web02.fireside.fm Mon, 09 Mar 2026 20:50:33 -0500 Fireside (https://fireside.fm) The Messy Studio with Rebecca Crowell - Episodes Tagged with “Visual Ideas” https://messystudio.fireside.fm/tags/visual%20ideas Wed, 18 Oct 2023 15:00:00 -0500 Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! en-us episodic The podcast at the intersection of art, travel, business, philosophy, and life in general. Rebecca Crowell Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend! no Rebecca Crowell rticknor.core@gmail.com Episode 264: Interpreting Experience: Abstract Approaches https://messystudio.fireside.fm/264 90c7d3c0-5935-4aff-b94f-8992d4c534d0 Wed, 18 Oct 2023 15:00:00 -0500 Rebecca Crowell 264 Interpreting Experience: Abstract Approaches full Rebecca Crowell We may think of abstract painting as exploring the visual elements and the process of painting strictly for their own sakes, but that’s only one kind of abstract work. Many abstract artists have a more personal approach, in which aspects of their lives, memories and experiences fuel their work. They want to feel a direct connection between their inner lives and what they create. But finding ways to interpret these personal sources in abstract terms is a big challenge. Without obvious subject matter, how can you express an experience, tell a personal story, or evoke a memory? Today we’ll talk about some approaches to abstraction when very personal expression is the goal. 35:01 no We may think of abstract painting as exploring the visual elements and the process of painting strictly for their own sakes, but that’s only one kind of abstract work. Many abstract artists have a more personal approach, in which aspects of their lives, memories and experiences fuel their work. They want to feel a direct connection between their inner lives and what they create. But finding ways to interpret these personal sources in abstract terms is a big challenge. Without obvious subject matter, how can you express an experience, tell a personal story, or evoke a memory? Today we’ll talk about some approaches to abstraction when very personal expression is the goal. if you are an artist seeking this kind of personal involvement with your abstract work, a key is developing a meaningful visual language that feels connected to your own experiences. Personal visual language means the way you use the visual elements and composition that are most expressive to you. This can include certain color combinations or textural effects, kinds of mark-making, and considerations of scale or format. This is the result of lot of practice, building up aspects of it over time. Working in a personal way with abstraction has limitations in how specific you can be in conveying your ideas. You might think of the process as setting a stage that invites your viewer into a certain evocative realm, for example something organic or nature-related, or a something that seems architectural. But a challenge in developing abstraction with personal meaning includes avoiding literal depiction and insisting on a particular interpretation. It's very easy to slide into imagery even if you decide you want to avoid that; finding a context for your ideas that is consistent in its degree of abstraction is important. Finding the essence of experiences, places, objects, or other subject matter is an important aspect of personally expressive abstraction. Essence means the most basic and pervasive qualities of something, the distillation of an idea. It’s typically the motivation behind wanting your work to be more abstract, because it helps your own responses to your subject be more powerful. You can express essence via any of the visual elements that seem related, and you can use them freely in compositions that are not literal in their depiction. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). • When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. ​ www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? Fall quarter is now underway with sessions on Texture, Materiality and Process, Finding Time for your Work, a return visit with Gamblin representative Mary Tevlin, a painting clinic for works in progress, and the quarterly member critique. As always, Members are encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, But if you can't make it to the live sessions, remember that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions --and now you can navigate the extensive range of topics with an index to easily find what you need. By the way, you don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information --including effective use of the visual elements and composition, personal voice and intentions, mentoring topics like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com ​ Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. ​ Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." ​ Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. ​ Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. • For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast • For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com • The Messy Studio Podcast is a Tick Digital Media Production. Rebecca Crowell, Art, Creativity, Abstraction, Interpreting Work, Visual Ideas, Essence, Style We may think of abstract painting as exploring the visual elements and the process of painting strictly for their own sakes, but that’s only one kind of abstract work. Many abstract artists have a more personal approach, in which aspects of their lives, memories and experiences fuel their work. They want to feel a direct connection between their inner lives and what they create. But finding ways to interpret these personal sources in abstract terms is a big challenge. Without obvious subject matter, how can you express an experience, tell a personal story, or evoke a memory? Today we’ll talk about some approaches to abstraction when very personal expression is the goal.

if you are an artist seeking this kind of personal involvement with your abstract work, a key is developing a meaningful visual language that feels connected to your own experiences. Personal visual language means the way you use the visual elements and composition that are most expressive to you. This can include certain color combinations or textural effects, kinds of mark-making, and considerations of scale or format. This is the result of lot of practice, building up aspects of it over time.

Working in a personal way with abstraction has limitations in how specific you can be in conveying your ideas. You might think of the process as setting a stage that invites your viewer into a certain evocative realm, for example something organic or nature-related, or a something that seems architectural. But a challenge in developing abstraction with personal meaning includes avoiding literal depiction and insisting on a particular interpretation. It's very easy to slide into imagery even if you decide you want to avoid that; finding a context for your ideas that is consistent in its degree of abstraction is important.

Finding the essence of experiences, places, objects, or other subject matter is an important aspect of personally expressive abstraction. Essence means the most basic and pervasive qualities of something, the distillation of an idea. It’s typically the motivation behind wanting your work to be more abstract, because it helps your own responses to your subject be more powerful. You can express essence via any of the visual elements that seem related, and you can use them freely in compositions that are not literal in their depiction.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
•
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.
​
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Fall quarter is now underway with sessions on Texture, Materiality and Process, Finding Time for your Work, a return visit with Gamblin representative Mary Tevlin, a painting clinic for works in progress, and the quarterly member critique. As always, Members are encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, But if you can't make it to the live sessions, remember that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions --and now you can navigate the extensive range of topics with an index to easily find what you need.

By the way, you don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information --including effective use of the visual elements and composition, personal voice and intentions, mentoring topics like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com
​
Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.
​
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."
​
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
•
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
•
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
•
The Messy Studio Podcast is a Tick Digital Media Production.

]]> We may think of abstract painting as exploring the visual elements and the process of painting strictly for their own sakes, but that’s only one kind of abstract work. Many abstract artists have a more personal approach, in which aspects of their lives, memories and experiences fuel their work. They want to feel a direct connection between their inner lives and what they create. But finding ways to interpret these personal sources in abstract terms is a big challenge. Without obvious subject matter, how can you express an experience, tell a personal story, or evoke a memory? Today we’ll talk about some approaches to abstraction when very personal expression is the goal.

if you are an artist seeking this kind of personal involvement with your abstract work, a key is developing a meaningful visual language that feels connected to your own experiences. Personal visual language means the way you use the visual elements and composition that are most expressive to you. This can include certain color combinations or textural effects, kinds of mark-making, and considerations of scale or format. This is the result of lot of practice, building up aspects of it over time.

Working in a personal way with abstraction has limitations in how specific you can be in conveying your ideas. You might think of the process as setting a stage that invites your viewer into a certain evocative realm, for example something organic or nature-related, or a something that seems architectural. But a challenge in developing abstraction with personal meaning includes avoiding literal depiction and insisting on a particular interpretation. It's very easy to slide into imagery even if you decide you want to avoid that; finding a context for your ideas that is consistent in its degree of abstraction is important.

Finding the essence of experiences, places, objects, or other subject matter is an important aspect of personally expressive abstraction. Essence means the most basic and pervasive qualities of something, the distillation of an idea. It’s typically the motivation behind wanting your work to be more abstract, because it helps your own responses to your subject be more powerful. You can express essence via any of the visual elements that seem related, and you can use them freely in compositions that are not literal in their depiction.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
•
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.
​
www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Fall quarter is now underway with sessions on Texture, Materiality and Process, Finding Time for your Work, a return visit with Gamblin representative Mary Tevlin, a painting clinic for works in progress, and the quarterly member critique. As always, Members are encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, But if you can't make it to the live sessions, remember that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions --and now you can navigate the extensive range of topics with an index to easily find what you need.

By the way, you don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information --including effective use of the visual elements and composition, personal voice and intentions, mentoring topics like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com
​
Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.
​
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."
​
Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
•
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
•
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
•
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Episode 209: Abstraction and Visual Ideas https://messystudio.fireside.fm/209 ff5aac96-007b-454d-b26b-013434c950a2 Sat, 25 Jun 2022 18:00:00 -0500 Rebecca Crowell 209 Abstraction and Visual Ideas full Rebecca Crowell Abstract artists are known for getting ideas for their work everywhere. If you notice someone taking a photo of a crack in the sidewalk or staring at a piece of rusted metal, chances are good that’s an abstract artist at work, collecting ideas for lines and colors and textures. Even if we don’t depict objects realistically in our work, we are constantly observing the world around us. Today we are talking about the process of gathering and using visual ideas in creating abstract art. 37:58 no Abstract artists are known for getting ideas for their work everywhere. If you notice someone taking a photo of a crack in the sidewalk or staring at a piece of rusted metal, chances are good that’s an abstract artist at work, collecting ideas for lines and colors and textures. Even if we don’t depict objects realistically in our work, we are constantly observing the world around us. Today we are talking about the process of gathering and using visual ideas in creating abstract art. What do we mean by a visual idea in abstraction? It starts with observing something and then using that visual information in your work—not in the sense of literally reproducing it, as you might with realism, but translated into aspects of your abstract work. A visual idea can be thought of as a distillation of something you have observed that enters your abstract work in a way that is removed from its source. Visual ideas can spark imagination and serve as a point of departure into new ways of using techniques, composition, and the visual elements. Many times, we take in visual information in an unconscious way, gazing at things without mush awareness or analysis or focus, and sometimes these images do come through as we work intuitively. But to use a visual idea consciously, it helps to observe consciously. In abstraction, visual ideas can be taken from any situation you are in—whenever something strikes us as visually interesting, if we have the time and focus to and intention to really examine it. You are most likely already working with visual ideas if you are observant of the visual world. But it can be interesting to become more conscious or analytic about what you are staring at, at least every so often, and seeing what changes that may bring to your work. Nurturing visual ideas so that they grow their original source or in seeing how they appear in your work and that of others can be exciting and deeply creative. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? Rebecca and Jerry are busy planning the Summer Quarter of their membership program which begins on July 13. These exciting sessions will explore Personal Voice and Composition and continue the topic of Professional Development with some special guests. Member Critiques and Painting Clinics, Cold Wax Academy's new feature, are ongoing. You can join the membership program anytime and catch up with past recorded sessions at your own pace. Please visit http://www.coldwaxacademy.com for more information Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon! Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production. Rebecca Crowell, Art, Creativity, Abstraction, Visual Ideas Abstract artists are known for getting ideas for their work everywhere. If you notice someone taking a photo of a crack in the sidewalk or staring at a piece of rusted metal, chances are good that’s an abstract artist at work, collecting ideas for lines and colors and textures. Even if we don’t depict objects realistically in our work, we are constantly observing the world around us. Today we are talking about the process of gathering and using visual ideas in creating abstract art.

What do we mean by a visual idea in abstraction? It starts with observing something and then using that visual information in your work—not in the sense of literally reproducing it, as you might with realism, but translated into aspects of your abstract work. A visual idea can be thought of as a distillation of something you have observed that enters your abstract work in a way that is removed from its source. Visual ideas can spark imagination and serve as a point of departure into new ways of using techniques, composition, and the visual elements.

Many times, we take in visual information in an unconscious way, gazing at things without mush awareness or analysis or focus, and sometimes these images do come through as we work intuitively. But to use a visual idea consciously, it helps to observe consciously. In abstraction, visual ideas can be taken from any situation you are in—whenever something strikes us as visually interesting, if we have the time and focus to and intention to really examine it.

You are most likely already working with visual ideas if you are observant of the visual world. But it can be interesting to become more conscious or analytic about what you are staring at, at least every so often, and seeing what changes that may bring to your work. Nurturing visual ideas so that they grow their original source or in seeing how they appear in your work and that of others can be exciting and deeply creative.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Rebecca and Jerry are busy planning the Summer Quarter of their membership program which begins on July 13. These exciting sessions will explore Personal Voice and Composition and continue the topic of Professional Development with some special guests. Member Critiques and Painting Clinics, Cold Wax Academy's new feature, are ongoing. You can join the membership program anytime and catch up with past recorded sessions at your own pace. Please visit http://www.coldwaxacademy.com for more information

Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon!

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Abstract artists are known for getting ideas for their work everywhere. If you notice someone taking a photo of a crack in the sidewalk or staring at a piece of rusted metal, chances are good that’s an abstract artist at work, collecting ideas for lines and colors and textures. Even if we don’t depict objects realistically in our work, we are constantly observing the world around us. Today we are talking about the process of gathering and using visual ideas in creating abstract art.

What do we mean by a visual idea in abstraction? It starts with observing something and then using that visual information in your work—not in the sense of literally reproducing it, as you might with realism, but translated into aspects of your abstract work. A visual idea can be thought of as a distillation of something you have observed that enters your abstract work in a way that is removed from its source. Visual ideas can spark imagination and serve as a point of departure into new ways of using techniques, composition, and the visual elements.

Many times, we take in visual information in an unconscious way, gazing at things without mush awareness or analysis or focus, and sometimes these images do come through as we work intuitively. But to use a visual idea consciously, it helps to observe consciously. In abstraction, visual ideas can be taken from any situation you are in—whenever something strikes us as visually interesting, if we have the time and focus to and intention to really examine it.

You are most likely already working with visual ideas if you are observant of the visual world. But it can be interesting to become more conscious or analytic about what you are staring at, at least every so often, and seeing what changes that may bring to your work. Nurturing visual ideas so that they grow their original source or in seeing how they appear in your work and that of others can be exciting and deeply creative.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy?
Rebecca and Jerry are busy planning the Summer Quarter of their membership program which begins on July 13. These exciting sessions will explore Personal Voice and Composition and continue the topic of Professional Development with some special guests. Member Critiques and Painting Clinics, Cold Wax Academy's new feature, are ongoing. You can join the membership program anytime and catch up with past recorded sessions at your own pace. Please visit http://www.coldwaxacademy.com for more information

Also-- stay tuned for information coming soon about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. You can learn more and make a reservation by emailing info@coldwaxacademy.com. A dedicated Espacio website is coming soon!

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a Tick Digital Media Production.

]]> Episode 176: Visual Ideas https://messystudio.fireside.fm/176 acfd6bc8-b203-430e-acad-ab7bc573a07a Sat, 01 May 2021 16:00:00 -0500 Rebecca Crowell 176 Visual Ideas full Rebecca Crowell Artists often worry that their work is derivative of another artist’s work and may be very concerned about being overly influenced by someone else’s style or technique. This problem certainly does exist in the art world and is something to guard against because most of us do want our work to be original and unique. But in every field of endeavor, people build on and respond to the work of others, and this is no different for artists. Today we talk about building on, rather than appropriating, other people’s ideas. 37:18 no Artists often worry that their work is derivative of another artist’s work and may be very concerned about being overly influenced by someone else’s style or technique. This problem certainly does exist in the art world and is something to guard against because most of us do want our work to be original and unique. But in every field of endeavor, people build on and respond to the work of others, and this is no different for artists. Today we talk about building on, rather than appropriating, other people’s ideas. Being authentic in our work doesn’t negate influences of all sorts, because we are never creating in a void. Yet if you’re told your work closely resembles like that of a friend, a teacher, or well-known artist you admire, it can be inhibiting or embarrassing. A strong resemblance can happen unconsciously especially early on when you are finding your own voice, and most of the time it’s a phase that passes as you find your own way. But it is a struggle many artists go through and they may feel inadequate or insecure as they work through that time. With all the influences artists experience, how can we produce work that is truly innovative and individual? Art history highlights times when new ideas appeared, such as perspective in the Renaissance, the rejection of realism in Modernism, or the embrace of cultural icons in pop art, and we may easily feel that there is nothing left to discover. But while a few individuals stood at the forefront of these movements, many others took also took part, sharing ideas and approaches, and advancing the overarching ideas that were being explored. For most of us, individuality in our work comes not from inventing totally new approaches, but from integrating and synthesizing ideas from various sources. Working with visual ideas rather than mimicking the look or style of another artist is key to this process. This means going beyond the superficial appearance of other people's work into a more conceptual realm. It means being a fellow traveler with others as you explore ideas in art together. Every artist works with visual ideas having to do with the visual elements, design principles, and subject matter and in that sense similarities are inevitable. But there are infinite variations in synthesizing visual ideas in unique ways, that are the basis of personal voice and direction. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ Thank you also to everyone who has written testimonials for Ross's website! Have you enjoyed the audio production quality and hearing Ross's voice? Submit a testimonial by email at rticknor.core@gmail.com or by submitting the contact form at www.messystudiopodcast.com! ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? Rebecca and Jerry are busy preparing new presentations for their Spring Quarter weekly live, interactive sessions. The topics for Spring are Shape, Scale and Proportion, and Self-Coaching to improve your work habits and productivity. As always, there will be plenty of opportunities to interact with Rebecca, Jerry, and other members, along with critique sessions, feedback about your paintings, and of course a deep dive into the three selected topics of the quarter. Cold Wax Academy has been receiving lots of rave reviews from its members; they know it is the best online learning for cold wax painting available and the only membership program dedicated to this medium. Find out more at www.coldwaxacademy.com ​ Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a CORE Publication MGMT production. Rebecca Crowell, Art, Creativity, Visual Ideas, Brand, Personal Voice, Unique Ideas, 3D Printing Artists often worry that their work is derivative of another artist’s work and may be very concerned about being overly influenced by someone else’s style or technique. This problem certainly does exist in the art world and is something to guard against because most of us do want our work to be original and unique. But in every field of endeavor, people build on and respond to the work of others, and this is no different for artists. Today we talk about building on, rather than appropriating, other people’s ideas.

Being authentic in our work doesn’t negate influences of all sorts, because we are never creating in a void. Yet if you’re told your work closely resembles like that of a friend, a teacher, or well-known artist you admire, it can be inhibiting or embarrassing. A strong resemblance can happen unconsciously especially early on when you are finding your own voice, and most of the time it’s a phase that passes as you find your own way. But it is a struggle many artists go through and they may feel inadequate or insecure as they work through that time.

With all the influences artists experience, how can we produce work that is truly innovative and individual? Art history highlights times when new ideas appeared, such as perspective in the Renaissance, the rejection of realism in Modernism, or the embrace of cultural icons in pop art, and we may easily feel that there is nothing left to discover. But while a few individuals stood at the forefront of these movements, many others took also took part, sharing ideas and approaches, and advancing the overarching ideas that were being explored. For most of us, individuality in our work comes not from inventing totally new approaches, but from integrating and synthesizing ideas from various sources.

Working with visual ideas rather than mimicking the look or style of another artist is key to this process. This means going beyond the superficial appearance of other people's work into a more conceptual realm. It means being a fellow traveler with others as you explore ideas in art together. Every artist works with visual ideas having to do with the visual elements, design principles, and subject matter and in that sense similarities are inevitable. But there are infinite variations in synthesizing visual ideas in unique ways, that are the basis of personal voice and direction.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
Thank you also to everyone who has written testimonials for Ross's website! Have you enjoyed the audio production quality and hearing Ross's voice? Submit a testimonial by email at rticknor.core@gmail.com or by submitting the contact form at www.messystudiopodcast.com!
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? Rebecca and Jerry are busy preparing new presentations for their Spring Quarter weekly live, interactive sessions. The topics for Spring are Shape, Scale and Proportion, and Self-Coaching to improve your work habits and productivity.

As always, there will be plenty of opportunities to interact with Rebecca, Jerry, and other members, along with critique sessions, feedback about your paintings, and of course a deep dive into the three selected topics of the quarter. Cold Wax Academy has been receiving lots of rave reviews from its members; they know it is the best online learning for cold wax painting available and the only membership program dedicated to this medium. Find out more at www.coldwaxacademy.com
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a CORE Publication MGMT production.

]]> Artists often worry that their work is derivative of another artist’s work and may be very concerned about being overly influenced by someone else’s style or technique. This problem certainly does exist in the art world and is something to guard against because most of us do want our work to be original and unique. But in every field of endeavor, people build on and respond to the work of others, and this is no different for artists. Today we talk about building on, rather than appropriating, other people’s ideas.

Being authentic in our work doesn’t negate influences of all sorts, because we are never creating in a void. Yet if you’re told your work closely resembles like that of a friend, a teacher, or well-known artist you admire, it can be inhibiting or embarrassing. A strong resemblance can happen unconsciously especially early on when you are finding your own voice, and most of the time it’s a phase that passes as you find your own way. But it is a struggle many artists go through and they may feel inadequate or insecure as they work through that time.

With all the influences artists experience, how can we produce work that is truly innovative and individual? Art history highlights times when new ideas appeared, such as perspective in the Renaissance, the rejection of realism in Modernism, or the embrace of cultural icons in pop art, and we may easily feel that there is nothing left to discover. But while a few individuals stood at the forefront of these movements, many others took also took part, sharing ideas and approaches, and advancing the overarching ideas that were being explored. For most of us, individuality in our work comes not from inventing totally new approaches, but from integrating and synthesizing ideas from various sources.

Working with visual ideas rather than mimicking the look or style of another artist is key to this process. This means going beyond the superficial appearance of other people's work into a more conceptual realm. It means being a fellow traveler with others as you explore ideas in art together. Every artist works with visual ideas having to do with the visual elements, design principles, and subject matter and in that sense similarities are inevitable. But there are infinite variations in synthesizing visual ideas in unique ways, that are the basis of personal voice and direction.

Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here.
​
Thank you also to everyone who has written testimonials for Ross's website! Have you enjoyed the audio production quality and hearing Ross's voice? Submit a testimonial by email at rticknor.core@gmail.com or by submitting the contact form at www.messystudiopodcast.com!
​
When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies.

www.messystudiopodcast.com/blick
​
What's new at Cold Wax Academy? Rebecca and Jerry are busy preparing new presentations for their Spring Quarter weekly live, interactive sessions. The topics for Spring are Shape, Scale and Proportion, and Self-Coaching to improve your work habits and productivity.

As always, there will be plenty of opportunities to interact with Rebecca, Jerry, and other members, along with critique sessions, feedback about your paintings, and of course a deep dive into the three selected topics of the quarter. Cold Wax Academy has been receiving lots of rave reviews from its members; they know it is the best online learning for cold wax painting available and the only membership program dedicated to this medium. Find out more at www.coldwaxacademy.com
​
Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
​
For more from The Messy Studio:
www.messystudiopodcast.com
www.facebook.com/messystudiopodcast
​
For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com
​
The Messy Studio Podcast is a CORE Publication MGMT production.

]]>