October 31st, 2020 | 32 mins 9 secs
art, creativity, fundamentals, materials, nature, rebecca crowell
A trip to the art supply store or website is something most of us enjoy. We’re not just stocking up, but entertaining possibilities, wondering what a new color of paint or kind of brush or sculptural tool could bring to our work. Exploring new materials is part of what we do as artists. But there’s also a world of art materials and processes available at no cost, outside in nature. What can be done with sticks, dirt, rocks, feathers, bones, and other bits of nature? Today we’ll toss around some ideas for using natural objects as art materials and tools, and forces of nature as part of the art process.
October 24th, 2020 | 31 mins 56 secs
art, creative stages, creativity, fundamentals, process, rebecca crowell
With all of the ups and downs that we go through in the studio, it may be helpful to know that the creative process involves stages that are fairly predictable and universal--some of which are challenging. Although these stages or steps are usually described as taking place as a linear progression --from initial idea to finished work--most of us find our own process to be more complex. Today we’ll discuss these creative stages as a reminder of what we all go through as artists, while at the same time acknowledging that few things can be described neatly and simply when it comes to creativity.
October 18th, 2020 | 34 mins 24 secs
art, confidence, creativity, personal development, rebecca crowell
Confidence often seems to go along with success in the art world—when talking about the business side of things, qualities like self-assurance, decisiveness, and the ability to speak well about your work are important. In the studio, confidence may take a more private form—the ability to try new things, or to carry through with major projects. While there’s no doubt that confidence is a good thing, many artists feel they fall short of having it. Today we’re going to talk about confidence in a somewhat philosophical way that may help see it more broadly.
October 9th, 2020 | 38 mins 1 sec
aging, art, creativity, gratitude, rebecca crowell
In many ways, art is a great leveler of personal differences among those who create it. Along with other personal factors like gender and ethnicity, the age of an artist often has little or no impact on the pure, wordless first encounter between viewer and art. On the other hand, as artists we know that many aspects of our personal lives do affect the content of our work and how we go about making it. Today we are going to talk about some effects of aging on artists and their studio practices.
September 26th, 2020 | 48 mins 31 secs
art, collage, creativity, materials, rebecca crowell
In our almost three years of recording podcasts, we have often found ourselves comparing cooking and art in terms of process and outcome. Since our podcast description includes “life in general” we thought it would be fun to move away from the messy studio and into the messy kitchen for an episode that explores the ways that cooking and creating art share aspects of creativity.
September 19th, 2020 | 37 mins 44 secs
art, creativity, fundamentals, materials, mixed media, rebecca crowell
Working in mixed media, also called combined media, expands creative possibilities, and intrigues many artists. What materials can be used together in interesting and non-traditional ways? How can you approach the overwhelming number of potential combinations? Mixed media involves the joy of experimentation, the satisfaction of discovering new approaches, and new ways of creating meaning and personal voice in your work. In today’s episode, we will sum up some of the comments made on a recent Facebook post about the topic, and talk about the reasons many artists love to work in mixed media.
September 12th, 2020 | 34 mins 10 secs
art, creativity, fundamentals, materials, rebecca crowell
The materials an artist uses are one of the first things we notice when looking at art—we may see paint, clay, wood, paper, pencil, or intriguing combinations of many materials and processes. Beyond their visual impact alone, materials can also evoke feelings and ideas that add to the meaning of the work. Today we’re going to talk about materiality in art—its impact and the decisions involved in choosing art materials.
August 29th, 2020 | 36 mins 42 secs
art, career, creativity, mindset, motivation, rebecca crowell, self improvement
As artists, we love knowing that our work is appreciated by other people—whether that comes to us via exhibits, sales, awards, positive comments on social media, or simply from friends and family who respond to what we do. And even though many artists would say that recognition and validation are secondary to making the work, it can be still hard to stay motivated without some positive input. Today we’ll talk about the desire for validation alongside the pure need to create and how they can complement each other in our art practices.
August 22nd, 2020 | 42 mins 22 secs
art, career, conversation, creativity, criticism, marketing, rebecca crowell, self improvement
In a recent podcast, we talked about the remark often made about abstract artists --” my kid could paint that.” But there are lots of other things people say to and about artists that show a lack of understanding or even hostility toward art. When these happen in conversation, they can create some awkward moments. Most of us tend to feel defensive when this happens, and we can miss an opportunity to elevate the conversation. Today we’ll talk about some of these common remarks, consider why people make them, and ways to handle them gracefully.
August 15th, 2020 | 37 mins 44 secs
abstraction, art, child art, creativity, rebecca crowell
Saying that an abstract painting is something a preschooler could do sounds like the ultimate putdown for abstract art. It implies that abstraction is a scam, meant to fool the viewer into thinking it has actual importance and ridiculing the fact that it is sold for thousands of dollars. It also denies that it takes effort, skill, or seriousness to make the work. But can that same remark be viewed in a positive light instead? What do we lose as adult artists that children have naturally, before becoming self-conscious about their work? And is child art really the equivalent of adult work? Today discuss the relationship between abstraction and child art.