com Here is a list of free resources put together by Forbes: https://www.forbes.com/sites/martingiles/2020/03/19/free-software-for-businesses-and-schools-covid19/#467e08ee752d For more Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast For more from Rebecca Crowell: www.rebeccacrowell.com www.squeegeepress.com The Messy Studio Podcast is a CORE Publication MGMT production. Rebecca Crowell, Art, Travel, New Mexico, COVID-19, Quarantine, Isolation, Learning, Personal Development When the news media first mentioned the coronavirus spreading through China, few of us in the rest of the world realized the huge impact it would have. A few months later we face quarantines and severe economic consequences and many of us are facing isolation, boredom, and anxiety, as well as financial stress. In this episode we address how the current measures implemented to contain COVID-19 have affected our lives as artists, as well as ideas for coping in this time of uncertainty and change.

Currently Rebecca is in quarantine in New Mexico, fortunately without symptoms. She did have to cut her time in Ireland short and return to the United States before the suspension of international travel. This meant canceling a workshop, an important source of income, and spending the next two weeks confined to her home. Like many other artists, she has also canceled other upcoming workshops and travel.

The pandemic now affects every aspect of our lives as artists, from the postponed or canceled events and galleries on the economic brink, to the need to shelter in place, possibly apart from our studios, and the loss of personal contact with other artists. It can be hard to focus on our work when we are feeling anxious and distracted by the constant flow of bad news, and worries about ourselves and our loved ones.

There is much about the current situation that is unknown and beyond our control. But concentrating on what we can control, including our attitudes is the key to staying mentally healthy. Even though many things now seem hopeless and frightening, there are also positive aspects to the situation on which to focus. Acting in generous ways, thinking of how to help others, and realizing we're all in this together can all help with remaining on track. For many of us, a spiritual component is critical to maintaining the right attitude to survive and thrive in the midst of a catastrophe. Technology is a help in many aspects of what we're now dealing with, and spirituality is no exception. Whatever your spiritual philosophy, there is an app that will send you daily devotionals, meditations, or affirmations. Spend some time every morning reading these rather than the latest COVID-19 news. This will set the tone for the rest of the day. The news is important, but it can wait a few minutes.

As artists we are very fortunate to have the commitment to our work to help us in this time of isolation. Some of us are lucky enough to have ongoing access to our studios, but if not it may help to remember times when you created in less than ideal circumstances, as most of us did starting out. We can value the chance to catch up on projects, do some online learning, or delve into some idea that has been on the back burner. For many of us, our time in the studio is now our own, without the need to prepare for upcoming exhibits or meet other outside demands., and there is a certain freedom to that. We may also be able to catch up on projects that have fallen by the wayside. because we don’t find them very fulfilling, like bookkeeping or cleaning; clearing out a backlog of such chores is a good feeling.

Besides more time in the studio, many of us also have more time with our families. Try to establish a routine to help you make the most of this time, including as much time as possible to your art. Adjusting to working in your studio while caring for school aged children who are now at home will be difficult, but there are many educational resources online to help. Your kids may also enjoy making some art with you, and learning about what you do.

Financial difficulty will hit many of us and create a great deal of anxiety. One suggestion is to develop a new income stream related to your art practice now, such as an online course, a mentoring program, or instructional video series. An art course aimed at children might be especially appropriate at this time. Think about what your specialized niche might be and have confidence that most artists have an insatiable thirst for learning and improving. While it will take weeks or longer to develop something worth charging for, starting now is a smart move. Even the isolation imposed by COVID-19 ends soon, we'll be feeling the economic strain for some time.

We are all currently faced with enormous changes and challenges, and it's all happening fast. Some people will sit at home, hypnotized by the television, waiting for this all to be over. But others will use this time to improve their work, improvise with what they do have, and address neglected aspects of their lives.

To quote the late Toni Morrison:
"This is precisely the time when artists go to work. There is no time for despair, no place for self pity, no need for silence, and no room for fear. We do language. (or in this case, art…) That is how civilizations heal."

Here are some great learning resources for you...

Access to your library online:
https://www.overdrive.com/

MIT's open courseware platform:
https://ocw.mit.edu/index.htm

Skillshare has a banner ad at the top of the screen for two months of premium for free:
www.skillshare.com

Here is a list of free resources put together by Forbes:
https://www.forbes.com/sites/martingiles/2020/03/19/free-software-for-businesses-and-schools-covid19/#467e08ee752d

For more Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast

For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com

The Messy Studio Podcast is a CORE Publication MGMT production.

]]> When the news media first mentioned the coronavirus spreading through China, few of us in the rest of the world realized the huge impact it would have. A few months later we face quarantines and severe economic consequences and many of us are facing isolation, boredom, and anxiety, as well as financial stress. In this episode we address how the current measures implemented to contain COVID-19 have affected our lives as artists, as well as ideas for coping in this time of uncertainty and change.

Currently Rebecca is in quarantine in New Mexico, fortunately without symptoms. She did have to cut her time in Ireland short and return to the United States before the suspension of international travel. This meant canceling a workshop, an important source of income, and spending the next two weeks confined to her home. Like many other artists, she has also canceled other upcoming workshops and travel.

The pandemic now affects every aspect of our lives as artists, from the postponed or canceled events and galleries on the economic brink, to the need to shelter in place, possibly apart from our studios, and the loss of personal contact with other artists. It can be hard to focus on our work when we are feeling anxious and distracted by the constant flow of bad news, and worries about ourselves and our loved ones.

There is much about the current situation that is unknown and beyond our control. But concentrating on what we can control, including our attitudes is the key to staying mentally healthy. Even though many things now seem hopeless and frightening, there are also positive aspects to the situation on which to focus. Acting in generous ways, thinking of how to help others, and realizing we're all in this together can all help with remaining on track. For many of us, a spiritual component is critical to maintaining the right attitude to survive and thrive in the midst of a catastrophe. Technology is a help in many aspects of what we're now dealing with, and spirituality is no exception. Whatever your spiritual philosophy, there is an app that will send you daily devotionals, meditations, or affirmations. Spend some time every morning reading these rather than the latest COVID-19 news. This will set the tone for the rest of the day. The news is important, but it can wait a few minutes.

As artists we are very fortunate to have the commitment to our work to help us in this time of isolation. Some of us are lucky enough to have ongoing access to our studios, but if not it may help to remember times when you created in less than ideal circumstances, as most of us did starting out. We can value the chance to catch up on projects, do some online learning, or delve into some idea that has been on the back burner. For many of us, our time in the studio is now our own, without the need to prepare for upcoming exhibits or meet other outside demands., and there is a certain freedom to that. We may also be able to catch up on projects that have fallen by the wayside. because we don’t find them very fulfilling, like bookkeeping or cleaning; clearing out a backlog of such chores is a good feeling.

Besides more time in the studio, many of us also have more time with our families. Try to establish a routine to help you make the most of this time, including as much time as possible to your art. Adjusting to working in your studio while caring for school aged children who are now at home will be difficult, but there are many educational resources online to help. Your kids may also enjoy making some art with you, and learning about what you do.

Financial difficulty will hit many of us and create a great deal of anxiety. One suggestion is to develop a new income stream related to your art practice now, such as an online course, a mentoring program, or instructional video series. An art course aimed at children might be especially appropriate at this time. Think about what your specialized niche might be and have confidence that most artists have an insatiable thirst for learning and improving. While it will take weeks or longer to develop something worth charging for, starting now is a smart move. Even the isolation imposed by COVID-19 ends soon, we'll be feeling the economic strain for some time.

We are all currently faced with enormous changes and challenges, and it's all happening fast. Some people will sit at home, hypnotized by the television, waiting for this all to be over. But others will use this time to improve their work, improvise with what they do have, and address neglected aspects of their lives.

To quote the late Toni Morrison:
"This is precisely the time when artists go to work. There is no time for despair, no place for self pity, no need for silence, and no room for fear. We do language. (or in this case, art…) That is how civilizations heal."

Here are some great learning resources for you...

Access to your library online:
https://www.overdrive.com/

MIT's open courseware platform:
https://ocw.mit.edu/index.htm

Skillshare has a banner ad at the top of the screen for two months of premium for free:
www.skillshare.com

Here is a list of free resources put together by Forbes:
https://www.forbes.com/sites/martingiles/2020/03/19/free-software-for-businesses-and-schools-covid19/#467e08ee752d

For more Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast

For more from Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com

The Messy Studio Podcast is a CORE Publication MGMT production.

]]> Episode 114: Art Conservation https://messystudio.fireside.fm/114 e3f5d6c3-804c-4834-8a73-89721689e6ff Sat, 29 Feb 2020 00:00:00 -0600 Rebecca Crowell 114 Art Conservation full Rebecca Crowell Rebecca interviews Jill Whitten and Robert Proctor of Whitten & Proctor Fine Art Conservation. They discuss the process of art conservation and restoration, as well as their paths into the field and some of their projects with museums around the world. 36:52 no Rebecca interviews Jill Whitten and Robert Proctor of Whitten & Proctor Fine Art Conservation. They discuss the process of art conservation and restoration, as well as their paths into the field and some of their projects with museums around the world. (From http://www.whittenandproctor.com/02Experience.htm) JILL WHITTEN has been a painting conservator in private practice in Houston,Texas since 1999. She received a BFA in Painting from the University of Texas at Austin, and an MA and Certificate of Conservation from Buffalo State College, New York, in 1992. She spent her graduate internship and a three-year Mellon Fellowship at the Art Institute of Chicago. In the winter of 1995, she received a Kress Grant to work as a guest conservator at the J. Paul Getty Museum on the first phase of a collaborative project to produce new retouching paints for conservators. She and Robert Proctor were sabbatical replacement lecturers at the Buffalo State College Art Conservation Department in the spring of 1996. From 1996 to 98 she worked at the National Gallery of Art in Washington, D.C., testing and developing retouching materials in the Scientific Department and as a conservator of 20th Century paintings. Jill worked as a contract conservator at the Museum of Fine Arts, Houston treating the paintings of Frederic Remington in 1997 and 1998. Jill has lectured and led workshops for conservators in the U.S. and Europe on the use of new materials for varnishing and retouching since 1993. ROBERT PROCTOR has had a private practice serving individuals, institutions, museums, libraries, and corporations since 1994. He studied Art History at Tulane University in New Orleans and graduated with a BA in 1980. He earned an MA and Certificate of Conservation at Buffalo State College in Buffalo, New York in 1992. He traveled to Munich for his graduate internship at the Bayerisches Nationalmuseum where he mastered the technique of reweaving tears. From 1992-93 Robert was a graduate intern and an assistant painting conservator at the Indianapolis Museum of Art. He treated a large group of paintings by Max Beckmann at the Saint Louis Art Museum in preparation for an exhibition in Stuttgart. He worked with Jill Whitten on the Frederic Remington Collection at the Museum of Fine Arts, Houston in 1997 and 1998. Robert is a specialist in the reweaving of tears and has taught workshops on reweaving and has lectured internationally on varnishes since 1994. PROFESSIONAL AFFILIATIONS American Institute for Conservation-AIC International Institute for Conservation-IIC Texas Association of Museums-TAM Western Area Art Conservation-WAAC Special Guest: Jill Whitten & Robert Proctor. Rebecca Crowell, Art, Travel, New Mexico, Art Conservation, Conservators, Museums, Restoration Rebecca interviews Jill Whitten and Robert Proctor of Whitten & Proctor Fine Art Conservation. They discuss the process of art conservation and restoration, as well as their paths into the field and some of their projects with museums around the world.

(From http://www.whittenandproctor.com/02Experience.htm)

JILL WHITTEN has been a painting conservator in private practice in Houston,Texas since 1999. She received a BFA in Painting from the University of Texas at Austin, and an MA and Certificate of Conservation from Buffalo State College, New York, in 1992. She spent her graduate internship and a three-year Mellon Fellowship at the Art Institute of Chicago. In the winter of 1995, she received a Kress Grant to work as a guest conservator at the J. Paul Getty Museum on the first phase of a collaborative project to produce new retouching paints for conservators. She and Robert Proctor were sabbatical replacement lecturers at the Buffalo State College Art Conservation Department in the spring of 1996. From 1996 to 98 she worked at the National Gallery of Art in Washington, D.C., testing and developing retouching materials in the Scientific Department and as a conservator of 20th Century paintings. Jill worked as a contract conservator at the Museum of Fine Arts, Houston treating the paintings of Frederic Remington in 1997 and 1998. Jill has lectured and led workshops for conservators in the U.S. and Europe on the use of new materials for varnishing and retouching since 1993.

ROBERT PROCTOR has had a private practice serving individuals, institutions, museums, libraries, and corporations since 1994. He studied Art History at Tulane University in New Orleans and graduated with a BA in 1980. He earned an MA and Certificate of Conservation at Buffalo State College in Buffalo, New York in 1992. He traveled to Munich for his graduate internship at the Bayerisches Nationalmuseum where he mastered the technique of reweaving tears. From 1992-93 Robert was a graduate intern and an assistant painting conservator at the Indianapolis Museum of Art. He treated a large group of paintings by Max Beckmann at the Saint Louis Art Museum in preparation for an exhibition in Stuttgart. He worked with Jill Whitten on the Frederic Remington Collection at the Museum of Fine Arts, Houston in 1997 and 1998. Robert is a specialist in the reweaving of tears and has taught workshops on reweaving and has lectured internationally on varnishes since 1994.

PROFESSIONAL AFFILIATIONS
American Institute for Conservation-AIC
International Institute for Conservation-IIC
Texas Association of Museums-TAM
Western Area Art Conservation-WAAC

Special Guest: Jill Whitten & Robert Proctor.

]]> Rebecca interviews Jill Whitten and Robert Proctor of Whitten & Proctor Fine Art Conservation. They discuss the process of art conservation and restoration, as well as their paths into the field and some of their projects with museums around the world.

(From http://www.whittenandproctor.com/02Experience.htm)

JILL WHITTEN has been a painting conservator in private practice in Houston,Texas since 1999. She received a BFA in Painting from the University of Texas at Austin, and an MA and Certificate of Conservation from Buffalo State College, New York, in 1992. She spent her graduate internship and a three-year Mellon Fellowship at the Art Institute of Chicago. In the winter of 1995, she received a Kress Grant to work as a guest conservator at the J. Paul Getty Museum on the first phase of a collaborative project to produce new retouching paints for conservators. She and Robert Proctor were sabbatical replacement lecturers at the Buffalo State College Art Conservation Department in the spring of 1996. From 1996 to 98 she worked at the National Gallery of Art in Washington, D.C., testing and developing retouching materials in the Scientific Department and as a conservator of 20th Century paintings. Jill worked as a contract conservator at the Museum of Fine Arts, Houston treating the paintings of Frederic Remington in 1997 and 1998. Jill has lectured and led workshops for conservators in the U.S. and Europe on the use of new materials for varnishing and retouching since 1993.

ROBERT PROCTOR has had a private practice serving individuals, institutions, museums, libraries, and corporations since 1994. He studied Art History at Tulane University in New Orleans and graduated with a BA in 1980. He earned an MA and Certificate of Conservation at Buffalo State College in Buffalo, New York in 1992. He traveled to Munich for his graduate internship at the Bayerisches Nationalmuseum where he mastered the technique of reweaving tears. From 1992-93 Robert was a graduate intern and an assistant painting conservator at the Indianapolis Museum of Art. He treated a large group of paintings by Max Beckmann at the Saint Louis Art Museum in preparation for an exhibition in Stuttgart. He worked with Jill Whitten on the Frederic Remington Collection at the Museum of Fine Arts, Houston in 1997 and 1998. Robert is a specialist in the reweaving of tears and has taught workshops on reweaving and has lectured internationally on varnishes since 1994.

PROFESSIONAL AFFILIATIONS
American Institute for Conservation-AIC
International Institute for Conservation-IIC
Texas Association of Museums-TAM
Western Area Art Conservation-WAAC

Special Guest: Jill Whitten & Robert Proctor.

]]> Episode 109: Interview with Paula Roland: An Uncharted Journey https://messystudio.fireside.fm/109 6cefee26-d599-4655-a786-dd35e1be7c5a Sat, 01 Feb 2020 14:00:00 -0600 Rebecca Crowell 109 Interview with Paula Roland: An Uncharted Journey full Rebecca Crowell Rebecca Crowell interviews Paula Roland about her life as an artist and entrepreneur. 41:18 no Rebecca Crowell interviews Paula Roland about her life as an artist and entrepreneur. (From https://paularoland.com/roland-bio/) Paula Roland is a life-long artist and teacher with an MFA in painting and sculpture from the University of New Orleans. After many years teaching painting and drawing at the college level, Paula found a niche specializing in encaustic monotype printing and related encaustic topics. Since 1996, these processes and materials have informed her own works, and in turn inspired her teaching. Born on the Mississippi Gulf Coast, Paula spent much of her adult life living and working in nearby New Orleans. Her works address the extremes in nature and the natural world’s nexus with ecology, science, art, and spirit. Since the early 1980s her works have examined natural phenomena and human interaction. Drawn to areas with a strong sense of place that are culturally rich, diverse, and visually inspiring, Roland moved to Santa Fe, New Mexico in 1989. “Living near Los Alamos National Labs and Chaos Theory think tanks has led to a heightened interest in science, including systems, fractals, and strange attractors. In recent works, I examine ecology through intuitive mapping, finding my way in rapidly changing environments in the natural world through my art. I choose materials for their ability to be somewhat unpredictable or have the ability to change and therefore partner with me in making the work. This process circumvents preconceived ideas and opens me to new possibilities. I engage with the image and medium in a direct and intimate way. With encaustic printing, thought and action are one, much like improvisational music or dance.” Roland’s awards include commissions from the National Endowment for the Arts and for the US Department of State’s American Embassies in South Africa and Uganda. She was awarded residencies at VCCA in Virginia and in France, and two at the Santa Fe Art Institute, working with Lynda Benglis and with Elizabeth Murray. Articles on Paula Roland have appeared in New American Painting, Surface Design Journal, Artist’s Magazine, New Mexico Magazine, the Santa Fean Magazine and Vasari21 online art magazine. Her works are included in books and media on art, encaustic and installation. Check out Paula's websites: https://paularoland.com/ https://www.rolandworkshops.com/ More Messy Studio available at: www.messystudiopodcast.com www.facebook.com/messystudiopocast Rebecca Crowell: www.rebeccacrowell.com www.squeegeepress.com Special Guest: Paula Roland. Rebecca Crowell, Art, Travel, New Mexico, Interview, Paula Roland, Encaustic, Monotype, Workshops, Entrepreneurship Rebecca Crowell interviews Paula Roland about her life as an artist and entrepreneur.

(From https://paularoland.com/roland-bio/)

Paula Roland is a life-long artist and teacher with an MFA in painting and sculpture from the University of New Orleans. After many years teaching painting and drawing at the college level, Paula found a niche specializing in encaustic monotype printing and related encaustic topics. Since 1996, these processes and materials have informed her own works, and in turn inspired her teaching.

Born on the Mississippi Gulf Coast, Paula spent much of her adult life living and working in nearby New Orleans. Her works address the extremes in nature and the natural world’s nexus with ecology, science, art, and spirit. Since the early 1980s her works have examined natural phenomena and human interaction. Drawn to areas with a strong sense of place that are culturally rich, diverse, and visually inspiring, Roland moved to Santa Fe, New Mexico in 1989.

“Living near Los Alamos National Labs and Chaos Theory think tanks has led to a heightened interest in science, including systems, fractals, and strange attractors. In recent works, I examine ecology through intuitive mapping, finding my way in rapidly changing environments in the natural world through my art. I choose materials for their ability to be somewhat unpredictable or have the ability to change and therefore partner with me in making the work. This process circumvents preconceived ideas and opens me to new possibilities. I engage with the image and medium in a direct and intimate way. With encaustic printing, thought and action are one, much like improvisational music or dance.”

Roland’s awards include commissions from the National Endowment for the Arts and for the US Department of State’s American Embassies in South Africa and Uganda. She was awarded residencies at VCCA in Virginia and in France, and two at the Santa Fe Art Institute, working with Lynda Benglis and with Elizabeth Murray. Articles on Paula Roland have appeared in New American Painting, Surface Design Journal, Artist’s Magazine, New Mexico Magazine, the Santa Fean Magazine and Vasari21 online art magazine. Her works are included in books and media on art, encaustic and installation.

Check out Paula's websites:
https://paularoland.com/
https://www.rolandworkshops.com/

More Messy Studio available at:
www.messystudiopodcast.com
www.facebook.com/messystudiopocast

Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com

Special Guest: Paula Roland.

]]> Rebecca Crowell interviews Paula Roland about her life as an artist and entrepreneur.

(From https://paularoland.com/roland-bio/)

Paula Roland is a life-long artist and teacher with an MFA in painting and sculpture from the University of New Orleans. After many years teaching painting and drawing at the college level, Paula found a niche specializing in encaustic monotype printing and related encaustic topics. Since 1996, these processes and materials have informed her own works, and in turn inspired her teaching.

Born on the Mississippi Gulf Coast, Paula spent much of her adult life living and working in nearby New Orleans. Her works address the extremes in nature and the natural world’s nexus with ecology, science, art, and spirit. Since the early 1980s her works have examined natural phenomena and human interaction. Drawn to areas with a strong sense of place that are culturally rich, diverse, and visually inspiring, Roland moved to Santa Fe, New Mexico in 1989.

“Living near Los Alamos National Labs and Chaos Theory think tanks has led to a heightened interest in science, including systems, fractals, and strange attractors. In recent works, I examine ecology through intuitive mapping, finding my way in rapidly changing environments in the natural world through my art. I choose materials for their ability to be somewhat unpredictable or have the ability to change and therefore partner with me in making the work. This process circumvents preconceived ideas and opens me to new possibilities. I engage with the image and medium in a direct and intimate way. With encaustic printing, thought and action are one, much like improvisational music or dance.”

Roland’s awards include commissions from the National Endowment for the Arts and for the US Department of State’s American Embassies in South Africa and Uganda. She was awarded residencies at VCCA in Virginia and in France, and two at the Santa Fe Art Institute, working with Lynda Benglis and with Elizabeth Murray. Articles on Paula Roland have appeared in New American Painting, Surface Design Journal, Artist’s Magazine, New Mexico Magazine, the Santa Fean Magazine and Vasari21 online art magazine. Her works are included in books and media on art, encaustic and installation.

Check out Paula's websites:
https://paularoland.com/
https://www.rolandworkshops.com/

More Messy Studio available at:
www.messystudiopodcast.com
www.facebook.com/messystudiopocast

Rebecca Crowell:
www.rebeccacrowell.com
www.squeegeepress.com

Special Guest: Paula Roland.

]]> Episode 106: Interview With Betsy Williams - The Microseasons Project https://messystudio.fireside.fm/106 fc81ba1f-7d26-401e-85ed-9d645abfc937 Sat, 11 Jan 2020 16:00:00 -0600 Rebecca Crowell 106 Interview With Betsy Williams - The Microseasons Project full Rebecca Crowell In today's episode, Rebecca interviews New Mexico artist Betsy Williams about her work and recently published book. 39:14 no In today's episode, Rebecca interviews New Mexico artist Betsy Williams about her work and recently published book. https://www.instagram.com/enbistudio/ https://www.enbistudio.com/ https://www.bluebearvending.com/ www.messystudiopodcast.com www.rebeccacrowell.com www.squeegeepress.com www.facebook.com/messystudiopodcast Special Guest: Betsy Williams. Rebecca Crowell, Art, Travel, New Mexico, Interview, Betsy Williams, Collaborations In today's episode, Rebecca interviews New Mexico artist Betsy Williams about her work and recently published book.

https://www.instagram.com/enbistudio/
https://www.enbistudio.com/
https://www.bluebearvending.com/

www.messystudiopodcast.com
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Special Guest: Betsy Williams.

]]> In today's episode, Rebecca interviews New Mexico artist Betsy Williams about her work and recently published book.

https://www.instagram.com/enbistudio/
https://www.enbistudio.com/
https://www.bluebearvending.com/

www.messystudiopodcast.com
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Special Guest: Betsy Williams.

]]> Episode 97: Cindy Stapper: Between Realism and Abstraction https://messystudio.fireside.fm/97 420acde7-f8b1-444f-b0b4-d4fce1ebe6a0 Sat, 09 Nov 2019 13:00:00 -0600 Rebecca Crowell 97 Cindy Stapper: Between Realism and Abstraction full Rebecca Crowell New Mexico painter Cindy Stapper discusses her work in which she explores the dichotomy of presence and absence through both realistic and more abstracted approaches to the landscape. Other topics that she and Rebecca talk about include the challenges of change, the pull of the wild Irish landscape, her appreciation of cold wax medium and oil, and the influence of poetry and writing on her work. 30:57 no New Mexico painter Cindy Stapper discusses her work in which she explores the dichotomy of presence and absence through both realistic and more abstracted approaches to the landscape. Other topics that she and rebecca talk about include the challenges of change, the pull of the wild Irish landscape, her appreciation of cold wax medium and oil, and the influence of poetry and writing on her work. https://cindystapper.com/ www.messystudiopodcast.com www.rebeccacrowell.com www.squeegeepress.com www.facebook.com/messystudiopodcast Special Guest: Cindy Stapper. Rebecca Crowell, Art, Travel, New Mexico, Interview, Cold Wax, Landscape, Abstraction New Mexico painter Cindy Stapper discusses her work in which she explores the dichotomy of presence and absence through both realistic and more abstracted approaches to the landscape. Other topics that she and rebecca talk about include the challenges of change, the pull of the wild Irish landscape, her appreciation of cold wax medium and oil, and the influence of poetry and writing on her work.

https://cindystapper.com/
www.messystudiopodcast.com
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Special Guest: Cindy Stapper.

]]> New Mexico painter Cindy Stapper discusses her work in which she explores the dichotomy of presence and absence through both realistic and more abstracted approaches to the landscape. Other topics that she and rebecca talk about include the challenges of change, the pull of the wild Irish landscape, her appreciation of cold wax medium and oil, and the influence of poetry and writing on her work.

https://cindystapper.com/
www.messystudiopodcast.com
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Special Guest: Cindy Stapper.

]]> Episode 7: An Artistic Marriage: Debra Fritts/ Frank Shelton Interview https://messystudio.fireside.fm/7 9857e97d-b854-4ddb-81c7-b4235665e5fe Sat, 03 Feb 2018 06:00:00 -0600 Rebecca Crowell 7 An Artistic Marriage: Debra Fritts/ Frank Shelton Interview full Rebecca Crowell Debra Fritts and Frank Shelton discuss their shared love of art, New Mexico, and each other. 39:08 no Debra Fritts and Frank Shelton discuss their shared love of art, New Mexico, and each other. Rebecca joins them at their home in Abiquiú, where they have adjoining (but separate) studio spaces. http://franksheltonart.com http://www.debrafrittsartist.com http://rebeccacrowell.com https://www.coldwaxbook.com Special Guests: Debra Fritts and Frank Shelton. Debra Fritts and Frank Shelton discuss their shared love of art, New Mexico, and each other. Rebecca joins them at their home in Abiquiú, where they have adjoining (but separate) studio spaces.

http://franksheltonart.com

http://www.debrafrittsartist.com

http://rebeccacrowell.com

https://www.coldwaxbook.com

Special Guests: Debra Fritts and Frank Shelton.

]]> Debra Fritts and Frank Shelton discuss their shared love of art, New Mexico, and each other. Rebecca joins them at their home in Abiquiú, where they have adjoining (but separate) studio spaces.

http://franksheltonart.com

http://www.debrafrittsartist.com

http://rebeccacrowell.com

https://www.coldwaxbook.com

Special Guests: Debra Fritts and Frank Shelton.

]]>