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    <title>The Messy Studio with Rebecca Crowell - Episodes Tagged with “Studio”</title>
    <link>https://messystudio.fireside.fm/tags/studio</link>
    <pubDate>Sat, 16 Nov 2019 14:00:00 -0600</pubDate>
    <description>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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    <itunes:subtitle>The podcast at the intersection of art, travel, business, philosophy, and life in general.</itunes:subtitle>
    <itunes:author>Rebecca Crowell</itunes:author>
    <itunes:summary>Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!
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      <itunes:name>Rebecca Crowell</itunes:name>
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  <title>Episode 98: Our Studios, Our Sanctuaries</title>
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  <pubDate>Sat, 16 Nov 2019 14:00:00 -0600</pubDate>
  <author>Rebecca Crowell</author>
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  <itunes:episode>98</itunes:episode>
  <itunes:title>Our Studios, Our Sanctuaries</itunes:title>
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  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>There are few things artists are more passionate or opinionated about than their personal workspaces. In the past we’ve touched on many aspects of individual studio environments including the kind of sounds that artists prefer as they work (Episode #95 of The Messy Studio Podcast)  Today we’re going to further explore what makes studio spaces unique and special to those who work in them.</itunes:subtitle>
  <itunes:duration>39:28</itunes:duration>
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  <description>Our Studios, Our Sanctuaries
There are few things artists are more passionate or opinionated about than their personal workspaces. In the past we’ve touched on many aspects of individual studio environments including the kind of sounds that artists prefer as they work (Episode #95 of The Messy Studio Podcast). Today we’re going to further explore what makes art studios unique and special to those who work in them, as well as offer some practical considerations for those in the position of upgrading their spaces.
In spite of the importance of studios, they can be created almost anywhere and with minimal space and equipment.  Studios range from tiny and poorly equipped to enormous and fully functioning. Many artists carve out a work area in a basement, a spare bedroom, a garage, or shed. Others have large, well-lit, purpose-built studios with plenty of wall space and storage, perhaps even more than they actually use or need. Art can be made anywhere, and many of us have experience in a variety of studios to prove it.  
While it’s always important to make the most of whatever we have available, most of us do dream of a perfect studio and take any steps we can--even small ones-- to improve our current situations. If you’re fortunate enough to be in the position of remodeling, designing or relocating to a new studio, where do you start? Location, amount of space, how to pay for the space, and what you need for equipment, utilities, and storage are all important aspects of your planning.
But there are emotional as well as practical considerations in thinking about studios. An interesting exercise-- whether you are keeping your current workspace or planning a new one-- is to create a detailed mental image of your perfect studio. How big is it, where is it located, how is it outfitted, what supplies are on hand?  This fantasy studio can help you recognize what’s important to you in a practical sense, even if the reality is a more modest version. But it can also help you to enter a create mindset if used as a meditation before starting to work, or if you hit a slump. Any studio is as much an inner space as physical one, a sanctuary where we are most ourselves. Your fantasy studio can provide some powerful personal symbols that connect you with this truth... 
www.messystudiopodcast.com
www.rebeccacrowell.com
www.squeegeepress.com
www.facebook.com/messystudiopodcast 
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  <itunes:keywords>Rebecca Crowell, Art, Studio, Design, </itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Our Studios, Our Sanctuaries</p>

<p>There are few things artists are more passionate or opinionated about than their personal workspaces. In the past we’ve touched on many aspects of individual studio environments including the kind of sounds that artists prefer as they work (Episode #95 of The Messy Studio Podcast). Today we’re going to further explore what makes art studios unique and special to those who work in them, as well as offer some practical considerations for those in the position of upgrading their spaces.</p>

<p>In spite of the importance of studios, they can be created almost anywhere and with minimal space and equipment.  Studios range from tiny and poorly equipped to enormous and fully functioning. Many artists carve out a work area in a basement, a spare bedroom, a garage, or shed. Others have large, well-lit, purpose-built studios with plenty of wall space and storage, perhaps even more than they actually use or need. Art can be made anywhere, and many of us have experience in a variety of studios to prove it.  </p>

<p>While it’s always important to make the most of whatever we have available, most of us do dream of a perfect studio and take any steps we can--even small ones-- to improve our current situations. If you’re fortunate enough to be in the position of remodeling, designing or relocating to a new studio, where do you start? Location, amount of space, how to pay for the space, and what you need for equipment, utilities, and storage are all important aspects of your planning.</p>

<p>But there are emotional as well as practical considerations in thinking about studios. An interesting exercise-- whether you are keeping your current workspace or planning a new one-- is to create a detailed mental image of your perfect studio. How big is it, where is it located, how is it outfitted, what supplies are on hand?  This fantasy studio can help you recognize what’s important to you in a practical sense, even if the reality is a more modest version. But it can also help you to enter a create mindset if used as a meditation before starting to work, or if you hit a slump. Any studio is as much an inner space as physical one, a sanctuary where we are most ourselves. Your fantasy studio can provide some powerful personal symbols that connect you with this truth... </p>

<p><a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Our Studios, Our Sanctuaries</p>

<p>There are few things artists are more passionate or opinionated about than their personal workspaces. In the past we’ve touched on many aspects of individual studio environments including the kind of sounds that artists prefer as they work (Episode #95 of The Messy Studio Podcast). Today we’re going to further explore what makes art studios unique and special to those who work in them, as well as offer some practical considerations for those in the position of upgrading their spaces.</p>

<p>In spite of the importance of studios, they can be created almost anywhere and with minimal space and equipment.  Studios range from tiny and poorly equipped to enormous and fully functioning. Many artists carve out a work area in a basement, a spare bedroom, a garage, or shed. Others have large, well-lit, purpose-built studios with plenty of wall space and storage, perhaps even more than they actually use or need. Art can be made anywhere, and many of us have experience in a variety of studios to prove it.  </p>

<p>While it’s always important to make the most of whatever we have available, most of us do dream of a perfect studio and take any steps we can--even small ones-- to improve our current situations. If you’re fortunate enough to be in the position of remodeling, designing or relocating to a new studio, where do you start? Location, amount of space, how to pay for the space, and what you need for equipment, utilities, and storage are all important aspects of your planning.</p>

<p>But there are emotional as well as practical considerations in thinking about studios. An interesting exercise-- whether you are keeping your current workspace or planning a new one-- is to create a detailed mental image of your perfect studio. How big is it, where is it located, how is it outfitted, what supplies are on hand?  This fantasy studio can help you recognize what’s important to you in a practical sense, even if the reality is a more modest version. But it can also help you to enter a create mindset if used as a meditation before starting to work, or if you hit a slump. Any studio is as much an inner space as physical one, a sanctuary where we are most ourselves. Your fantasy studio can provide some powerful personal symbols that connect you with this truth... </p>

<p><a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>]]>
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  <title>Episode 95: What’s On In Your Studio</title>
  <link>https://messystudio.fireside.fm/95</link>
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  <pubDate>Sun, 27 Oct 2019 14:00:00 -0500</pubDate>
  <author>Rebecca Crowell</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/22d75438-4815-40ec-9f9a-9a14baaa5d77/8d5ab81e-adf8-49af-baf5-68a8140a7587.mp3" length="31784419" type="audio/mp3"/>
  <itunes:episode>95</itunes:episode>
  <itunes:title>What’s On In Your Studio</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Rebecca Crowell</itunes:author>
  <itunes:subtitle>Artists, as well as other other working professionals, create auditory environments within their work spaces. What enhances their work flow in terms of music, talk, or silence?  Some people never consider this question when designing their own studio, and placing careful consideration on how best to optimise a work environment using sound can have a big impact on the quality of work an artist is able to produce. 
</itunes:subtitle>
  <itunes:duration>28:46</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/2/22d75438-4815-40ec-9f9a-9a14baaa5d77/cover.jpg?v=1"/>
  <description>www.messystudiopodcast.com
www.squeegeepress.com
www.rebeccacrowell.com
www.facebook.com/messystudiopodcast
What’s On In Your Studio
Most artists have strong feelings about their work environments. What works, what doesn’t, what rituals or other aspects of their studio days are important? The overall environment of a studio can be expanded upon in a number of ways, but our focus today is on what is heard, or not heard, during work sessions.
Artists, as well as other other working professionals, create auditory environments within their work spaces. What enhances their work flow in terms of music, talk, or silence?  Some people never consider this question when designing their own studio, and placing careful consideration on how best to optimise a work environment using sound can have a big impact on the quality of work an artist is able to produce. 
Rebecca: I am very eclectic in my audio choices. I may play music or a radio program. At times I want something on, but it doesn’t really matter what. I usually prefer silence. I suffer from hearing loss, and the bubble of muffled silence I live in actually helps my concentration. I don’t have a good sound system in either of my studios, so my options are old CDs and whatever radio stations I can receive. If I have a craving for specific music it is usually classical. I think about putting on music the same way others might think “a snack would be nice”.
For me, music isn’t a particularly important part of my workflow, so I was somewhat surprised to find out just how passionate many artists are about their audio environment... 
</description>
  <itunes:keywords>Rebecca Crowell, Art, Studio, Sound, Music</itunes:keywords>
  <content:encoded>
    <![CDATA[<p><a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>What’s On In Your Studio</p>

<p>Most artists have strong feelings about their work environments. What works, what doesn’t, what rituals or other aspects of their studio days are important? The overall environment of a studio can be expanded upon in a number of ways, but our focus today is on what is heard, or not heard, during work sessions.</p>

<p>Artists, as well as other other working professionals, create auditory environments within their work spaces. What enhances their work flow in terms of music, talk, or silence?  Some people never consider this question when designing their own studio, and placing careful consideration on how best to optimise a work environment using sound can have a big impact on the quality of work an artist is able to produce. </p>

<p>Rebecca: I am very eclectic in my audio choices. I may play music or a radio program. At times I want something on, but it doesn’t really matter what. I usually prefer silence. I suffer from hearing loss, and the bubble of muffled silence I live in actually helps my concentration. I don’t have a good sound system in either of my studios, so my options are old CDs and whatever radio stations I can receive. If I have a craving for specific music it is usually classical. I think about putting on music the same way others might think “a snack would be nice”.</p>

<p>For me, music isn’t a particularly important part of my workflow, so I was somewhat surprised to find out just how passionate many artists are about their audio environment... </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p><a href="http://www.messystudiopodcast.com" rel="nofollow">www.messystudiopodcast.com</a><br>
<a href="http://www.squeegeepress.com" rel="nofollow">www.squeegeepress.com</a><br>
<a href="http://www.rebeccacrowell.com" rel="nofollow">www.rebeccacrowell.com</a><br>
<a href="http://www.facebook.com/messystudiopodcast" rel="nofollow">www.facebook.com/messystudiopodcast</a></p>

<p>What’s On In Your Studio</p>

<p>Most artists have strong feelings about their work environments. What works, what doesn’t, what rituals or other aspects of their studio days are important? The overall environment of a studio can be expanded upon in a number of ways, but our focus today is on what is heard, or not heard, during work sessions.</p>

<p>Artists, as well as other other working professionals, create auditory environments within their work spaces. What enhances their work flow in terms of music, talk, or silence?  Some people never consider this question when designing their own studio, and placing careful consideration on how best to optimise a work environment using sound can have a big impact on the quality of work an artist is able to produce. </p>

<p>Rebecca: I am very eclectic in my audio choices. I may play music or a radio program. At times I want something on, but it doesn’t really matter what. I usually prefer silence. I suffer from hearing loss, and the bubble of muffled silence I live in actually helps my concentration. I don’t have a good sound system in either of my studios, so my options are old CDs and whatever radio stations I can receive. If I have a craving for specific music it is usually classical. I think about putting on music the same way others might think “a snack would be nice”.</p>

<p>For me, music isn’t a particularly important part of my workflow, so I was somewhat surprised to find out just how passionate many artists are about their audio environment... </p>]]>
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