web02.fireside.fm Mon, 06 Apr 2026 22:00:16 -0500 Fireside (https://fireside.fm) The Messy Studio with Rebecca Crowell - Episodes Tagged with “Shows” https://messystudio.fireside.fm/tags/shows Mon, 28 Aug 2023 20:00:00 -0500 Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! en-us episodic The podcast at the intersection of art, travel, business, philosophy, and life in general. Rebecca Crowell Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! no Rebecca Crowell rticknor.core@gmail.com Episode 263: After The Exhibit https://messystudio.fireside.fm/263 40747fc9-ff80-4236-a0a8-560105b187ea Mon, 28 Aug 2023 20:00:00 -0500 Rebecca Crowell 263 After The Exhibit full Rebecca Crowell It’s what so many artists work toward—a solo exhibit or small group show-- when a large body of work is shown at its best, to an appreciative audience. Preparation for an exhibit like that can take months, even years. Slowly you produce the work, experiencing everything from panic to satisfaction as the finished pieces for your exhibit accumulate. It can be both a draining and exhilarating experience as you head toward the finish line. Finally, your show opens, and then what? You have a few weeks or a month of receiving congratulations and feedback, hoping for sales, celebrating when they happen, and then rather suddenly, it’s all over. Today we’ll talk about the aftermath of an exhibit, a time to process what you’ve accomplished and consider what’s next. 31:26 no It’s what so many artists work toward—a solo exhibit or small group show-- when a large body of work is shown at its best, to an appreciative audience. Preparation for an exhibit like that can take months, even years. Slowly you produce the work, experiencing everything from panic to satisfaction as the finished pieces for your exhibit accumulate. It can be both a draining and exhilarating experience as you head toward the finish line. Finally, your show opens, and then what? You have a few weeks or a month of receiving congratulations and feedback, hoping for sales, celebrating when they happen, and then rather suddenly, it’s all over. Today we’ll talk about the aftermath of an exhibit, a time to process what you’ve accomplished and consider what’s next. Exhibits are milestones in your art career, and it's important to take some time to process your accomplishment, by observing how you feel about the work that was exhibited. Take some time to appreciate seeing the work as a body, hanging together, and to consider what might be next. What has changed in your vision and intentions? Many artists also experience a lull or creative block following the big push of having an exhibit. Although this can be frustrating, this downtime can also be beneficial as a time to rest and find your way back into your work. You may need to step back to gather new ideas and energy. Keep your long-term goals in mind but allow yourself some time off. The issues of sales also tends to occupy you in the post-exhibit period. Friends will inquire, and your own finances may cause you to feel anxious about having some income from the show. But try to remember that sales are not the measure of a good exhibit. There are too many factors influencing whether sales happen to use them as a gauge of success. Nobody but the artist really understands everything that goes into producing an exhibit. Your own perspective is the most important and that needs to be focused on the big picture of your work, what you've learned and where your work may be heading. There can be a lot of distractions around a show—sales, publicity, contacts, exposure. A lot of that is exciting and can lead to new opportunities, but in the end, you go back to your studio and work. You are not the same artist you were before you went through this process, and it's time to move on. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). • When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. ​ www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? As Rebecca and Jerry enter the fourth year of live programming, they are bringing a special emphasis to reviewing and consolidating prior learning, as well as to increased member involvement on a variety of topics like professional development, mentoring issues, and other questions posed to the group. As always, Members are also encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, And don't forget that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions covering a broad range of topics. You don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information there, from the effective use of the visual elements and composition, to personal voice and intentions, to personal issues like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com ​ Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. ​ Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." ​ Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. ​ Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. • For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast • For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com • The Messy Studio Podcast is a Tick Digital Media Production. Rebecca Crowell, Art, Creativity, Galleries, Exhibits, Shows, Mindset It’s what so many artists work toward—a solo exhibit or small group show-- when a large body of work is shown at its best, to an appreciative audience. Preparation for an exhibit like that can take months, even years. Slowly you produce the work, experiencing everything from panic to satisfaction as the finished pieces for your exhibit accumulate. It can be both a draining and exhilarating experience as you head toward the finish line. Finally, your show opens, and then what? You have a few weeks or a month of receiving congratulations and feedback, hoping for sales, celebrating when they happen, and then rather suddenly, it’s all over. Today we’ll talk about the aftermath of an exhibit, a time to process what you’ve accomplished and consider what’s next.

Exhibits are milestones in your art career, and it's important to take some time to process your accomplishment, by observing how you feel about the work that was exhibited. Take some time to appreciate seeing the work as a body, hanging together, and to consider what might be next. What has changed in your vision and intentions?

Many artists also experience a lull or creative block following the big push of having an exhibit. Although this can be frustrating, this downtime can also be beneficial as a time to rest and find your way back into your work. You may need to step back to gather new ideas and energy. Keep your long-term goals in mind but allow yourself some time off.

The issues of sales also tends to occupy you in the post-exhibit period. Friends will inquire, and your own finances may cause you to feel anxious about having some income from the show. But try to remember that sales are not the measure of a good exhibit. There are too many factors influencing whether sales happen to use them as a gauge of success.

Nobody but the artist really understands everything that goes into producing an exhibit. Your own perspective is the most important and that needs to be focused on the big picture of your work, what you've learned and where your work may be heading. There can be a lot of distractions around a show—sales, publicity, contacts, exposure. A lot of that is exciting and can lead to new opportunities, but in the end, you go back to your studio and work. You are not the same artist you were before you went through this process, and it's time to move on.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
•
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.
​
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? As Rebecca and Jerry enter the fourth year of live programming, they are bringing a special emphasis to reviewing and consolidating prior learning, as well as to increased member involvement on a variety of topics like professional development, mentoring issues, and other questions posed to the group. As always, Members are also encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, And don't forget that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions covering a broad range of topics. You don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information there, from the effective use of the visual elements and composition, to personal voice and intentions, to personal issues like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com
​
Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.
​
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."
​
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
•
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
•
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
•
The Messy Studio Podcast is a Tick Digital Media Production.

]]> It’s what so many artists work toward—a solo exhibit or small group show-- when a large body of work is shown at its best, to an appreciative audience. Preparation for an exhibit like that can take months, even years. Slowly you produce the work, experiencing everything from panic to satisfaction as the finished pieces for your exhibit accumulate. It can be both a draining and exhilarating experience as you head toward the finish line. Finally, your show opens, and then what? You have a few weeks or a month of receiving congratulations and feedback, hoping for sales, celebrating when they happen, and then rather suddenly, it’s all over. Today we’ll talk about the aftermath of an exhibit, a time to process what you’ve accomplished and consider what’s next.

Exhibits are milestones in your art career, and it's important to take some time to process your accomplishment, by observing how you feel about the work that was exhibited. Take some time to appreciate seeing the work as a body, hanging together, and to consider what might be next. What has changed in your vision and intentions?

Many artists also experience a lull or creative block following the big push of having an exhibit. Although this can be frustrating, this downtime can also be beneficial as a time to rest and find your way back into your work. You may need to step back to gather new ideas and energy. Keep your long-term goals in mind but allow yourself some time off.

The issues of sales also tends to occupy you in the post-exhibit period. Friends will inquire, and your own finances may cause you to feel anxious about having some income from the show. But try to remember that sales are not the measure of a good exhibit. There are too many factors influencing whether sales happen to use them as a gauge of success.

Nobody but the artist really understands everything that goes into producing an exhibit. Your own perspective is the most important and that needs to be focused on the big picture of your work, what you've learned and where your work may be heading. There can be a lot of distractions around a show—sales, publicity, contacts, exposure. A lot of that is exciting and can lead to new opportunities, but in the end, you go back to your studio and work. You are not the same artist you were before you went through this process, and it's time to move on.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
•
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.
​
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? As Rebecca and Jerry enter the fourth year of live programming, they are bringing a special emphasis to reviewing and consolidating prior learning, as well as to increased member involvement on a variety of topics like professional development, mentoring issues, and other questions posed to the group. As always, Members are also encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, And don't forget that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions covering a broad range of topics. You don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information there, from the effective use of the visual elements and composition, to personal voice and intentions, to personal issues like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com
​
Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.
​
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."
​
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
•
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
•
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
•
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Episode 253: Dealing with Rejection https://messystudio.fireside.fm/253 2a0b58e0-753e-4b33-b00f-630068d451b1 Sat, 27 May 2023 16:00:00 -0500 Rebecca Crowell 253 Dealing with Rejection full Rebecca Crowell It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability 36:03 no It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability Accepting rejection as part of the process of your development is important. We all try many things as artists that don't work out for us, whether that is a new medium, a project, or a technique. Yet we learn to carry on with the next idea with a positive attitude. Rather than taking rejection as a personal affront, it's helpful to look at it in a similar objective way, as just another attempt that didn't turn out as you hoped. But although it is basically good advice to shrug off rejection this is also a simplistic approach, because most people have emotional or personality characteristics that get in the way. These include perfectionism, insecurity, inflexibility, a sense of entitlement or being prone to having unrealistic expectations. It helps to try and separate your own personal issues from the reality of how the art world operates. Although there are certainly times when an artist's work is rejected based on a lack of quality or originality, many times this decision has more to do with the goals of the gallery, juried show, venue, or residency program which may or may not be apparent. How you experience rejection tends to change over a long art career. In the beginning, you probably apply for more opportunities, and hence receive more rejections. When you are more established you are probably more selective about where you submit. After all, your needs change, and every application requires focus, time, and sometimes cost. In deciding where to place your resources, consider your true goals and how an acceptance would contribute to your growth as an artist. It is never wise to apply out of a sense of competition or regard an acceptance as a "win" or to prove yourself. With this attitude, it is easy to see rejection as invalidating your work and can undermine your confidence. There is a danger in letting rejection affect you too much, in becoming discouraged, or allowing it to affect your self-image as an artist. Knowing how common it is for artists at every stage to be rejected may help, as does insight into the way art venues operate and to understand that your work may simply not align with whoever is deciding the outcome wants. In the end, it's up to you to push forward according to your own goals, despite rejections. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick What's new At Cold Wax Academy? Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work. To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production. Rebecca Crowell, Art, Creativity, Business, Growth, Shows, Exhibitions, Rejection, Mind Set It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability

Accepting rejection as part of the process of your development is important. We all try many things as artists that don't work out for us, whether that is a new medium, a project, or a technique. Yet we learn to carry on with the next idea with a positive attitude. Rather than taking rejection as a personal affront, it's helpful to look at it in a similar objective way, as just another attempt that didn't turn out as you hoped.

But although it is basically good advice to shrug off rejection this is also a simplistic approach, because most people have emotional or personality characteristics that get in the way. These include perfectionism, insecurity, inflexibility, a sense of entitlement or being prone to having unrealistic expectations. It helps to try and separate your own personal issues from the reality of how the art world operates. Although there are certainly times when an artist's work is rejected based on a lack of quality or originality, many times this decision has more to do with the goals of the gallery, juried show, venue, or residency program which may or may not be apparent.

How you experience rejection tends to change over a long art career. In the beginning, you probably apply for more opportunities, and hence receive more rejections. When you are more established you are probably more selective about where you submit. After all, your needs change, and every application requires focus, time, and sometimes cost. In deciding where to place your resources, consider your true goals and how an acceptance would contribute to your growth as an artist. It is never wise to apply out of a sense of competition or regard an acceptance as a "win" or to prove yourself. With this attitude, it is easy to see rejection as invalidating your work and can undermine your confidence.

There is a danger in letting rejection affect you too much, in becoming discouraged, or allowing it to affect your self-image as an artist. Knowing how common it is for artists at every stage to be rejected may help, as does insight into the way art venues operate and to understand that your work may simply not align with whoever is deciding the outcome wants. In the end, it's up to you to push forward according to your own goals, despite rejections.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> It’s never easy putting your work in front of others to be judged and scrutinized, but if you don’t it’s very hard to gain a wider audience or grow as an artist. Submitting work to galleries, grant panels, juried shows, and competitions tends to become a routine part of what artists do. But for every time you’re chosen for an opportunity, there are many more times when you are rejected or simply ignored. And despite the thick skins many of us develop, rejection is never easy. Today we’ll talk about coping with rejection and try to gain some perspective on its inevitability

Accepting rejection as part of the process of your development is important. We all try many things as artists that don't work out for us, whether that is a new medium, a project, or a technique. Yet we learn to carry on with the next idea with a positive attitude. Rather than taking rejection as a personal affront, it's helpful to look at it in a similar objective way, as just another attempt that didn't turn out as you hoped.

But although it is basically good advice to shrug off rejection this is also a simplistic approach, because most people have emotional or personality characteristics that get in the way. These include perfectionism, insecurity, inflexibility, a sense of entitlement or being prone to having unrealistic expectations. It helps to try and separate your own personal issues from the reality of how the art world operates. Although there are certainly times when an artist's work is rejected based on a lack of quality or originality, many times this decision has more to do with the goals of the gallery, juried show, venue, or residency program which may or may not be apparent.

How you experience rejection tends to change over a long art career. In the beginning, you probably apply for more opportunities, and hence receive more rejections. When you are more established you are probably more selective about where you submit. After all, your needs change, and every application requires focus, time, and sometimes cost. In deciding where to place your resources, consider your true goals and how an acceptance would contribute to your growth as an artist. It is never wise to apply out of a sense of competition or regard an acceptance as a "win" or to prove yourself. With this attitude, it is easy to see rejection as invalidating your work and can undermine your confidence.

There is a danger in letting rejection affect you too much, in becoming discouraged, or allowing it to affect your self-image as an artist. Knowing how common it is for artists at every stage to be rejected may help, as does insight into the way art venues operate and to understand that your work may simply not align with whoever is deciding the outcome wants. In the end, it's up to you to push forward according to your own goals, despite rejections.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Episode 81: Another (Freewheeling) Conversation With Dan Addington https://messystudio.fireside.fm/81 ef13009e-e08f-4e63-99db-28cc2ac5a193 Sat, 20 Jul 2019 13:00:00 -0500 Rebecca Crowell 81 Another (Freewheeling) Conversation With Dan Addington full Rebecca Crowell Rebecca speaks with Dan Addington, owner of Addington Gallery in Chicago, Illinois about his perspective as both gallery owner and artist. Dan weighs in on when and how to approach a gallery, how we as artists can best work with our galleries, and his number one pet peeve when hanging an exhibit. 32:24 no Notes Rebecca speaks with Dan Addington, owner of Addington Gallery in Chicago, Illinois about his perspective as both gallery owner and artist. Dan weighs in on when and how to approach a gallery, how we as artists can best work with our galleries, and his number one pet peeve when hanging an exhibit. http://www.addingtongallery.com/ www.rebeccacrowell.com www.facebook.com/messystudiopodcast Special Guest: Dan Addington. Rebecca Crowell, Art, Galleries, Shows, Notes
Rebecca speaks with Dan Addington, owner of Addington Gallery in Chicago, Illinois about his perspective as both gallery owner and artist. Dan weighs in on when and how to approach a gallery, how we as artists can best work with our galleries, and his number one pet peeve when hanging an exhibit.

http://www.addingtongallery.com/
www.rebeccacrowell.com
www.facebook.com/messystudiopodcast

Special Guest: Dan Addington.

]]> Notes
Rebecca speaks with Dan Addington, owner of Addington Gallery in Chicago, Illinois about his perspective as both gallery owner and artist. Dan weighs in on when and how to approach a gallery, how we as artists can best work with our galleries, and his number one pet peeve when hanging an exhibit.

http://www.addingtongallery.com/
www.rebeccacrowell.com
www.facebook.com/messystudiopodcast

Special Guest: Dan Addington.

]]> Episode 57: Preparing For An Exhibit https://messystudio.fireside.fm/57 8c8ca1a3-3c59-44a6-b1b0-0d2416cc5aca Sat, 02 Feb 2019 11:00:00 -0600 Rebecca Crowell 57 Preparing For An Exhibit full Rebecca Crowell Rebecca is preparing for an upcoming exhibit in Atlanta, Georgia. She talks with Ross about her process and shares tips for artists preparing for a first show. 49:59 no Rebecca is preparing for an upcoming exhibit in Atlanta, Georgia. She talks with Ross about her process and shares tips for artists preparing for a first show. www.rebeccacrowell.com www.squeegeepress.com www.facebook.com/messystudiopodcast Podcast notes—exhibit prep Focus for the podcast on a show where you have 8+ pieces; a small group, two person, or solo show Getting a show: Are you ready?? Request from your gallery if not asked Proposal to non-commercial space = find out requirements, write proposal/statement Consider how much time you need to produce the work Exhibit categories: Group show with colleagues at non-commercial space Group/2 person at a gallery --they will probably choose who you show with More and more common to NOT have solo shows Be open minded about who they pair you with STEPS to a show: How much lead up time are you given, varies from over a year to a few months Maybe a theme or just a selection of your work Early on: Find out the expectations for the size and number of pieces; this is usually flexible; if you want to include something you are already working on Ask for a timetable of when the gallery will want certain things: these include list of pieces, prices, artist statement, publicity photos (work and you) put these into your own calendar Ask if you have any $ obligations for the reception/costs/announcements Will there be an artist talk Date of opening reception--Think about whether/if you can attend. Lay some groundwork for travel, clear the dates, etc. Publicity: Usually they will want some advance publicity materials even if you are still working on the paintings—send image you think will be included (anecdote) Always good to have some bio pics on hand/you in studio etc. Send Updated resume and bio—check to see if they are using something out of date; sometimes they don’t ask just take from the web Closer to the show, or according to the timeline: Self-promotion on social media; don’t rely on the venue to do it all Artist statement specific to the work; is there a theme, something that ties it together? Listen to our podcast on the topic, Choose the work or the venue to do that—if you do it, you want cohesive but with some variety; try not to include anything you don’t consider as good as the rest just for the numbers. Price list—consistent with prices elsewhere and within the list itself Double check for accuracy Mention to gallery if you are raising prices from what is in their current inventory Most galleries can adjust numbers/sizes to what you want to send, don’t be afraid to ask Prep the work: Framing works on paper/unless frame is part of the overall aesthetic, keep it simple/neutral Preparing panels and stretched canvas—framing not usually necessary for anything but small work; small work maybe/maybe not, consult with gallery Wood panels—sand and clean up, wood treatment up to you Canvas—touch up stains and splatters, somewhat optional depending on the aesthetic of the work, clean vs. expressionistic, opinions of gallery Wire the back, use good wire and d-rings, no clip type hangers or cup hooks Sign work somewhere, back/front options Title Copyright symbol and date/optional Wrap for transport of shipping/nonstick paper or foam over the front; encase in bubble wrap ---allow plenty of time Can just use blankets if transporting in car but best to wrap in plastic at least. Consider how you would deal with the work if your car broke down or was in an accident. Will you need to bring it into a hotel overnight if travelling in extreme heat or cold? Decide what to wear to the opening! At the reception: do your best to be friendly, chatty Be on time Look nice Don’t be discouraged by lack of sales at opening Ask gallery person to introduce you to people/ they don’t always think of this It’s tempting due to social anxiety, but do not just ang out with your friends or drink too much Do not pass out your own business card After the show is underway: Check in with the gallery once in a while but don’t bug them; sales take time Continue some self-promotion Rebecca Crowell, Art, Shows, Exhibits, Gallaries Rebecca is preparing for an upcoming exhibit in Atlanta, Georgia. She talks with Ross about her process and shares tips for artists preparing for a first show.

www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Podcast notes—exhibit prep

Focus for the podcast on a show where you have 8+ pieces; a small group,
two person, or solo show

Getting a show:
Are you ready??
Request from your gallery if not asked
Proposal to non-commercial space = find out requirements, write
proposal/statement
Consider how much time you need to produce the work

Exhibit categories:
Group show with colleagues at non-commercial space
Group/2 person at a gallery --they will probably choose who you show with
More and more common to NOT have solo shows
Be open minded about who they pair you with

STEPS to a show:
How much lead up time are you given, varies from over a year to a few months
Maybe a theme or just a selection of your work

Early on:
Find out the expectations for the size and number of pieces; this is usually
flexible; if you want to include something you are already working on
Ask for a timetable of when the gallery will want certain things: these include list
of pieces, prices, artist statement, publicity photos (work and you) put these into
your own calendar
Ask if you have any $ obligations for the reception/costs/announcements
Will there be an artist talk
Date of opening reception--Think about whether/if you can attend. Lay some
groundwork for travel, clear the dates, etc.
Publicity: Usually they will want some advance publicity materials even if you are
still working on the paintings—send image you think will be included (anecdote)
Always good to have some bio pics on hand/you in studio etc.
Send Updated resume and bio—check to see if they are using something out of
date; sometimes they don’t ask just take from the web

Closer to the show, or according to the timeline:
Self-promotion on social media; don’t rely on the venue to do it all
Artist statement specific to the work; is there a theme, something that ties it
together? Listen to our podcast on the topic,
Choose the work or the venue to do that—if you do it, you want cohesive but
with some variety; try not to include anything you don’t consider as good as the
rest just for the numbers.
Price list—consistent with prices elsewhere and within the list itself
Double check for accuracy
Mention to gallery if you are raising prices from what is in their current
inventory
Most galleries can adjust numbers/sizes to what you want to send, don’t be afraid
to ask

Prep the work:
Framing works on paper/unless frame is part of the overall aesthetic, keep it
simple/neutral
Preparing panels and stretched canvas—framing not usually necessary for
anything but small work; small work maybe/maybe not, consult with gallery
Wood panels—sand and clean up, wood treatment up to you
Canvas—touch up stains and splatters, somewhat optional depending on
the aesthetic of the work, clean vs. expressionistic, opinions of gallery
Wire the back, use good wire and d-rings, no clip type hangers or cup hooks
Sign work somewhere, back/front options
Title
Copyright symbol and date/optional
Wrap for transport of shipping/nonstick paper or foam over the front; encase in
bubble wrap ---allow plenty of time
Can just use blankets if transporting in car but best to wrap in plastic at least.
Consider how you would deal with the work if your car broke down or was in an
accident. Will you need to bring it into a hotel overnight if travelling in extreme
heat or cold?
Decide what to wear to the opening!

At the reception: do your best to be friendly, chatty
Be on time
Look nice
Don’t be discouraged by lack of sales at opening
Ask gallery person to introduce you to people/ they don’t always think of this
It’s tempting due to social anxiety, but do not just ang out with your friends or
drink too much
Do not pass out your own business card

After the show is underway:
Check in with the gallery once in a while but don’t bug them; sales take time
Continue some self-promotion

]]> Rebecca is preparing for an upcoming exhibit in Atlanta, Georgia. She talks with Ross about her process and shares tips for artists preparing for a first show.

www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast

Podcast notes—exhibit prep

Focus for the podcast on a show where you have 8+ pieces; a small group,
two person, or solo show

Getting a show:
Are you ready??
Request from your gallery if not asked
Proposal to non-commercial space = find out requirements, write
proposal/statement
Consider how much time you need to produce the work

Exhibit categories:
Group show with colleagues at non-commercial space
Group/2 person at a gallery --they will probably choose who you show with
More and more common to NOT have solo shows
Be open minded about who they pair you with

STEPS to a show:
How much lead up time are you given, varies from over a year to a few months
Maybe a theme or just a selection of your work

Early on:
Find out the expectations for the size and number of pieces; this is usually
flexible; if you want to include something you are already working on
Ask for a timetable of when the gallery will want certain things: these include list
of pieces, prices, artist statement, publicity photos (work and you) put these into
your own calendar
Ask if you have any $ obligations for the reception/costs/announcements
Will there be an artist talk
Date of opening reception--Think about whether/if you can attend. Lay some
groundwork for travel, clear the dates, etc.
Publicity: Usually they will want some advance publicity materials even if you are
still working on the paintings—send image you think will be included (anecdote)
Always good to have some bio pics on hand/you in studio etc.
Send Updated resume and bio—check to see if they are using something out of
date; sometimes they don’t ask just take from the web

Closer to the show, or according to the timeline:
Self-promotion on social media; don’t rely on the venue to do it all
Artist statement specific to the work; is there a theme, something that ties it
together? Listen to our podcast on the topic,
Choose the work or the venue to do that—if you do it, you want cohesive but
with some variety; try not to include anything you don’t consider as good as the
rest just for the numbers.
Price list—consistent with prices elsewhere and within the list itself
Double check for accuracy
Mention to gallery if you are raising prices from what is in their current
inventory
Most galleries can adjust numbers/sizes to what you want to send, don’t be afraid
to ask

Prep the work:
Framing works on paper/unless frame is part of the overall aesthetic, keep it
simple/neutral
Preparing panels and stretched canvas—framing not usually necessary for
anything but small work; small work maybe/maybe not, consult with gallery
Wood panels—sand and clean up, wood treatment up to you
Canvas—touch up stains and splatters, somewhat optional depending on
the aesthetic of the work, clean vs. expressionistic, opinions of gallery
Wire the back, use good wire and d-rings, no clip type hangers or cup hooks
Sign work somewhere, back/front options
Title
Copyright symbol and date/optional
Wrap for transport of shipping/nonstick paper or foam over the front; encase in
bubble wrap ---allow plenty of time
Can just use blankets if transporting in car but best to wrap in plastic at least.
Consider how you would deal with the work if your car broke down or was in an
accident. Will you need to bring it into a hotel overnight if travelling in extreme
heat or cold?
Decide what to wear to the opening!

At the reception: do your best to be friendly, chatty
Be on time
Look nice
Don’t be discouraged by lack of sales at opening
Ask gallery person to introduce you to people/ they don’t always think of this
It’s tempting due to social anxiety, but do not just ang out with your friends or
drink too much
Do not pass out your own business card

After the show is underway:
Check in with the gallery once in a while but don’t bug them; sales take time
Continue some self-promotion

]]>